Kai Schiemenz
Priel
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| Editor(s) | Galerie EIGEN + ART Leipzig/Berlin, Gerd Harry Lybke, Kerstin Wahala |
| Author(s) | Stefan Klein, Knut Ebeling |
| Design | Huelsenberg Studio mit Niklas Sagebiel |
| Cover | Hardcover |
| Size | 18 x 29,7 cm |
| Pages | 144 |
| Illustrations | 86 |
| Language(s) | German, English |
| ISBN | 978-3-96912-120-7 |
Tidal creeks are watercourses that crisscross coastal mudflats. Running between sandbars, they flush deposits out into the sea with the falling tide, and when the tide rises, the water flows back in. In other works, tidal creeks are effectively rivers in the sea. Delving into the implications of this idea, the book presents Kai Schiemenz’s (b. Erfurt, 1966; lives and works in Berlin) major works and projects of the past four years. The publication offers insight into the provenance of selected bodies of work and their genesis. Kai Schiemenz’s art examines the city, spaces, and architecture. His small-format sculptures are self-contained creations that combine digital technologies with natural materials like wood or paper. At the same time, they function as models for expansive installations and outdoor and indoor architectures in which Schiemenz orchestrates sight lines to construct spaces whose permeability makes the audience an integral aspect of the work. If his sculptures are architecture, his exhibitions are landscapes in which the visitors encounter one another as they would in a park. Their central question, time and again, concerns the impact of the built environment and urban landscapes on their inhabitants.
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David Hockney: Insights
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Anna Leonhardt
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Hans Karl Zeisel
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Gregor Hildebrandt
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Gregor Hildebrandt studied at Kunsthochschule Mainz from 1995 until 1999 and at the Berlin University of the Arts from 1999 until 2002. He was a fellow of the Deutsches Studienzentrum in Venice in 2003 and worked in Vienna on a fellowship from the German Academic Exchange Service in 2005–06. He has been professor of painting and graphic art at the Academy of Fine Arts in Munich since 2015.
