Tamara Suhr
Skulpturen
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|---|---|
| Author(s) | Anne Hein, Christiane Hoffmann |
| Design | Marlen Albrecht |
| Size | 22 x 30,5 cm |
| Pages | 112 |
| Illustrations | 64 |
| Cover | Hardcover |
| Language(s) | German, English |
| ISBN | 978-3-947563-69-2 |
Hesitant yet Immediately Present
As a sculptor, Tamara Suhr (b. 1968, Tübingen; lives and works in Ludwigsburg) has devoted herself unswervingly to the human figure. Her subjects are figures of children whose hesitancy always embodies a certain curiosity, a sense of expectation. In their form reduced to the essential, indeed almost archaic, they radiate calm and serenity—supported by balance with regard to both the motif and possible associations. In their small size and vulnerability, Suhr’s figurative sculptures, painstakingly crafted in bronze, seem apparently in need of protection, yet they appear strong and courageous. They stand, gaze, crouch, fish, swim or balance. They are present, in the here and now, a symbol for the children of the world.
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The Power of Wonder – New Materialisms in Contemporary Art
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Barthélémy Toguo
10€ Add to cartBarthélémy Toguo’s art is a call for community and love, but there is nothing naïve about it. His paintings, graphic art, sculptures, performances, and installations explicitly grapple with colonialism, migration, and inequality; he directs our attention to the devastations wrought by humans, to the slow deaths of nature and cultures. But he does not dwell in this abyss. He aspires to something greater: to create work that establishes non-hierarchical connections; to build, as he puts it, a “world of solidarity and generosity” that knows neither ego nor identity, a community of all forms of life that flourish and pass away so that new living beings can sprout from their remains—Endless Blossoms. His choice of words and the aesthetic of the works gathered in this catalogue suggest that he is not alone in this undertaking. He stands with Ellen Gallagher, Wangechi Mutu, Louise Bourgeois, Marlene Dumas, and Kiki Smith. With them and with all of us, Toguo envisions a colorful future, a universe of exuberant energy and joie de vivre.
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Pat Steir & Ugo Rondinone
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HALBwertsZeit
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Sabine Hornig
Passage through Presence45€ Add to cartLayered Spacetimes in Large Formats
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Francis Alÿs
The Nature of the Game32€ Add to cartThe Belgian artist Francis Alÿs (b. Antwerp, 1959) makes work that is as multifaceted as it is poetically subversive. Straddling the line between performative conceptual art and community intervention, his films and drawings chart the political and social realities of urban spaces. One of his most imposing long-term projects is Children’s Games, for which he documents children playing all over the world, from Paris and Mexico City to the Yezidi refugee camp Sharya in Iraq. The richly illustrated book contains ideas and sketches he compiled in preparation for this series. It lets us glimpse into the engine room of his artistic practice, revealing key elements of his filmic poetics. An essay by the ethnographer and filmmaker David MacDougall embeds Alÿs’s observations of children’s play in the contexts of childhood studies as well as the history of ethnographic documentary film.
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Jan Zöller
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Jan Zöller studied with Marijke van Warmerdam und Leni Hoffmann at the State Academy of Fine Arts Karlsruhe from 2012 until 2017 and with Jean-Marc Bustamante at the École Nationale Supérieure des Beaux-Arts de Paris in 2016. He won the Federal Prize for Art Students of the Bundeskunsthalle, Bonn, in 2018, followed by Stiftung Kunstfonds’s working fellowship in 2021.
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Felix Schramm
Things To Come44€ Add to cartFelix Schramm’s (b. Hamburg, 1970; lives and works in Düsseldorf) sculptural oeuvre reflects a probing engagement with space and the body. In works in a variety of media, including installations that intervene into a given setting, sculptures, and collages, the artist creates three-dimensional forms out of classical materials and industrial staples as well as detritus and dust. Deformations, rifts, cracks, or impurities undermine the existing order in his constructed formal ensembles, allowing novel correspondences in space and interconnections across time to emerge. The material and its subjection to form are held in a precarious balance; disintegration, which is an integral element of Schramm’s art, paves the way for artistic assertion and reformulation. The extensive publication gathers works and exhibitions of the past five years. It is Schramm’s first monograph, presenting a cross-section of his entire oeuvre with all bodies of work.
Felix Schramm studied at the Accademia di Belle Arti, Florence, from 1991 until 1993 and at the Academy of Fine Arts Düsseldorf, where he was in Jannis Kounellis’s master class, from 1994 until 1998. He rounded out his education with residencies in Tokyo in 2000 and at Villa Massimo in Rome in 2008.
