


Otto Dix in Baden-Württemberg
Museumsführer
![]() | |
---|---|
Editor(s) | Förderverein Museum Haus Dix Hemmenhofen |
Author(s) | Anne Vieth, Antonella Meloni, Christoph Bauer, Ina Conzen, Ina Neddermeyer, Veronika Mertens, Wolfgang Kramer, Nikolai B. Forstbauer |
Design | Benner und Partner |
Size | 12 x 18 cm |
Pages | 96 |
Illustrations | 66 |
Cover | Softcover |
Language(s) | German |
ISBN | 978-3-947563-41-8 | Out of stock |
Seven Museums Jointly Present the World’s Largest Collection of Works by the Famous German Painter.
In 1933, after the loss of his professorship in Dresden and mounting defamation by the National Socialists, Otto Dix (b. 1891, Untermhaus; d. 1969, Singen) retired to Lake Constance, where he lived for more than thirty years. Together, seven museums in the state of Baden-Württemberg — including the museum in his former home in Hemmenhofen — have the world’s most comprehensive collection of his works at their disposal, providing insight into all facets of his creative work: from the social criticism of the major works, at times depicted with brutal verism, to the old masterly glaze painting of his inner emigration and the expressive alla prima paintings of the late years. For the first time ever, this treasure trove is presented in one volume.
The participating museums: Kunstmuseum Albstadt, Zeppelin Museum Friedrichshafen, Museum Haus Dix, Gaienhofen-Hemmenhofen, Kunsthalle Mannheim, Kunstmuseum Singen, Kunstmuseum Stuttgart, Staatsgalerie Stuttgart.
Out of stock
Out of stock
More books
-
Katja Aufleger
Schwindelerregende Höhen30€ Add to cartOn a Razor’s Edge: Evanescent Moments
Katja Aufleger’s (b. Oldenburg, 1983; lives and works in Berlin) works bring instants of suspense and uncertainty into focus in a variety of aesthetic forms. Their nuclei are typically everyday phenomena and physical models, which she combines with a range of concepts from cultural history and psychology. The publication presents several series, some of which capture explosive tensions. Among them are photographs of homemade Molotov cocktails for which the artist set perfume flacons on fire, making this most recent series a probing exploration of the potentials of material aesthetics and emotion. With an introductory essay by Julia Katharina Thiemann.
Katja Aufleger studied visual art the University of Fine Arts Hamburg (HFBK), where Andreas Slominski, Matt Mullican, and Michael Diers were her teachers.
-
Pokorny
25€ Add to cart“Abstraction means the omission of the irrelevant and the unnecessary in order to find more substantial content and form.”—Werner Pokorny
His often monumental sculptures can be found in many places in Germany and abroad, including Aachen, Berlin, Busan (South Korea), Frankfurt am Main, Freiburg, Karlsruhe, Riehen, Saarbrücken, and Stuttgart. Werner Pokorny works (b. 1949, Mosbach; lives and works in Ettlingen) exclusively with Corten steel for his outdoor sculptures and with wood, steel, and bronze for his indoor works. Well-known basic forms such as bowls, spheres, cuboids, and houses serve as points of departure and reference, which are abstracted by reduction, rotation, tilting, or combination with other elements. The artistic field of tension characteristic of Pokorny’s impressive sculptural oeuvre is due to the oscillation between form and abstraction, figure and reduction, hard edges and soft curves.
-
Laura Schawelka
Double Issues24€ Add to cartSales Spaces without Merchandise
In her installations, Laura Schawelka (b. 1988, Munich; lives and works in Berlin) makes use of photography, video, and sculpture in a multilayered dialogue. In her latest works, the artist focuses on the role of photography in the development of modern consumer society. What does it mean if goods are only communicated through other goods, such as computers, cell phones, tablets? If this withholding of the genuine object is precisely what prompts the desire for it? The artist creates sales spaces without merchandise, in which images, photographs, and videos have replaced consumer goods of any kind.
Laura Schawelka studied at the Städelschule in Frankfurt am Main as a student of Tobias Rehberger master-class. In 2015, she was awarded the Master of Fine Arts at the California Institute of the Arts in Los Angeles, and in 2017 she moved to Paris as the recipient of a studio bursary of Hessische Kulturstiftung.
-
Etsu Egami
Rainbow18€ Add to cartWhat is worth talking about in art eludes language. Aesthetic experience is without words, like a human encounter that touches upon our innermost being. Etsu Egami is interested in the margins of understanding, where the communication of ideas and feelings threatens to fail, where forms become illegible. That is the point on which she homes in with her brush, which she wields in a rough calligraphic style, putting almost translucent oil paints on the canvas. Spectral faces emerge that dissolve into abstraction; abstract forms, beheld from the corner of one’s eye, momentarily coalesce into a likeness. Painting, to Egami, is a physical and performative act, the brush an extension of her arm, bringing a picture into being in sweeping rhythmical motions. As we contemplate her work, that momentum imparts itself to us: first our eyes begin to wander, then we feel our bodies stir, and finally the spirit, too, pulsates in the rhythm of the brush. Gathering Egami’s most outstanding works, this catalogue is a universal invitation to join a peculiar dance, an arc of light the artist traces across all barriers to understanding and that speaks to our senses.
- Out of stock
Otto Dix in Baden-Württemberg
Museumsführer9,80€ Read moreSeven Museums Jointly Present the World’s Largest Collection of Works by the Famous German Painter.
In 1933, after the loss of his professorship in Dresden and mounting defamation by the National Socialists, Otto Dix (b. 1891, Untermhaus; d. 1969, Singen) retired to Lake Constance, where he lived for more than thirty years. Together, seven museums in the state of Baden-Württemberg — including the museum in his former home in Hemmenhofen — have the world’s most comprehensive collection of his works at their disposal, providing insight into all facets of his creative work: from the social criticism of the major works, at times depicted with brutal verism, to the old masterly glaze painting of his inner emigration and the expressive alla prima paintings of the late years. For the first time ever, this treasure trove is presented in one volume.
The participating museums: Kunstmuseum Albstadt, Zeppelin Museum Friedrichshafen, Museum Haus Dix, Gaienhofen-Hemmenhofen, Kunsthalle Mannheim, Kunstmuseum Singen, Kunstmuseum Stuttgart, Staatsgalerie Stuttgart.
-
Me, Family
Portrait of a Young Planet40€ Add to cartA Journey Through Many Worlds
In these times of great uncertainty, the themes that surface in the works of the thirty-six international artists gathered in Me, Family are more relevant than ever. Compiled by Francesco Bonami with a nod to Edward Steichen’s historic exhibition The Family of Man, the volume paints a multifaceted portrait of humanity in the early decades of the twenty-first century. The original installation of photographs and excerpts from writers opened at the Museum of Modern Art in New York in 1955 and then went on a seven-year tour of one hundred and fifty museums all over the world. Matching the radicalism of Steichen’s conception, Me, Family presents works by contemporary artists who harness a wide range of media and genres to explore the ways in which humans today engage with their manifold coexistent histories and the diverse challenges they confront. Including reproductions of contemporary art as well as representations of social networks, fashions, information technologies, advertising, sound, music, and performances, the book captures a reality that is beautiful, dramatic, and intoxicating by turns. With writings by Roland Barthes, Francesco Bonami, Edward Steichen, and others.
With works by Lawrence Abu Hamdan, Doug Aitken, Sophia Al Maria, Yuri Ancarani, Darren Bader, Lara Baladi, Cao Fei, Cheng Ran, Clément Cogitore, István Csákány, Christian Falsnaes, Harun Farocki, Simon Fujiwara, Rainer Ganahl, Theaster Gates, Jack Goldstein, Andreas Gursky, Thomas Hirschhorn, Hassan Khan, Ga Ram Kim, Olia Lialina, Li Ming, Cristina Lucas, Karolina Markiewicz & Pascal Piron, Eva & Franco Mattes, Shirin Neshat, Philippe Parreno, Mario Pfeifer, Jon Rafman, Cindy Sherman, Marianna Simnett, Rudolf Stingel, Thomas Struth, Wolfgang Tillmans, Jordan Wolfson, Wong Ping, and Akram Zaatari.
-
Michel Majerus 2022
49€ Add to cartMichel Majerus (1967–2002) ranks among the most interesting painters of his generation and left a singular and multifaceted oeuvre that still speaks powerfully to contemporary concerns. His works quote phenomena of everyday culture such as comic strips, advertisements, and videogames as well as sources of inspiration from art history ranging from minimalism to Pop Art. Decontextualizing the different elements of pictures, he integrated them into novel contexts of meaning by, for instance, setting them on a par with art-historical references.
Twenty years after his death, a series of exhibitions throughout Germany showcase different periods and aspects of his creative output. Five solo exhibitions at the KW Institute for Contemporary Art, the Neuer Berliner Kunstverein (n.b.k.), the Kunstverein in Hamburg, the Michel Majerus Estate, and Galerie neugerriemschneider, Berlin, pay tribute to Michel Majerus’s art in unprecedented breadth.
Concurrently, thirteen museums mount presentations of works by Michel Majerus from their collections: Ludwig Forum Aachen; Kunsthalle Bielefeld; Kunstmuseum Bonn; Museum Folkwang, Essen; Sprengel Museum Hannover; Museum Ludwig, Cologne; Kunsthalle Mannheim; Städtische Galerie im Lenbachhaus, Munich; Neues Museum Nürnberg, Nuremberg; Saarlandmuseum—Moderne Galerie, Saarbrücken; Kunstmuseum Stuttgart; Staatsgalerie Stuttgart; and Kunstmuseum Wolfsburg.
The extensive publication accompanying the exhibition series Michel Majerus 2022 includes three essays and two artists’ contributions as well as visual documentation of the exhibitions and presentations from the collections. It is rounded out by a biographical sketch of Michel Majerus, a history of exhibitions of his work, and archival photographs.
-
Lovis Corinth
Maestro del colore – Maestro della grafica35€ Add to cartLovis Corinth (b. Tapiau, East Prussia, 1858; d. Zandvoort, Netherlands, 1925) ranks among the leading German Impressionists. But he has also been described as a precursor of Expressionism for his impulsive and passionate style in painting and graphic art as well his liberal handling of form, which vividly conveys agitated states of mind and powerful emotions. In addition to an eminent body of paintings and numerous drawings and watercolors, he left a graphic oeuvre encompassing over a thousand prints. In his paintings as in his etchings and lithographs, Corinth dedicates himself to a set of recurring themes: mythological and religious motifs, nudes, still lifes, landscapes, and portraits of his family and close friends. His graphic work also shows him engaging with the challenges of self-portraiture.
-
Photography of Presence
24€ Add to cartThe Importance of the Moment in Artistic Photography
Can photographs exist which represent concrete places? In view of the daily flood of images, this question seems superfluous at first. Only on closer inspection does the distance between the visual experience of places and the media images generated from them become apparent. “There is nothing in this world that does not have a decisive moment,” Henri Cartier-Bresson once stated. The present volume examines this decisive moment and explores the question of how artistic photography can describe the gap between spatial reality and photographic image and make the present at the time the photograph was taken visible.
With works by Viktoria Binschtok, Julian Faulhaber, Mareike Foecking, Stephanie Kiwitt, Nikolaus Koliusis, Barbara Probst, and Wolfgang Zurborn as well as texts by Holger Kube Ventura.
- temporarily not available
Norbert Bisky
Im FreienRead moreThe beauty of male bodies, hedonism, bold colors—Norbert Bisky (b. Leipzig, 1970; lives and works in Berlin) is widely regarded as the most successful exponent of contemporary figurative painting in Germany. Now the artist has created a series of seventeen works on canvas and paper based on associations sparked by the oeuvre of the Expressionist Max Pechstein (1881–1955). The title “Im Freien” not only refers to the scenes they depict, which play out under the open sky; Bisky—who grew up in East Germany, which is to say, in what he calls “circumstances that were not free”—also grapples with the question of what liberty means to us today and what we do with it. The preoccupation with freedom led both painters to a quest for a personal utopia. Pechstein found it in the South Seas, where he had visited Palau, then a German colony, in 1914; the archipelago seemed paradisiacal to him, an idyll far removed from political and social reality. Bisky, by contrast, focuses less on the exotic landscape than on its residents, whom he stages as individual members of a globalized society.
Norbert Bisky enrolled at Humboldt-Universität in Berlin in 1994 to read German literature and art history but switched to the Berlin University of the Arts before year’s end; he studied painting with Georg Baselitz and entered Baselitz’s master class in 1999. He was a visiting professor at the Haute école d’art et de design, Geneva, in 2008–2010 and at the Braunschweig University of Art (HBK) in 2016–2018.
-
Heike Negenborn
Terra Cognita24€ Add to cartLebensraum of our Time: Contemporary Landscape Painting
The central theme of Heike Negenborn (b. 1964, Bad Neuenahr-Ahrweiler; lives and works in Windesheim) is the seen lebensraum. In reference to seventeenth-century Dutch landscape painting, her works stand in a specific tradition of capturing reality. With her new group of works titled Net-Scape – Landscape in Transition, Negenborn transfers art historical references into contemporary images. The artist is interested in the possibilities of media transfer and the increasing appropriation of analog reality by the digital image. The present volume provides impressive insights into the developments of the landscape painter from 2007 to 2020.
Heike Negenborn studied fine arts at Austin College, Texas, Art Education at Johannes Gutenberg Universität Mainz, and Painting and Printmaking at the Akademie für Bildende Künste Mainz.
-
Konrad Mühe
Guide38€ Add to cartAn Artist’s Book as an “Optical Illusion”
Konrad Mühe’s (b. Karl-Marx-Stadt, East Germany, 1982; lives and works in Berlin) works interrogate the construction of our identities by uncovering the technological and media apparatuses that sustain it and confronting it with the autonomous lives of objects. Their basic formal principle is the installation hybridizing sculpture and digital moving image, with a particular focus on the projector and the interaction of pedestal or suspension and projection screen. Where the classical black box in the movie theater or exhibition venue seeks to conceal the technical equipment in favor of an immersive visual experience, Mühe brings it to the fore and sets it out in the gallery space as sculpture and installation. Yet his works also undercut the conventional display regime in the white cube: the process of projection emerges as the true creative medium and subject. This book acts as a descriptive illustrated Guide to Mühe’s projects.
Konrad Mühe was Hito Steyerl’s master student and trained at the Berlin University of the Arts and the Burg Giebichenstein University of Art and Design Halle. His works have been featured at numerous film festivals including the 61st Berlinale and in exhibitions at Kunsthalle Düsseldorf, the Moscow Museum of Modern Art, and elsewhere.
-
Peter Zimmermann
abstractness26€ Add to cartTreading the Limits of Originality
Peter Zimmermann (b. 1956, Freiburg; lives and works in Cologne) is one of the most important conceptual media artists. With his work, he consistently experiments with visual reproduction techniques and gained international recognition in the late 1980s with his Book Cover Paintings: motifs from book covers such as that of the Diercke Weltatlas or the Polyglott travel guides, which Zimmermann transfers to the canvas with oil and epoxy resins. The relationship between original and copy is the central theme of his work, with which he addresses the ambivalence of artistic and digital authorship. This monograph brings together early works and a selection of current productions.
Peter Zimmermann studied at the Staatliche Akademie der Bildenden Künste Stuttgart and was professor at the Kunsthochschule für Medien Köln, Cologne, from 2002 to 2007.
-
Fiona Rae
Row Paintings24€ Add to cartElements of Energy and Complexity
Fiona Rae’s (b. Hong Kong, 1963; lives and works in London) abstract paintings attracted the attention of broad audiences when she participated in the legendary exhibition Freeze at London’s Docklands in 1988. It put her on the map as an early member of the group known as Young British Artists, who would revolutionize not only the English art world. To this day, Rae’s distinctive creations, which are rooted in a conceptual engagement with the problems and potentials of abstract painting, have remained prominent and seminal contributions to the field. In 2011, she was appointed professor of painting at the Royal Academy, one of the first women to hold this position. The catalogue is the first to feature the most important pictures from this period: the Row Paintings. They mark the inception of the artist’s internationally acclaimed oeuvre. An essay by Terry R. Myers offers an appraisal of the Row Paintings’ significance in their historic context as well as the contemporary discourse of painting.
-
Freeters
HELP! Artistic Intelligence38€ Add to cartFREETERS stands for an artist collective that designs, creates, transforms and plays with spaces, for and with the people who experience their time there. The artistic intelligence used in the process transforms into spaces for thinking, working, living, playing and learning, creating identity, emotion and inspiration.
This book is about the mediation of artistic thinking and artistic action in processes. The artistic practice of Freeters is characterized by strategies of thought and action that are needed in a society with constantly changing conditions, in a working world that overturns itself in its dynamics. The necessity of shaping the present through artistic thought and action can no longer be limited to the art context.
FREETERS’ AI approach should be understood less as a scientific methodology and more as a call not to reduce our intelligence to only rational thought processes with a utility maxim. Of course, AI has already made impressive progress in many areas of our public services via the hard components of machine learning. However, it is doubtful whether this approach alone can really give rise to a superintelligence that will one day create a resource-saving paradise on earth. Nor is it guaranteed that we as Homo Sapiens will be assigned a place in this paradise by such a unilaterally gifted superintelligence. Cognitively, this machine will be superior to us in any case – only the necessary feeling of happiness of a consensual coexistence does not seem quite conceivable.
-
Stephen Buckley
Close Cousins. Paintings48€ Add to cartThe Artist’s First Publication in more than Thirty Years
For more than forty years Stephen Buckley (b. 1944, Leicester) has concerned himself with addressing the major themes of the twentieth century through a personal style oscillating between the matière of Kurt Schwitters, the dandyism of Francis Picabia and the intellectual rigour of Marcel Duchamp. He takes the two most basic components of a conventional painting (canvas and stretcher), and makes multi-dimensional constructions, joins groups of single canvases together in overlapping structures, makes shaped canvases, cuts a stretcher with a variegated edge, stitches and weaves together strips of canvas, patches pieces of canvas onto another support, and adds cardboard tubing, rope, found objects and cut out shapes. In the 1970’s and 1980’s, Buckley saw extended prominence in the art press, starting with the artist being described as “the Punk Rock of contemporary painting” and ending with him gaining the title of “the ubiquitous Stephen Buckley”. There is now a large portfolio of themes, references, motifs and symbols which are continually reworked and reinvented. Since then, he has made some of his most compelling paintings, lush pop canvases full of symbols and colour, a far cry from the pared-down, industrial feel of some of his early works.
-
Ruth Wolf-Rehfeldt – Wie eine Spinne im Netz
38€ Add to cartRuth Wolf-Rehfeldt (b. Wurzen, Germany, 1932; lives in Berlin) is one the few East German female artists who devoted themselves to graphic art produced on the typewriter. Working on her trusty “Erika,” she arranged letters, digits, commas, and plus signs to compose imaginative visual creations. Under her hands, the black and red characters were transformed into poetic verbal images, gently undulating waves, serial patterns, and architectonic or figurative formations. Sometimes verging on concrete poetry, these typewritings also evince unmistakable affinities with conceptual and minimalist art. In the 1980s, the artist expanded on them in collages that recall Hannah Höch’s Dadaist visual montages. With her graphic work, Wolf-Rehfeldt was also an active participant in the GDR’s mail-art program: she sent the typewritings to artists beyond the impassable borders of her country, building an extensive network of correspondences that spanned the globe.
The richly illustrated monograph underscores the diversity and contemporary relevance of Wolf-Rehfeldt’s works, which were created in the shadow of the Cold War and address the fragility of peace as well as early manifestations of the environmental devastation wrought by the industrial age.
-
Nicola Staeglich
Color Light Matter Mind36€ Add to cart“This painting springs from the ambition to paint color into the air.” (Ulrich Loock)
Nicola Staeglich’s (b. Oldenburg, 1970; lives and works in Berlin) work with color achieves a distinctive intermediate state between physical presence and atmospheric radiance. She stages painting now as a performative action with broad propositions in color, now as an installation in three dimensions with multilayered translucent painted panels. Color Light Matter Mind is Staeglich’s first monograph, setting recent works in relation to her earlier output (1998–2021). From the spiral-shaped reliefs to her Liquid Lights, the artist opens up a fresh dimension for color.
Nicola Staeglich studied at the Städelschule, Frankfurt, the Academy of Fine Arts Mainz, and the Chelsea College of Art, London. She won numerous fellowships and has been professor of painting/graphic art at the Hochschule der bildenden Künste Essen since 2015. Her work has been presented in numerous solo exhibitions in Germany and abroad and is held by private and public collections.
-
GETA BRĂTESCU
Film and Video 1977–201842€ Add to cartGeta Brătescu (b. Ploiești, 1926; d. Bucharest, 2018) is now widely regarded as one of Eastern Europe’s most important avant-gardists. In the Western art world, however, she was largely obscure until her participation in documenta 14 in 2017 and the Venice Biennale of the same year. Questions of abstraction, the political potential of the image, and the subjective experience of self, memory, and history inform her stylistically diverse oeuvre in a wide range of media, which evolved under the repressive conditions of the Ceaușescu regime yet kept pace with the discourses of the Western avant-gardes. This richly illustrated volume focuses on her collages and drawings as well as her works on film and video from the late 1970s until her death.
- Release September 2021
Paul Uwe Dreyer
Werkverzeichnis der Gemälde, Zeichnungen und Druckgrafiken68€ Add to cartA Painter, Draftsman, and Draftsman of Concrete Art
Paul Uwe Dreyer (b. 1939, Osnabrück; d. 2008, Stuttgart) taught painting as a professor at the Staatliche Akademie der Bildenden Künste Stuttgart for more than three decades. His oeuvre shows the hallmarks of geometric constructive art: inspired by subjective experiences of reality, Dreyer’s compositions visualize the dialectics of organizing principles and their potentials for variation, a guiding interest that is already evident in his early work since the 1960s and especially in the pairs and series of pictures he begins creating in the early 1970s. His art unfolds a fascinatingly dynamic yet nonhierarchical dialogue between colors, surfaces, and lines. The chronological catalogue raisonné reveals the consistency with which motifs evolve from his early to his late oeuvre, from architectural, figural, and ornamental tokens through elements resembling symbols and icons to complex penetrations of spaces.