





Larissa Fassler
Building Worlds
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| Editor(s) | Kunsthalle Lingen |
| Author(s) | Meike Behm |
| Design | Correspondence (Justus Gelberg, Berlin & Lukas Engelhardt, Amsterdam) |
| Size | 12.5 x 19 cm |
| Cover | Softcover with neon dust jacket |
| Pages | 176 |
| Illustrations | 57 |
| Language(s) | German, English |
| ISBN | 978-3-96912-245-7 |
The drawings and sculptures of Larissa Fassler (born 1975 in Canada, lives in Berlin) both document and question the modern metropolis, its public squares, train stations, and functional buildings. Fassler researches her chosen locations extensively in city archives and online. She tracks trends such as economic disparity, gentrification, homelessness, or drug consumption. She supplements these statistical facts with her own subjective survey methods, such as repeatedly visiting and observing the sites. All of the information gathered finds its way into Fassler’s complex cartographic drawings and sculptures, which reflect the socioeconomic and geopolitical challenges of our time. This book accompanies Fassler’s exhibition at the Kunstverein Lingen.
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FERNE SPIEGEL / DISTANT MIRRORS
KUNSTHALLE BREMEN
UNTIL JANUARY 11, 2026 -

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GOTT&GILZ
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Larissa Fassler
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Tamara Suhr
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Tim Eitel
Propositions for Afterimages 2015–202436€ Add to cartTim Eitel initiates an exchange between recollection and painting. The work on his pictures, he says, is “a conversation about reality and memory” in which he engages the canvas. In the course of this dialogue, Eitel reflects on personal experiences, creating a standalone figural-abstract reality that needs to be internally consistent—the canvas has a strong will of its own. That makes the scenes depicted in his paintings analogues or afterimages of a situation rather than renditions of it. They are characterized by a certain openness that enables the beholders to inject their own recollections into the pictorial space as well. The dialogue between canvas and artist thus gives way to a colloquy between audience and finished work. Not by coincidence, many of the paintings by Eitel gathered in this catalog show people in museums: these scenes facilitate the leap into the pictorial space. The beholders have experienced a situation like the one shown in the pictures in the past or are experiencing it right now, and so they are already at the heart of the works; they become part of the painting, and the picture becomes a particle of their recollection.






















