Philip Loersch
POW – PORTRAITIST OF WRITING
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| Editor(s) | FeldbuschWiesnerRudolph |
| Author(s) | Jan-Philipp Frühsorge, Sybille Krämer |
| Design | Sabine Bretschneider, Andreas Ullrich / SUOLOCCO |
| Size | 20 x 27 cm |
| Cover | Softcover with flaps |
| Pages | 196 |
| Illustrations | 80 |
| Language(s) | German, English |
| ISBN | 978-3-96912-180-1 |
Philip Loersch (b. Aachen, 1980; lives and works near Munich) combines painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His works reveal the fragility of truth and authenticity while commenting with subversive irony on the postmodern disintegration of the idea of originality. His art has been exhibited at renowned institutions like Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst. This monograph gathers his works created between 2016 and today.
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Philip Loersch
Renteninformation 202230€ Add to cartA satirical audiobook, read by Johannes Steck
with free download link on the inside
You’ve read right, and you’re going to hear it: a bureaucratic document—we’re all familiar with it, for a new one arrives every year—is the subject of this inspired collaboration between the graphic artist Philip Loersch and the virtuoso vocalist Johannes Steck.
The “Renteninformation”—an official letter on cheap paper informing the recipient about their expected future retirement benefits—makes many cultural workers, and others, crack up or break out in tears: arriving unexpectedly, it launches us on an emotional roller coaster between excitement, fascination, resignation, and sheer madness.
The manuscript for this audiobook is Loersch’s actual Renteninformation for 2022. Its intonation is the culmination of a series of works the artist has pursued since 2016. Every year, he has produced a naturalist colored-pencil drawing of his Renteninformation, embedding it in idyllic scenes—in the garden on a summer afternoon, amid autumn foliage, or on a frozen lake, delicately and accurately executed down to the smallest leaf of grass and the tiniest letter.
“Renteninformation 2022” is the ideal gift for all vinyl lovers who need to close a “pension gap” in their collections and a stunning audio experience that redefines what the satire of reality itself and conceptual art can do.
Philip Loersch (b. Aachen, 1980) is best known for his unconventional drawings. His works combine painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His art has been exhibited at renowned institutions such as Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst, and helped initiate the exhibition series “Drawing Wow.”
Johannes Steck (b. Würzburg, 1966) is one of Germany’s best-known audiobook narrators, having sold over four million copies, including of books by Simon Beckett and Ken Follett, in a three-decade career. Television viewers also know his voice from trailers on Kabel 1 and DMAX and documentaries on ZDF, BR, and Sky. His work has garnered awards including the 2012 HörKules.
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Note: This publication is released in German, English and Dutch. When ordering, please let us know which edition you would like to receive. Use the annotation box on the checkout page.
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Sprache/Text/Bild
32€ Add to cartSpoken words, writing, and images originate in social and cultural contexts and so are fraught with meanings, are vehicles of values and norms. They inevitably also demarcate boundaries, serving to class people as members of groups or outsiders. This adds to the urgency of the question of what can in fact be said and shown, and who or what determines those limits. The present catalog addresses these concerns through a survey of eminent art of the twentieth and twenty-first centuries. The works gathered in it speak to mechanisms of inclusion and exclusion, to categorizations and the narratives that were created to sustain them. And they remind us that these phenomena are human-made, which is also to say, susceptible to change—that we share responsibility for them.
Artists: John Baldessari, Maria Bartuszová, Alice Bidault, Alejandro Cesarco, Ayşe Erkmen, Nadine Fecht, Gary Hill, Janice Kerbel, Gabriel Kladek, Gordon Parks, The National AIDS Memorial, Markus Vater, Gillian Wearing
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Jeff Wall
AppearanceRead moreA New Perspective on the Work of the Photo Artist
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Jeff Wall studied art history at the University of British Columbia, Vancouver, and at the Courtauld Institute of Art, London. His works are exhibited internationally, for example at the Museum of Modern Art, New York, Tate Modern, London, and the Art Institute of Chicago. In 2008 he received the Audain-Award for his life work.
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Silke Eva Kästner
Panta Rhei36€ Add to cartSilke Eva Kästner (lives and works in Berlin and Uckermark) developed her creative approach while traveling in India, New York, and Japan. She creates temporary on-site paintings as well as conceptual pieces in which the viewer comes upon prepared materials and becomes part of—or even alters—the picture. Kästner documents these encounters in photographs or filmic traces out of which she compiles films in the editing suite. Probing the potentials of painting as communication, she foregrounds the active intervention and process. In the gallery no less than the urban scene, Kästner places painting in relation to architecture in order to frame it in varying perspectives.
The monograph offers insight into the foci of Kästner’s art; the works are grouped in chapters rather than arranged in chronological sequence. This structure makes the book a space of experience that gives the reader a vivid sense of her ephemeral creations.
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Public perceptions of the pigeon have shifted drastically over the past centuries. In the 1700s, it was welcomed as a guest who commanded humans’ unfailing solicitude; today, by contrast, it is often perceived as a nuisance. It has become an animal that defaces squares and buildings. Why does the pigeon in the settings of our daily lives prompt feelings of loathing and fascination, but also indifference? Jens Gerber’s photographs undertake an expedition into the city of the pigeons. Rounded out by essays by Marina Rüdiger and Laurens Schlicht, the book illuminates the subject of the city pigeon from the perspectives of photography, science, and literature, and explores the question of how pigeons shape the built environment and how the latter informs their behavior in turn.
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Queen Elizabeth II
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Im Leben von Elisabeth II. (geb. 21. April 1926 in London) spiegelt sich eine ganze Epoche. Die britische Königin hat alle deutschen Bundeskanzler und sämtliche englischen Premierminister von Winston Churchill bis Boris Johnson erlebt. Sie ist die am häufigsten abgebildete Person des 20. und 21. Jahrhunderts. Das Buch präsentiert Fotos, Gemälde, Briefmarken und Münzen aus der Kollektion von Luciano Pelizzari, einer der größten Sammlungen dieser Art weltweit. Es zeigt die Queen als Mensch und Monarchin, dokumentiert ihr Zusammentreffen mit bedeutenden Persönlichkeiten und Ereignissen ihrer Regierungszeit und präsentiert sie in zahlreichen Darstellungen aus Kunst und Kultur.
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On Trickling Away
Concepts of Time in Contemporary Art30€ Add to cartTime, like space, is one of the key coordinates of human existence. The great mysteries of our lives revolve around it, only to remain unresolved when death inevitably ends our days. What is time’s role in art? The vanitas, a genre that was popular with painters in the seventeenth century, is hardly the earliest form that artists have devised to grapple with it. Holger Kube Ventura’s book On Trickling Away. Concepts of Time in Contemporary Art presents the ideas of contemporary artists who approach time from diverse angles. In the twenty-first century, their interest appears to have shifted from visualizations of future raptures to visions of slowness, of the distension, repetition, and standstill of moments in time. Bernard Aubertin (FR), Inge Dick (AT), Rom Gaastra (NL), Gosbert Gottmann (DE), Tommi Grönlund & Petteri Nisunen (FI), Manuela Kasemir (DE), Timo Klos (DE), Dimitry Orlac (FR), George Rickey (US), Patrik Söderlund & Visa Suonpää (FI), and John Woodman (UK) hone our awareness of how subjective the passage of time is and convey vivid experiences of its trickling away.
