What is Vienna Actionism?
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| Editor(s) | Wiener Aktionismus Museum |
| Author(s) | Eva Badura-Triska, Julia Moebus-Puck, Lisa Moravec |
| Design | Studio FRANZ |
| Size | 17.9 x 25.5 cm |
| Cover | Hardcover |
| Pages | 292 |
| Language(s) | English |
| ISBN | 978-3-96912-157-3 |
| Illustrations | 267 |
Blows were dealt. An artist exposed and cut himself, others urinated in glasses, daubed themselves with dirt, and masturbated over the Austrian flag. Meanwhile, music was playing, including the national anthem; someone read pornographic writings. Vienna in the late 1960s: what had started in the artists’ homes and studios was now brough out on the grand stage, and taboos were broken in full view of the public.
The Vienna Actionism Museum’s first publication is dedicated to the idea of Vienna Actionism in the dynamic context of abstract realism, Fluxus, and the international Happening scene. The book relates the story of one of art history’s most influential art movements, spearheaded by the Actionists Günter Brus and Otto Muehl, Hermann Nitsch and Rudolf Schwarzkogler.
More books
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Markus Vater
Objects of Significance32€ Add to cartObjects of Significance is an artist’s book that grew out of a series of photographs and writings which Markus Vater (b. Dusseldorf, 1970; lives and works in London and Dusseldorf) collected over several years. They show and describe what matters to the artist: objects fraught with meaning, questions, relationships, memories. It is a creative and philosophical book, as funny as it is serious, delving into questions like: What do you see when you close your eyes and turn your head toward the sun? Or: How much does a cloud weigh? Vater has interviewed the North Sea for the book and ponders the wind. He sheds light on the conditions in which art comes into being and meditates on what holes are.
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Mon Trésor
34€ Add to cartEurope’s Treasure Chamber
What do the torque of the princess of Reinheim, the tableware from the Orient Express, and the radio station Europe 1’s studio building have in common? They are among the treasures of the Saar region. The book presents outstanding archaeological objects and achievements of technology and art dating from the age of the Celts to the present. Drawn from the Saarland and neighboring Alsace-Lorraine, Luxembourg, and Rhineland-Palatinate, the unexpected riches illustrate the cultural and social dimensions of this multinational region in the heart of Europe. The title Mon Trésor describes many of them quite literally: the note a seven-year-old dashed off to his father before his family was evacuated in the first days of World War II; the Roman-era ring that is also a relic, witnessing to flight and danger. All treasures are personal first and foremost, though others may later cherish them as cultural assets.
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Angelika J. Trojnarski
Noble Earth38€ Add to cartAngelika J. Trojnarski (born 1979 in Mrągowo/Polen; lives and works in Düsseldorf) examines facets of nature through an ecological, scientific, poetic study of their phenomena. Through a process centered on painting, her art articulates allegorical relationships between some of the most significant contentions of our time: humans and nature, strength and fragility, crisis and hope. She expresses a desire to understand nature by reproducing its workings, pointing to its incredible might while underscoring its increasing fragility. Trojnarski overlays raw canvases with paper fragments, employing brushwork and collage to apply materials like graphite or soot, generating a source of energy and suspense through color and contrast. The monograph offers an overview of the last decade of Trojnarski’s work.
Angelika J. Trojnarski 2006–2013 studies at Kunstakademie Düsseldorf. 2006–2009 Painting with Jörg Immendorff, Markus Lüpertz and Herbert Brandl, from 2010 Free Art with Andreas Gursky.
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Julius Hofmann
Western Philosophies35€ Add to cartJulius Hofmann (b. Göttingen, 1983; lives and works near Göttingen) has mastered the traditional aspects of painting and commands a broad repertoire of creative techniques. This expertise enables him to call conventional painting in question by combining it with the aesthetic of 1990s computer graphics. The simple and often grotesque symbolism of the imperfect digital imagery contrasts with a perfectionistic figurative painting. This approach lends his pictures a disconcerting and unexpected quality.
Western Philosophies is an episode in Hofmann’s ongoing work confronting consumerist society with its dark secrets and its indifference. Meanwhile, his creative process is also an exploration of the artist’s personal fears and frustrations. In depicting his figures, landscapes, and machines, he draws our attention to the painterly originality of structures and surfaces. The protagonists, to his mind, play a subordinate role, typically serving him as vehicles—he is more interested in the “how” than in the “what.”
Julius Hofmann studied painting with Neo Rauch and Heribert C. Ottersbach at the Academy of Fine Arts Leipzig (HGB) from 2005 until 2011. His work is represented in international collections and institutions.
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Jakob Ganslmeier
Lovely Planet. Polen / Poland16€ Add to cartAn Unconventional and Humorous Guide to a Country of Contrasts
In 2015, the photographer Jakob Ganslmeier (b. Munich, 1990; lives and works in Berlin) went on an extended tour of Poland in search of shots that captured the country’s social realities and way of life at a time of wrenching changes. The title of his project evokes associations with Lonely Planet, one of the world’s best-selling series of travel guides, and the artist took inspiration from the format of the popular books, where recommendations for readers exploring strange lands are grouped by categories. Crisscrossing Poland—he covered over ten thousand kilometers—Ganslmeier encountered widely different people and draws our attention to places that would never make it into a guidebook. His pictures show a country of extremes, between boomtown optimism and decline, consumerism and poverty, gleaming façades and bleak village streets.
Jakob Ganslmeier studied at the Ostkreuzschule für Fotografie, Berlin, and at the Bielefeld University of Applied Sciences. His pictures, which have garnered numerous awards, are frequently featured in leading German media and have been shown in exhibitions in Germany and abroad, including at the Brandenburgisches Landesmuseum für moderne Kunst, Cottbus, the Nobel Peace Center, Oslo, the Triennale der Photographie Hamburg, and the Fondation Calouste Gulbenkian, Paris.
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Călin Dan
POLLIO34€ Add to cartThe oeuvre of the Romanian artist Călin Dan (b. Arad, Romania, 1955; lives and works in Bucharest) shows the influences of conceptual and minimal art. His book Pollio surveys his creative practice of the past decade, which straddles the media of installation and performance art, film, photography, and sculpture and is enriched by his work as an art historian, writer, and curator. In addition to the titular body of work, which wrestles with the Roman historian Gaius Asinius Pollio, the volume also documents the exhibition Alzheimer (2017). Călin Dan is a founding member of the artists’ group subREAL. His work was showcased at the Istanbul (1993), Venice (1993, 1999, 2001), São Paulo (1994), and Sydney Biennales (2006). He has been director of the National Museum of Contemporary Art (MNAC) in Bucharest since 2014.
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Spaces Embodied (ENGLISH)
Draiflessen Collection32€ Add to cartWe live in spaces that we shape in accordance with our own ideas. Our everyday lives leave traces in them that speak to our habits. Spaces promise shelter and belonging, but they can also instill a sense of constraint. We grow into the spaces we inhabit—and they in turn become expressions of our personalities. Conversely, spaces, depending on their architecture and location, inform our existence. RÄUME HAUTNAH gathers works of art that, rather than conceiving of the human sphere and the spatial domain as separate, comprehend them in their complex entanglements: in bodily experience, emotional dependency, or the instinctive need for protection. An essay by Olesja Nein, the project’s curator, offers an introduction to the exhibition and takes the reader on a tour, describing each artist’s space of activity and supplying helpful information. Philipp Zitzlsperger, meanwhile, zooms in on a key aspect of the art in the exhibition, the imprint as an artistic technique with a distinctive aura, and illuminates its origins and significance since the dawn of modernism.
Artists: Absalon, Shannon Bool, Heidi Bucher, Eileen Gray, Do Ho Suh, Mary Mattingly, Tracey Snelling, Francesca Woodman
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Joanna Pousette-Dart
32€ Read more„A kind of Dialogue between Myself and the Horizon.“
The works of Joanna Pousette-Dart (b. 1947, New York; lives and works in New York) are deeply rooted in the vast expanse of the American desert landscape, without ever committing themselves to a strict objectivity. As early as the 1970s, the artist abandoned the rectangular form of her canvas in favor of dynamically balanced panels that open out to the respective space. This volume presents her fascinating paintings from 2004 till 2019, which oscillate between landscape and abstraction, line and form. Born in New York to abstract expressionist painter and founding member of the New York School of painting, Richard Pousette-Dart, Joanna Pousette-Dart’s experience as a painter rises from rich tradition. Her work is held in the collection of the Museum of Fine Arts, Boston, the Solomon R. Guggenheim Museum, New York, and the Museum of Modern Art, New York, amongst others.
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Katja Aufleger
Schwindelerregende Höhen30€ Add to cartOn a Razor’s Edge: Evanescent Moments
Katja Aufleger’s (b. Oldenburg, 1983; lives and works in Berlin) works bring instants of suspense and uncertainty into focus in a variety of aesthetic forms. Their nuclei are typically everyday phenomena and physical models, which she combines with a range of concepts from cultural history and psychology. The publication presents several series, some of which capture explosive tensions. Among them are photographs of homemade Molotov cocktails for which the artist set perfume flacons on fire, making this most recent series a probing exploration of the potentials of material aesthetics and emotion. With an introductory essay by Julia Katharina Thiemann.
Katja Aufleger studied visual art the University of Fine Arts Hamburg (HFBK), where Andreas Slominski, Matt Mullican, and Michael Diers were her teachers.
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GABRIELE BASCH, GESA LANGE
UND_NEWS_FROM_NOW_HERE18€ Add to cartBeyond Painting
Gabriele Basch’s (b. 1964, Bad Homburg; lives and works in Berlin) cut-outs and Gesa Lange’s (b. 1972, Tongeren, Belgium; lives and works in Hamburg) drawings are meditations on construction and deconstruction as well as doubts and how to overcome them. Both artists expand the range of painting: Basch, with incisions into the medium and a creative handling of the tinged shadows that transform the painted panel into a wall-mounted object; Lange, by embroidering her canvases with colorful threads that open up the pictorial space on all sides. The book presents works by both artists, initiating an animated and dynamic dialogue between their nonrepresentational visual idioms. Gabriele Basch is professor of painting at the Hochschule für Angewandte Wissenschaften Hamburg. Gesa Lange is professor of graphic art at the Hochschule für Angewandte Wissenschaften Hamburg. She has received the Kunsthalle Rostock Prize and other awards.
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Justine Otto
New Traditionalists38€ Add to cartJustine Otto (b. Zabrze, Poland, 1974; lives and works in Hamburg and Berlin) is one of the most promising artists on the contemporary painting scene. An aficionado of the absurd, she unfolds a metaphysical-psychedelic and often gaudily lustrous cosmos in pictures in which representation clashes with abstraction. In her early work, girls, women, and animals were here preferred subjects; more recently, she has painted heroes—the protagonists in myths of masculinity. After generals, officers, and strategists, she has now turned her attention to cowboys, who appear on horseback or resting under a tree, musical instrument in hand.
Justine Otto studied fine art and painting with Peter Angermann and Michael Krebber at the State Academy of Fine Arts (Städelschule) in Frankfurt am Main and obtained an MFA in 2003. She also worked as a scene designer at Städtische Bühnen Frankfurt, the city’s municipal theater company. Her paintings are held by collections including the Hessisches Landesmuseum, Darmstadt; Museum Franz Gertsch, Burgdorf, Switzerland; and the Phillips Collection, Washington, D.C.
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Horst Keinig
Scoop29€ Add to cartAn Artist Book Setting New Visual Processes in Motion
Around the year 2009, Horst Keining (b. 1949, Hattingen; lives and works in Düsseldorf) began to create blurred contours with the help of a small spray gun used without stencil. Up to four partially superimposed pictorial planes result in the oscillation and almost three-dimensional pulsation of the pictorial space. In interplay with a contrasting juxtaposition of strongly contoured images, his works convey a completely new visual experience. Since the resulting “blur effect” shrinks due to the reduction, this artist book places an essential accent on the reproduction of image details in their original size, followed by a full image of the picture.
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Stephan Kaluza
Das Rheinprojekt48€ Add to cartReinterpreting the Classical Panorama
The mythical character of the Rhine as a ‘German symbol’ has long been of profound interest to poets and visual artists. Today, however, the Rhine has lost the aura of a great romantic river along much of its course: from Basel to Rotterdam, it serves as a high-volume shipping lane, and sprawling industrial installations line its banks.
At the dawn of the new millennium, Stephan Kaluza (b. Bad Iburg, 1964; lives and works in Düsseldorf) went on an almost eight-months-long walking tour, following the Rhine from its source at the foot of Piz Badus in Switzerland to its debouchment into the North Sea near Rotterdam. During this thousand-mile trek along the river’s right bank, he stopped every minute—after between two and three hundred feet—to take a photograph of the opposite shore. In this way, his camera compiled a painstaking record of the Rhine in 21,449 individual shots. Digitally assembled in a single six-inch-tall composite image, the pictures form a two-and-a-half-mile stream.
What Kaluza created in this project would have been inconceivable before the development of digital photography, which made the seamless presentation of the pictures in a single panoramic band possible. What is more, the computers capable of processing the enormous quantities of data did not arrive until a few years ago. It took the artist’s assistants a full two years just to edit the images. Harnessing digital technology, Kaluza creates for photography what had been the exclusive precinct of painting: a sweeping holistic perspective. A large number of the fascinating panorama photographs were published in the imposing tome Der Rhein in 2007. Das Rheinprojekt now presents a freshly composed selection from this treasure trove.
Stephan Kaluza received a comprehensive education in Düsseldorf in the 1990s, studying photography at the city’s University of Applied Sciences, art history at the Academy of Fine Arts, and history and philosophy at Düsseldorf University. Since 1995, his work has been shown at numerous galleries in Seoul, Shanghai, Jerusalem, Los Angeles, Berlin and elsewhere. Kaluza’s plays have been performed in Düsseldorf, Berlin, and Stuttgart.
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Photography of Presence
24€ Add to cartThe Importance of the Moment in Artistic Photography
Can photographs exist which represent concrete places? In view of the daily flood of images, this question seems superfluous at first. Only on closer inspection does the distance between the visual experience of places and the media images generated from them become apparent. “There is nothing in this world that does not have a decisive moment,” Henri Cartier-Bresson once stated. The present volume examines this decisive moment and explores the question of how artistic photography can describe the gap between spatial reality and photographic image and make the present at the time the photograph was taken visible.
With works by Viktoria Binschtok, Julian Faulhaber, Mareike Foecking, Stephanie Kiwitt, Nikolaus Koliusis, Barbara Probst, and Wolfgang Zurborn as well as texts by Holger Kube Ventura.
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Africa
in the View of the Photographers19,90€ Add to cartContemporary Photography from Africa
Stereotypes still dominate the Western image of Africa; we tend to know little about cities like Lagos, Porto-Novo, or Kinshasa. The book presents photographs by African artists who tell stories from everyday life in the metropolises, of the unruliness of nature and industry, of traces of the past and pop culture. Osborne Macharia, for example, interweaves Kenya’s cultural identity with fictional Afro-futuristic plots; Yoriyas documents the small moments of life in his native Casablanca in pictures that have been picked up by the New York Times, National Geographic, and Vogue; Alice Mann’s intimate essays in portraiture, meanwhile, explore ideas about the making of pictures as a collaborative act. With additional works by Ilan Godfrey, Fabrice Monteiro, Kibuuka Mukisa Oscar, Léonard Pongo, and Fethi Sahraoui, the book offers a profoundly original survey of African realities.
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Austin Eddy
Selected poems40€ Add to cartSince 2018, the American painter and sculptor Austin Eddy (b. Boston, 1986; lives and works in Brooklyn) has probed the manifestations of modern painting in a world between abstraction and figuration. As a child and teenager, Eddy immersed himself in the imageries of comics, cartoons, and record covers. In the early 2010s, he studied in Chicago with Barbara Rossi, who had been one of the Chicago Imagists in the 1960s. The deconstruction of everyday objects into innumerable forms and hues became his central theme. Eddy’s works play with luminous colors, overlaid textures, animated bird motifs, and abstract planes of light while grappling with a human existence defined by loss and the passage of time. Situated on the margins of reality, his paintings and sculptures are like visual poems, celebrating the evanescent instant that exists only for a second before fading into the past.
Austin Eddy completed a BFA at the School of the Art Institute of Chicago in 2010.
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On Air
Der Klang des Materials in der Kunst der 1950er bis 1970er Jahre40€ Add to cartOn Air showcases a distinctive art form, the sound sculpture, retracing its evolution from the early 1950s, when artists begin dismantling the conventional boundaries of art, to the early 1970s. In no more than a quarter-century, the range of possible answers to the question “What is art?” grows vastly larger. Propelled by the idea of the work of art as a machine and instrument, sounds, noises, tones, vibrations, silence, words, breath become a “tangible” sculptural material. Artists enrich visual perception by adding the acoustic dimension, interweave seeing and hearing, explore time and space with fresh zeal. In emerging artistic genres such as performance, installation, or media art, sound is an integral component of the work. The book focuses on sound objects by Yaakov Agam, Joseph Beuys, Hermann Goepfert, Yves Klein, Jannis Kounellis, Bruce Nauman, Robert Rauschenberg, Jean Tinguely, David Tudor, Timm Ulrichs, and others.
With five scholarly essays and numerous illustrations and notes on individual works, the comprehensive publication offers an attractive introduction to the subject.
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Adrian Schiess
The Song Element68€ Add to cartThe Renowned Swiss Artist and His Work in Its Architectural Setting
Smoothly painted panels laid out on the floor have earned Adrian Schiess (b. 1959, Zurich; lives and works in Mouans-Sartoux, France) international renown. His objects, which may be placed in a room as desired, are conceived as platforms of creative engagement with the appearance and disappearance of painting. They have become integral components of buildings by world-famous architects including Norman Foster and Herzog & de Meuron. For this book, Schiess has compiled spectacular series of photographs and extensive conversations that probe the peculiar quality of his work: hybrid and fluctuating and yet always utterly distinctive. It is the first publication to put the focus on this essential aspect of his output, documenting works created between 1993 and 2018.
Adrian Schiess studied at the Kunstgewerbeschule Zürich and trained as a graphic designer. His works were on display at the 44th Biennale di Venezia and at documenta IX.
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Supernatural
Sculptural Visions of the BodyRead moreThe future of human corporeality in the Anthropocene era
Given the technological development in biogenetics, humans will be able to make existential modifications to all living things, Nature, the animal world and human likenesses in future. What will bodies of the future look like? Who or what will we be? Supernatural offers us some answers in its hyperrealistic and realistic sculptures. These visionary works not only exemplify the impact of the digital revolution and genetic engineering on “posthumans” and the environment, but also illustrate, including in their own hybrid creations, how increasingly blurred the line between nature and culture is now becoming. Technological innovations are also having more and more effects on trends in the latest hyperrealistic sculptures. In using 3D printing to perfect their creation processes and pushing sculptural boundaries to encompass robotics and synthetic biology, artists are opening the door to new design possibilities in artefact, biology and technology for themselves as well.
The book presents works by Anne Carnein, Isa Genzken, Glaser/Kunz, Thomas Grünfeld, Sam Jinks, Josh Kline, Krištof Kintera, Reiner Maria Matysik, Alex May and Anna Dumitriu, Fabien Mérelle, Patricia Piccinini amongst others.
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Karin Hochstatter
gegengerade20€ Add to cartA Provocation of Vision between Surface and Depth
In her sculptural works, Karin Hochstatter (b. 1960, Cologne; lives and works in Cologne) deals with forms and their dissolution, as well as the perceptual mechanisms that arise from this. Everyday materials from high-tech production processes, such as construction products and foils, become fragile and expansive structures that question both our way of seeing and our notion of sculpture. The book documents her more recent works since 2012, which always exist as singular events in space and never appear a second time in the same way.
Karin Hochstatter studied Visual Art at the Kunstakademie Düsseldorf and Philosophy at Heinrich-Heine- Universität Düsseldorf. Since 1998, she has been a visiting professor and lecturer at universities in Germany and the USA.
