Voré
Stückwerk Mensch
 | |
|---|---|
| Author(s) | Leoni Arnold, Herbert Köhler, Maria Männig, Voré |
| Design | Christian Ertel, Karlsruhe |
| Size | 21 x 21 cm |
| Pages | 108 |
| Illustrations | 260 |
| Cover | Hardcover |
| Language(s) | German |
| ISBN | 978-3-947563-17-3 | Out of stock |
Historically Anchored Installations with Current Political References
The sculptures by Voré (b. 1941 in Karlsruhe, lives and works in Ettlingen) reflect the artist’s examination of the conditions of human existence and the human state of mind. Finely polished forms, splinters, and rough fractures become a statement of content and at the same time constitute the formal tension of the respective object. The process of creation can be seen in the rough remaining parts and traces of the various tools. Parallel and closely related to this, drawings and collages are created as independent works or as components of installations. Formal impulses of the sculptural concept are taken up, graphically processed, and projected back into the sculptural work. The present volume presents projects from six decades with numerous illustrations.
Out of stock
Out of stock
More books
-
Margret Eicher
Lob der Malkunst38€ Add to cartContemporary Visual Communication in a Historic Weaving Technique
Margret Eicher’s (b. Viersen, Germany, 1955; lives and works in Berlin) large-format tapestries combine the baroque form of the woven picture with familiar motifs excerpted from contemporary media images. She digitizes her sources and then assembles them in painstaking editing work on the computer. The resulting ‘media tapestries’ occupy the interface between the traditional work of art as a physical object and the electronic noise of the digital realm: two worlds that at first glance would seem to be incompatible yet find themselves in harmonious union in Eicher’s art. In Göttliche Liebe (Divine Love), for example, Caravaggio’s Crowning with Thorns meets a kissing gay couple from a pro-tolerance campaign in Berlin, while Botticelli’s Birth of Venus is sampled together with a subway station in Frankfurt. In conceptual art production, the creative idea is central and its realization becomes secondary; in a final twist, Lob der Malkunst (Praise of Painting) elects this practice as its artistic lodestar. Eicher installs the painter Martin Kippenberger in the interior of Berlin’s Paris Bar, where he poses as a dandy and presides over a clash between the different tendencies in the art of the twentieth and twenty-first centuries.
-
Kraftwerk
Innovation durch Transformation34€ Add to cartThe power plant in Rottweil, built in 1915 by the architect Paul Bonatz, looks back on a rich and interesting history: until 1976, it provided power to a gunpowder factory and, later, to a rayon manufacturer and at times also to the city of Rottweil. The façade design, the imposing perron leading up to the main entrance, and the tall chimneys still stand as testament to the modernist industrial structure’s erstwhile significance. Twenty years after the plant was taken out of service, the entrepreneurs Thomas Wenger and Mike Wutta with their event agency trend factory took over the dilapidated building with the surrounding premises and restored it, taking care to preserve its architectonic elements and the most important technical installations. (In the course of fifteen years, around 60,000 square feet of floorspace were reopened, with a special emphasis on the distinctive blend of morbid charm and contemporary design.) The power plant now serves the company as its headquarters and, more importantly, as a cutting-edge venue for concerts, congresses, and corporate events that has attracted clients and visitors from all over Baden-Württemberg and beyond.
-
Markus Vater
Objects of Significance32€ Add to cartObjects of Significance is an artist’s book that grew out of a series of photographs and writings which Markus Vater (b. Dusseldorf, 1970; lives and works in London and Dusseldorf) collected over several years. They show and describe what matters to the artist: objects fraught with meaning, questions, relationships, memories. It is a creative and philosophical book, as funny as it is serious, delving into questions like: What do you see when you close your eyes and turn your head toward the sun? Or: How much does a cloud weigh? Vater has interviewed the North Sea for the book and ponders the wind. He sheds light on the conditions in which art comes into being and meditates on what holes are.
-
Franz Erhard Walther
Manifestations. Catalogue Raisonné of the Posters, Books and Drafts 1958–202068€ Add to cart”I don’t make any artistic difference between a poster design and my Work Drawings.“—Franz Erhard Walther
Franz Erhard Walther (b. 1939, Fulda; lives and works in Fulda) is a German sculptor and creator of conceptual, installation, and process-based art whose work often stands in relation to his, or the beholder’s, body. For four decades, Walther designed artist’s posters, a genre that has become an anachronism in our contemporary digital world. This book is the first to gather his extensive output in the format in a single volume, rounded out by a wide-ranging survey of his designs and artist’s books.
”Artists give so much time, passion, and energy to their books that they are as important as very big installations. ‚Manifestations‘ is a very important artist book.“
Hans Ulrich Obrist, Artistic Director, Serpentine Galleries, London”The new catalogue raisonné by Franz Erhard Walther is a masterpiece of parergon aesthetics. With his ‚Manifestations‘, the blurring of the boundaries between work and design, Franz Erhard Walther, after his performative sculptures, has achieved another great success for the emancipatory differentiation of the concept of the work of art.“
Peter Weibel, Director, ZKM | Center for Art and Media, Karlsruhe”Franz Erhard Walther is nothing less than an exceptional 20th-century artist who has consistently questioned and fundamentally changed what a work of art can be. The innovative power of his comprehensive oeuvre is, of course, primarily evident in his art, but this publication of his manifold designs also provides an overview that is as wonderful as it is extraordinary.“
Andreas Beitin, Director, Kunstmuseum WolfsburgFranz Erhard Walther studied at the Werkkunstschule Offenbach am Main and the Staatliche Hochschule für Bildende Künste – Städelschule in Frankfurt am Main. He completed his education with a stint at the Kunstakademie Düsseldorf, where Gerhard Richter and Sigmar Polke were among his fellow students. His works were on display at documenta 5, 6, 7, and 8, and in 2017, Walther received the Golden Lion at the 57th Biennale di Venezia.
-
Larissa Kikol
SIGNED. Unterwegs mit der 1UP-Crew und Moses & Taps18€ Add to cartWho owns the city? It is a question to which graffiti artists and politicians have very different answers. 1UP and Moses & Taps are international stars of the scene, realizing radical creative concepts in spectacular actions. The art critic Larissa Kikol shadowed them on their nocturnal forays for three years and gathered her experiences in a book that has become a singular tribute to the graffiti scene. It lets us witness the genesis of the artists’ works on the knife’s edge between civil disobedience, criminal liability, and an irrepressible freedom. Traveling throughout Germany, Kikol records absorbing dialogues that reflect the contrast between different worlds: the legal and the illegal art worlds, painting and protest. Always on the hop and in danger of being discovered and arrested, she ventures beyond the bounds of permissible art, into subway tunnels, up on roofs, across switchyards. A portrait emerges of Germany and Berlin and the power relations that shape our society.
Larissa Kikol (b. 1986) works as a freelance art critic, art scholar, and writer. She writes for Die Zeit, Spiegel Online, Art, Kunstzeitung, Mare, Monopol Online, and Kunstforum International. In 2016, she won C/O Berlin’s international Talents award in the art criticism category. She teaches and lectures at art schools and universities in Germany and France.
Kikol studied stage design and dramaturgy in Berlin-Weißensee and obtained a Ph.D. in art studies from the Karlsruhe University of Arts and Design. She lives and works in Marseille and Cologne.
-
Francis Alÿs
The Nature of the Game32€ Add to cartThe Belgian artist Francis Alÿs (b. Antwerp, 1959) makes work that is as multifaceted as it is poetically subversive. Straddling the line between performative conceptual art and community intervention, his films and drawings chart the political and social realities of urban spaces. One of his most imposing long-term projects is Children’s Games, for which he documents children playing all over the world, from Paris and Mexico City to the Yezidi refugee camp Sharya in Iraq. The richly illustrated book contains ideas and sketches he compiled in preparation for this series. It lets us glimpse into the engine room of his artistic practice, revealing key elements of his filmic poetics. An essay by the ethnographer and filmmaker David MacDougall embeds Alÿs’s observations of children’s play in the contexts of childhood studies as well as the history of ethnographic documentary film.
Francis Alÿs (b. Antwerp, 1959) is widely regarded as one of the foremost artists working today. His oeuvre, which has garnered numerous prizes and been featured in solo exhibitions around the world, encompasses films, photographs, performances, drawings, and paintings, many of them explorations of the social and political realities of urban spaces. Since 1986, Alÿs, who trained as an architect, has lived in Mexico City, where he moved after the major earthquake of 1985 to help in the rebuilding effort.
Francis Alÿs – The Nature of the Game is the official publication of the Belgian pavilion at the 59th Biennale di Venezia, curated by Hilde Teerlinck.
-
Kai Schiemenz
Priel38€ Add to cartTidal creeks are watercourses that crisscross coastal mudflats. Running between sandbars, they flush deposits out into the sea with the falling tide, and when the tide rises, the water flows back in. In other works, tidal creeks are effectively rivers in the sea. Delving into the implications of this idea, the book presents Kai Schiemenz’s (b. Erfurt, 1966; lives and works in Berlin) major works and projects of the past four years. The publication offers insight into the provenance of selected bodies of work and their genesis. Kai Schiemenz’s art examines the city, spaces, and architecture. His small-format sculptures are self-contained creations that combine digital technologies with natural materials like wood or paper. At the same time, they function as models for expansive installations and outdoor and indoor architectures in which Schiemenz orchestrates sight lines to construct spaces whose permeability makes the audience an integral aspect of the work. If his sculptures are architecture, his exhibitions are landscapes in which the visitors encounter one another as they would in a park. Their central question, time and again, concerns the impact of the built environment and urban landscapes on their inhabitants.
-
Nobuyuki Tanaka
Primordial Memories25€ Add to cartThe craft of traditional Japanese lacquer finishing in contemporary art
In his extraordinary sculptures, Nobuyuki Tanaka (b. 1971 in Tokyo) combines a lacquer finishing that has been practiced in Japan for centuries with an organic formal language. Tanaka is considered the most important representative and pioneer of the use of lacquer in contemporary art. He uses the material in polished deep black or intense red as a multi-layer coating for large-format sculptures. This results in abstract works with lively, curved, glossy surfaces in which the multi-faceted effect created by the interplay with changing light conditions plays a key role. The lavishly illustrated book includes texts by Britta E. Buhlmann, Beatrice Kromp, Antje Papist-Matsuo, Annette Reich, Atsuhiko Shima, and Nobuyuki Tanaka.
In his extraordinary sculptures, the artist combines a treatment of lacquer practiced for centuries in Japan with an organic language of form.
An exceptional representative and pioneer of the use of lacquer in contemporary art, Tanaka uses the lacquer mostly in polished deep black, sometimes also in intense red, as a multi-layer coating for his large-scale sculptures.
-
Wege in die Abstraktion
Marta Hoepffner und Willi Baumeister24,90€ Add to cartUnknown Influences of Modern Painting and Photography
Marta Hoepffner (b. 1912, Pirmasens; d. 2000, Lindenberg) is considered a pioneer of experimental photography. For the first time, this book compares the artist’s early photographic experiments, portraits, and color photographic studies with the paintings of Willi Baumeister (b. 1889, Stuttgart, d. 1955 Stuttgart). As professor at the Frankfurter Kunstschule – today’s Städelschule – Baumeister had a decisive influence on the development of his student Hoepffner. An extraordinary book that presents more than fifty works from the 1910s to the 1970s.
Marta Hoepffner’s works have been exhibited at, among others, the Centre Georges Pompidou in Paris, the San Francisco Museum of Modern Art, and the National Portrait Gallery in London. Willi Baumeister studied at the Kunstakademie in Stuttgart and was a member of the influential November Group. He was defamed as “degenerate” during the Nazi regime and is now considered one of the outstanding artists of modernism.
-
Anaïs Horn
Fading14€ Add to cartThe mystery of love and its language, translated into a photographic discourse
The starting point for the series by Anaïs Horn, which the artist, who works in Vienna and Paris, began in 2013 and now comprises eighty photographs, is the book Fragments d’un discours amoureux (Fragments of a Language of Love) by the French philosopher and author Roland Barthes. Terms such as “asceticism,” “magic,” “yearning,” “venerable,” and “unfathomable” serve Horn as models for her staged photographs. The linguistic “figures,” from which Barthes developed his “discourse” in an open structure, find their counterparts in views of people, landscapes, objects, and spaces. The result is a cosmos of images that is as non-binding as it is intimate, as touching as it is light, as vulnerable as it is challenging, and appears to be infinitely expandable. Viewed together, fragments of collective experiences and cultural codes of our notions of love become visible.
-
Michael Williams
Make Plans God Applauds42€ Add to cartMichael Williams (b. Doylestown, Pa., U.S., 1978; lives and works in Los Angeles, Ca.) is known for paintings whose source materials have been subjected to both analog and digital processes in an effort to render the fragmented nature of our existence today. During the lockdown, he created six large-format collage paintings. To make these modern history paintings, he mounted paper printouts on canvases and reworked the pictures with paint. They are, in short, classic collages, as in the exhilarating days of DADA, when the photographic image from newspapers first transmigrated into art. Michael Williams studied fine arts at Washington University, St. Louis, and has exhibited widely, including at the Wiener Secession, Vienna, and the Museum of Modern Art, New York.
-
Alexander Ruthner
Cour: Sommer36€ Add to cartContemplating Nature in a Reduced-Mobility Environment
“The events of the year 2021, which was defined by lockdowns, the pandemic, and restrictions, has brought out the resonance in my pictures of Gustave Courbet’s realism,” Alexander Ruthner (b. Vienna, 1982; lives and works in Vienna) says about his most recent works: oil paintings featuring lush green vegetation and veritable down comforters painted all-over in saturated color gradients. The works will make their public début as the publication is released in the summer of 2021, hence the word “Sommer” in the title. The other word, “Cour,” is a nod to the first syllable of the French painter’s name as well as French for “court,” a term the artist creatively reinterprets as a synonym for the solitary “castle of the mind” to which we have retreated under pandemic conditions. Ruthner, who studied with Peter Kogler, Daniel Richter, and Albert Oehlen, revisits the boscage and pasture painting of past eras in new works that propose a distinctive personal interpretation of that tradition’s charm.
Alexander Ruthner’s work has been shown at Kunsthalle Wien, the Whitechapel Gallery, London, and the National Museum of Montenegro, among other venues.
-
100 Windows
Site-specific art installations at Berlin-Weekly project space28€ Add to cartEstablished in 2010 by Stefanie Seidl in a former gateway for horse-drawn carriages that is now enclosed by glazing at both ends, the project space BERLIN-WEEKLY offers the narrow yet exceptionally tall display space to artists as a highly visible public stage for installations that respond to the setting or site. Its unilateral orientation toward the street makes BERLIN-WEEKLY a creative intervention into the urban fabric that harnesses the shopwindow format. The book presents 100 selected window installations to illustrate the widely diverse ways in which individual artists have engaged with the venue, time and again transforming the unusually shaped small space.
With works by: Menno Aden, Alexandra Baumgartner, Isabelle Borges, Astrid Busch, Simon Faithfull, Moritz Frei, Max Frisinger, Wolfgang Flad, Dagmara Genda, Andreas Greiner & Armin Keplinger, Sabine Groß, Marc van der Hocht, Sabine Hornig, Irène Hug, Bettina Khano, Julia Kissina, Nikolaus List, Ulrike Mohr, Virginie Mosse, Piotr Nathan, Katja Pudor, Philip Topolovac, Inken Reinert, Sophia Schama, Geerten Verheus, Sinta Werner, Barbara Wille, and others
-
The Power of Wonder – New Materialisms in Contemporary Art
34€ Add to cartFor the longest time, physical matter was seen as no more than a passive and lifeless object. Since the early years of the twenty-first century, however, visual artists and scientists alike have initiated a change of thinking, conceiving matter as active, unruly, and autonomous. The ethnologist Hans Peter Hahn has called it the “willfulness of things,” while the Belgian philosopher Isabelle Stengers has underscored the “power of wonder”—the bracing sense of marvel and surprise instilled by a material world that sometimes defies the attempt to put it into words.
This pioneering publication features six selected artistic positions that highlight the New Materialism’s significance for contemporary art. The artists employ materials that are millions of years old such as rocks from an open-pit mine as well as classic inorganic staples like ceramics and cutting-edge materials like digital products transformed in high-tech procedures into hitherto unseen hybrid objects. Their work lends art a powerful voice in contemporary debates around man’s position vis-à-vis his environment, around sustainability, participation, and justice.
With works by Ilana Halperin, Agata Ingarden, David Jablonowski, Markus Karstieß, Robert Smithson, and SUPERFLEX.
-
Maria Braune
Keep Away From Fire28€ Add to cartMaria Braune’s (b. Berlin, 1988; lives and works in Munich and Bamberg) work revolves around a material she developed; named Migma, it consists of eight different renewable natural resources. She heats it, then casts and molds it in a process that continues for weeks. The resulting sculptures and installations sprawl throughout the space like sensuous organisms. Associations of growth and symbiosis emerge, but discontinuities and disintegration come into view as well. Braune’s creative process is part of an ecosystem and thoroughly anchored in the now. Her material is a vitally alive substance to which she responds in an immediate engagement, connecting it to mythological and narrative significations and setting it in relation to her own world.
Maria Braune studied woodcarving at the Fachhochschule für Bildhauerei in Berchtesgaden, Germany, in 2009–2011, then fine arts with Hermann Pitz at the Academy of Fine Arts Munich, where she graduated in 2017.
-
Can Yasar Köklü
CYK55€ Add to cartThe young photographer, graphic designer, and filmmaker Can Yasar Köklü (b. Schwelm, 2003; lives and works in Brooklyn) grew up between Cologne and Istanbul and currently studies at New York’s renowned Pratt Institute. In his first publication CYK—an artist’s book featuring breathtakingly beautiful photographs and personal writings—he explores his experiences growing up, the traditions that inform his art, and his feelings in three different cultures: “Heimat” charts his native Germany, where he spent most of his life; “Memleket” is dedicated to Turkey, where his roots are; and “Home” presents the impressions Köklü gathered during a year in high school in Los Angeles and now in New York, where he continues his education. Driven by a passion for storytelling, he captures singular—fascinating and deeply moving—moments in time.
-
René Holm
45€ Add to cartRené Holm goes for the big picture, painting the ambivalence of human existence and our relationship with nature. Some of his protagonists are physically naked, and all embody an interior life through their poses. The faceless figures function as screens onto which the beholders can project their own feelings, as symbols of universal human experiences. That is why, Holm notes, people very often recognize themselves in his protagonists. The effect is in part due to the forest, the setting of all pictures in this catalogue, which has been Holm’s studio and preferred backdrop for decades. It is where he finds the twilight that glows in all of our souls: woodlands nourish and menace us, they are home to helpful fairies and nasty demons, one can find life and death alike in them. He translates the sublime of the forest—a central motif in the Romantics—into a contemporary visual idiom. In his pursuit of this endeavor, he has recently ventured a radical aesthetic change: instead of using thick paints as before, he now applies the pigments to the canvas in thinner and drier layers. The book illustrates this spectacular fresh start, carrying us off into the depths of the soul and mysterious woodlands.
-
Maximilian Rödel
Celestial Artefacts50€ Add to cart“One must break free from wanting something and confine oneself instead to being something.” — Maximilian Rödel
Inky black, apricot, magenta, and a pastel purple: apparent monochromes, the paintings of Maximilian Rödel (b. Braunschweig, 1984; lives and works in Berlin) actually do not just traverse color spectrums; in a sense, they chart horizons of experience. To contemplate them is to embark on a voyage through space and time. Foreground and background are one, depth and surface at once; an undertow makes itself felt in which the nuances of color interweave, blur into one another, shimmer, flare up. The artist describes his pictures as an unfocused energy that already exists; he merely uncovers it.
The first publication on Rödel’s work presents the exhibition Celestial Artefacts at Neuer Aachener Kunstverein, with an emphasis on the Prehistoric Sunsets series (2018–2021). It is complemented by reproductions of selected works and an extensive index that also includes details from earlier series that are relevant in the context. Aperçus contributed by Rafael Horzon and Leif Randt and writings on art by Domenico de Chirico, Lena Fließbach, Stefanie Gerke, Philipp Hindahl, and Maurice Funken add another dimension to the paintings.
-
Tim Eitel
Propositions for Afterimages 2015–202436€ Add to cartTim Eitel initiates an exchange between recollection and painting. The work on his pictures, he says, is “a conversation about reality and memory” in which he engages the canvas. In the course of this dialogue, Eitel reflects on personal experiences, creating a standalone figural-abstract reality that needs to be internally consistent—the canvas has a strong will of its own. That makes the scenes depicted in his paintings analogues or afterimages of a situation rather than renditions of it. They are characterized by a certain openness that enables the beholders to inject their own recollections into the pictorial space as well. The dialogue between canvas and artist thus gives way to a colloquy between audience and finished work. Not by coincidence, many of the paintings by Eitel gathered in this catalog show people in museums: these scenes facilitate the leap into the pictorial space. The beholders have experienced a situation like the one shown in the pictures in the past or are experiencing it right now, and so they are already at the heart of the works; they become part of the painting, and the picture becomes a particle of their recollection.
-
Sabine Hornig
Passage through Presence45€ Add to cartLayered Spacetimes in Large Formats
Sabine Hornig (b. 1964; lives and works in Berlin) has earned international acclaim with sculptures, photographs, and architectural interventions that interweave image, perspective, and space in distinctive ways. Her works feature translucent pictorial planes on glass panes; integrating these sculptural elements into the setting, she creates environments in which meaning unfolds as viewers allow their gazes—and themselves—to wander. For her new works, which engage with architecture, the artist superimposes enormous photographs on entire façades and concourses. This publication is the first to put the focus on Sabine Hornig’s art in three dimensions, detailing her process from the building of sculptural models and the combination with transparent photographic layers to her creation of works in public settings. It showcases her largest installation to date, at LaGuardia Airport in New York City, which she discusses in a conversation with Nicholas Baume, director and chief curator, Public Art Fund, New York.
