


Lovis Corinth
Maestro del colore – Maestro della grafica
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| Editor(s) | Harald Fiebig, Ilse Ruch, Kulturstiftung Kurt und Barbara Alten, Solothurn |
| Author(s) | Andreas Bartsch, Harald Fiebig, Barbara Martin |
| Design | Martina Zelle |
| Cover | Hardcover with flush cut |
| Size | 21 x 25,5 cm |
| Pages | 192 |
| Illustrations | 130 |
| Language(s) | German, Italian |
| ISBN | 978-3-96912-079-8 |
Lovis Corinth (b. Tapiau, East Prussia, 1858; d. Zandvoort, Netherlands, 1925) ranks among the leading German Impressionists. But he has also been described as a precursor of Expressionism for his impulsive and passionate style in painting and graphic art as well his liberal handling of form, which vividly conveys agitated states of mind and powerful emotions. In addition to an eminent body of paintings and numerous drawings and watercolors, he left a graphic oeuvre encompassing over a thousand prints. In his paintings as in his etchings and lithographs, Corinth dedicates himself to a set of recurring themes: mythological and religious motifs, nudes, still lifes, landscapes, and portraits of his family and close friends. His graphic work also shows him engaging with the challenges of self-portraiture.
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Artists: Rui Chafes, Tamara Eckhardt, Nan Goldin, Felix Gonzalez-Torres, Barbara Hammer, Carsten Höller, Ken Lum, Johanna von Monkiewitsch, Yoko Ono, Heike Weber, Stefan Wissel
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“World Framed,” exhibition, Kupferstichkabinett, Staatliche Museen zu Berlin, July 7–October 8, 2023




















