Katja Aufleger
Schwindelerregende Höhen
 | |
|---|---|
| Editor(s) | Julia Katharina Thiemann, Wilhelm-Hack-Museum |
| Author(s) | Julia Katharina Thiemann, René Zechlin |
| Design | Studio S/M/L |
| Cover | Clothbound hardcover |
| Size | 23 x 31 cm |
| Pages | 120 |
| Illustrations | 68 |
| Language(s) | German, English |
| ISBN | 978-3-96912-052-1 |
On a Razor’s Edge: Evanescent Moments
Katja Aufleger’s (b. Oldenburg, 1983; lives and works in Berlin) works bring instants of suspense and uncertainty into focus in a variety of aesthetic forms. Their nuclei are typically everyday phenomena and physical models, which she combines with a range of concepts from cultural history and psychology. The publication presents several series, some of which capture explosive tensions. Among them are photographs of homemade Molotov cocktails for which the artist set perfume flacons on fire, making this most recent series a probing exploration of the potentials of material aesthetics and emotion. With an introductory essay by Julia Katharina Thiemann.
Katja Aufleger studied visual art the University of Fine Arts Hamburg (HFBK), where Andreas Slominski, Matt Mullican, and Michael Diers were her teachers.
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In his extraordinary sculptures, the artist combines a treatment of lacquer practiced for centuries in Japan with an organic language of form.
An exceptional representative and pioneer of the use of lacquer in contemporary art, Tanaka uses the lacquer mostly in polished deep black, sometimes also in intense red, as a multi-layer coating for his large-scale sculptures.
