





Ivonne Thein
TECHNO BODIES
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|---|---|
| Author(s) | Peggy Schoenegge, Pamela C. Scorzin |
| Design | Tobias Wenig |
| Size | 20 x 27 cm |
| Cover | Softcover with open thread stitching |
| Pages | 80 |
| Illustrations | 85 |
| Language(s) | German, English |
| ISBN | 978-3-96912-171-9 |
In her multidisciplinary work, Ivonne Thein (born 1979 in Meiningen, lives and works in Berlin) addresses the current body images of a digital culture that is undergoing fundamental change due to extensive technologization. Today, new technologies are profoundly shaping both the physical body and its virtual representations in the visual culture of our time. Thein works with AI systems for her installations and places the question of the problem of imitating nature, and thus the relationship between art, technology and body, at the center of her artistic work. To do this, she combines digital techniques with sculptures that she creates by hand from silicone. Thein thereby evokes an intrusive closeness in the exhibition space, as the images generated with the AI no longer remain just a pure data set on the screen. The book presents works from 2020–2023.
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CLARA MOSCH
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Jakob Ganslmeier
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Silke Eva Kästner
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Horst Schwitzki (1932–2016)
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Tobias Pils
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Tobias Pils studied at the Academy of Fine Arts Vienna from 1990 until 1994. His works have been displayed in museums around the world, including at the mumok, Vienna (2021); the Pinakothek der Moderne, Munich (2020); the Musée Picasso, Paris (2020); the Kunstmuseum Bonn (2020); Le Consortium, Dijon (2018); the Aspen Art Museum (2018); the Chinati Foundation’s John Chamberlain Building, Marfa (2016); and the National Art Museum of China, Beijing (2010). In 2020, he executed a large wall painting at the École normale supérieure in Paris-Saclay.
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Chiharu Shiota
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