Tobias Rehberger
1993–2022
 | |
|---|---|
| Editor(s) | Ulrike Groos, Kunstmuseum Stuttgart |
| Author(s) | Ulrike Groos, Jesi Khadivi, Niklas Maak, Tobias Rehberger |
| Design | VERY, Frankfurt |
| Size | 22 × 27,5 cm |
| Cover | Flexcover |
| Pages | 320 |
| Illustrations | 250 |
| Language(s) | German, English |
| ISBN | 978-3-96912-071-2 |
In his sculptural work, Tobias Rehberger (b. Esslingen, 1966; lives and works in Frankfurt/Main) connects strategies from different, also non-art disciplines. His interiors meant to be taken into service have established him as one of the most influential artists of his generation. In 2022, the Kunstmuseum Stuttgart will honor Rehberger with a grand exhibition that will feature some of the most important bodies of work from the past three decades. The accompanying book makes a signal contribution to the ongoing critical engagement with his art.
Tobias Rehberger studied with Thomas Bayrle and Martin Kippenberger at the Städelschule in Frankfurt from 1987 until 1992 and later returned to his alma mater as a professor. He has had numerous solo shows in Germany and abroad and, in 2009, furnished the central cafeteria at the 53rd Venice Biennale, which won him a Golden Lion.
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X x X
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In his extraordinary sculptures, the artist combines a treatment of lacquer practiced for centuries in Japan with an organic language of form.
An exceptional representative and pioneer of the use of lacquer in contemporary art, Tanaka uses the lacquer mostly in polished deep black, sometimes also in intense red, as a multi-layer coating for his large-scale sculptures.
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