Jeff Wall
Appearance
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| Editor(s) | Clément Minighetti, Kunsthalle Mannheim, Christophe Gallois, Mudam Luxembourg – Musée d'Art Moderne, Grand-Duc-Jean, Sebastian Baden, Suzanne Cotter, Ulrike Lorenz |
| Author(s) | Bernd Stiegler, Christophe Gallois, Clement Minighetti, David Campany, Jean-Francois Chevrier, Sebastian Baden, Suzanne Cotter, Ulrike Lorenz |
| Design | Christian Ertel, Jeff Wall (Cover) |
| Cover | Hardcover with dustjacket |
| Size | 28 x 32 cm |
| Pages | 144 |
| Illustrations | 60 |
| Language(s) | English, French, German |
| ISBN | 978-3-947563-08-1 | Out of stock |
A New Perspective on the Work of the Photo Artist
The trademark of Jeff Wall (b. 1946, Vancouver; lives and works in Vancouver) are large-scale backlit light boxes, which appear like carefully composed film stills. The art historian ties his works in manifold ways to art history and, due to his elaborate arrangements, is often compared to modern masters. Many pictures by Jeff Wall are inspired by novels or stories and condense into intentional stagings of the everyday. With a special focus on constellations which present the medium photography like a search for traces, the book allows a new perspective on the artist’s works which have up until now rarely been shown in exhibitions.
Jeff Wall studied art history at the University of British Columbia, Vancouver, and at the Courtauld Institute of Art, London. His works are exhibited internationally, for example at the Museum of Modern Art, New York, Tate Modern, London, and the Art Institute of Chicago. In 2008 he received the Audain-Award for his life work.
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nolde/kritik/documenta (English)
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FERNE SPIEGEL / DISTANT MIRRORS
KUNSTHALLE BREMEN
UNTIL JANUARY 11, 2026 - Release November 2025
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Wege in die Abstraktion
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Dietmar Lutz
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Africa
in the View of the Photographers19,90€ Add to cartContemporary Photography from Africa
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Jan Muche
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Shara Hughes
Day by Day by DayRead moreGraphic Manifestations of the Unconscious
The painter Shara Hughes (b. Atlanta, GA, 1981; lives and works in Brooklyn, NY, USA) is one of the rising stars of the American arts scene. Her colorful imaginary landscapes, executed in a radiant palette and with an expressive gesture, pay homage to the Symbolists, the Fauves, and the Expressionists, whose artful handling of lighting and depth she deftly emulates. In an intuitive approach, Hughes applies paints to the canvas that match her present state of mind. She calls her pictures “emotional landscapes” and notes that she does not know what will happen next; her work on them touches on a vulnerable boundary. The lavish book presents numerous works on paper, most of them in large formats, and contains an essay by the New York-based art critic Andrew Russeth.
Shara Hughes graduated from the Rhode Island School of Design and later attended the Skowhegan School of Painting & Sculpture in Madison, ME. She has had solo shows at the Arts Club, London, the Newport Art Museum, the Metropolitan Opera, New York, and the Museum of Contemporary Art of Georgia, Atlanta. In 2017, her work was included in the Whitney Biennial at the Whitney Museum of American Art, New York.
