



Frank Morrison
![]() | |
|---|---|
| Editor(s) | Richard Beavers |
| Author(s) | Dr. Charles Moore, teddy raShaan reeves, phd. |
| Design | Anna Lustberg |
| Size | 24 x 30.8 cm |
| Cover | Hardcover |
| Pages | 96 |
| Illustrations | 48 |
| Language(s) | English |
| ISBN | 978-3-96912-254-9 | Release January 2026 |
The dynamic Neo-Mannerist images of painter and illustrator Frank Morrison (born 1971, lives in Atlanta) celebrate the resilience and dignity of African Americans in everyday life. A child of institutionalized racism in the US, he can testify that creativity and solidarity could never be suppressed in the segregated and brutally marginalized communities. Hip-hop and graffiti are resistance. Clichés of inner-city struggle are vividly refuted in this book. The volume documents Morrison’s recent exhibitions, one of which is dedicated to the younger generation: frame-braking images that interweave narrative forms of comics and pop art with illustration. Morrison’s gallery calls the book an explosive tribute to genius flourishing in institutionalized exile.
Release January 2026
You may also like…
- Release January 2026

Charles Moore
On painting16€ Add to cartFor On Painting, New York-based art historian and curator Charles Moore, interviewed four women artists about their practice, asking them to reveal their motives and aspirations. This publication consists of four interviews, each containing an introduction by Moore and illustrations of the artist’s works. Danielle Mckinney, who paints exclusively Black women, reflects on her experiences as a woman growing up in the US South. Nicola Staeglich creates subtle layered abstract works to evoke new perspectives and the potential for change. Nirit Takele elaborates on how her Ethiopian Jewish heritage has shaped her painting practice. Jorinde Voigt, who creates complex installations inspired by notation systems, discusses the use of algorithms and the beauty to be found in the unexpected.
More books
- Out of stock

Welt ohne Inventar
16,80€ Read moreThe stories by Katja Hachenberg (b. 1972, Rhineland-Palatinate; lives and works in Karlsruhe) bridge the gap between fiction and reality. They urge the familiar to disappear and the usual to dissolve. Hachenberg is interested in complex and broken characters who oppose the conventions: outsiders, jailbreaker, dropouts. The relief faces of the sculptor Reinhard Voss (b. Rendsburg; lives and works in Karlsruhe) are juxtaposed with her texts. In dialogue, a relational panopticon of figures emerges which invites the reader for a visual and imaginative stroll.
-

Felix Schramm
Things To Come44€ Add to cartFelix Schramm’s (b. Hamburg, 1970; lives and works in Düsseldorf) sculptural oeuvre reflects a probing engagement with space and the body. In works in a variety of media, including installations that intervene into a given setting, sculptures, and collages, the artist creates three-dimensional forms out of classical materials and industrial staples as well as detritus and dust. Deformations, rifts, cracks, or impurities undermine the existing order in his constructed formal ensembles, allowing novel correspondences in space and interconnections across time to emerge. The material and its subjection to form are held in a precarious balance; disintegration, which is an integral element of Schramm’s art, paves the way for artistic assertion and reformulation. The extensive publication gathers works and exhibitions of the past five years. It is Schramm’s first monograph, presenting a cross-section of his entire oeuvre with all bodies of work.
Felix Schramm studied at the Accademia di Belle Arti, Florence, from 1991 until 1993 and at the Academy of Fine Arts Düsseldorf, where he was in Jannis Kounellis’s master class, from 1994 until 1998. He rounded out his education with residencies in Tokyo in 2000 and at Villa Massimo in Rome in 2008.
-

Stephan Kaluza
Die dritte Natur14€ Add to cartThe Nature of Art as Totality and Idyll
The philosophy of nature is central to the artist Stephan Kaluza’s (b. Bad Iburg, 1964; lives and works in Düsseldorf) work. As he sees it, there exists a succession of different natures: first nature is Kaluza’s designation for a world as immediately felt by (early) humans, part of an encompassing and close-range experiential totality they labeled ‘nature’ and perceived as a physical, but also spiritual and emotional concatenation of events. Second nature is stripped down to an objective and utilitarian quality; nature becomes a resource, the basis of life, the environment. In a kind of linguistic turn, speech mediates a surrogate, an alternative world, that positions nature as culture’s opposite; the former becomes replaceable in favor of latter. Yet this culture is far from devoid of yearnings for the immediacy that it has lost, and so develops an ‘artificial idyllic nature’ in turn. This third nature of the arts—a purely human nature—harks back to the archetypes of a first nature in escapism and totalized immersion.
-

Franziska Opel
Close and Cold32€ Add to cartWith sex toys, the potential for misinterpretation and ill-advised use is vast, as countless slapstick comedies illustrate. Steering clear of quick laughs, Franziska Opel deftly harnesses this anarchic power of misunderstanding to explode our perceptions and worldview. Her works are painstakingly planned experimental arrangements in which she modifies or deforms mundane objects as well as those sex toys in subtle ways or powers them up in series, making us see them with fresh eyes. They cast a spell over us with their sensual allure, while our associative circuits processing what we see spark a certain sense of irritation. Curiosity, attraction, bewilderment, shame—expertly staged in photographs for this catalogue, the works elicit a wide range of emotions. Their energizing contradictions are elaborated by contributions from gifted writers: standalone poetic-narrative writings that reflect on several key aspects of Opel’s art in offhanded yet challenging ways.
-

Leszek Skurski
Catalogue raisonné Vol. 1: Works from 1990–202459€ Add to cartLeszek Skurski (b. Gdańsk, 1973; lives and works in Fulda and Mallorca) is known for his singular and immediately recognizable white paintings. Small black and gray figures emerge from the white landscapes, always set in relation to one another, in pairs or groups. Exposed on the expansive and boundless-seeming plane, they silently tell a story that remains as open-ended as the pictures. In a few spare brushstrokes or lines drawn with the palette knife, Skurski’s superb neoimpressionism deftly captures the atmosphere that weighs down on his characters and holds his compositions in suspense.
The extensive monograph presents over two thousand works from more than three decades. Essays embed the various bodies of work in their art-historical contexts.
-

Nicola Staeglich
Color Light Matter Mind36€ Add to cart“This painting springs from the ambition to paint color into the air.” (Ulrich Loock)
Nicola Staeglich’s (b. Oldenburg, 1970; lives and works in Berlin) work with color achieves a distinctive intermediate state between physical presence and atmospheric radiance. She stages painting now as a performative action with broad propositions in color, now as an installation in three dimensions with multilayered translucent painted panels. Color Light Matter Mind is Staeglich’s first monograph, setting recent works in relation to her earlier output (1998–2021). From the spiral-shaped reliefs to her Liquid Lights, the artist opens up a fresh dimension for color.
Nicola Staeglich studied at the Städelschule, Frankfurt, the Academy of Fine Arts Mainz, and the Chelsea College of Art, London. She won numerous fellowships and has been professor of painting/graphic art at the Hochschule der bildenden Künste Essen since 2015. Her work has been presented in numerous solo exhibitions in Germany and abroad and is held by private and public collections.
-

Art in a Conflicted World
34€ Add to cartTrans-European Perspectives in the Age of Cultural Fragmentation
Since the turn of the millennium, much of the world has become an increasingly unstable and dissonant place. Sharp disruptions define many aspects of our social, cultural, and political relations. Art in a Conflicted World addresses this evolving reality, featuring critical positions articulated by visual artists and writers from Ukraine, Russia, and Great Britain—regions embroiled in extraordinary strife and upheaval. The publication takes a frank look at these multifaceted states of social dissonance and reflects them in diverse artistic and literary inquiries and responses. The contributions are the fruits of an interdisciplinary fellowship program at Kulturstiftung Schloss Wiepersdorf that offers the participants an opportunity to gain fresh creative and cultural insights, test ways of engaging with complexity, and develop models for the future that transcend national boundaries.
The publication presents works by Sarah Dobai, Nikita Kadan, Ali Eisa, and Sebastian Lloyd Rees (Lloyd Corporation) as well as writings by Alisa Ganieva and Tanya Zaharchenko.
The project was mentored by Wolfgang Tillmans, Tom McCarthy, Katharina Raabe, and Mark Gisbourne and received funding support from the German Federal Foreign Office.
-

Gregor Hildebrandt
A Blink of an Eye and the Years are Behind us48€ Add to cartFor the past two decades, Gregor Hildebrandt (b. Bad Homburg, 1974; lives and works in Berlin) has transformed analog audiotapes, cassettes, and records into collages, sculptures, panel paintings, and installations. Melding visual art with music, he has charted a complex creative vision crossing boundaries of medium and genre that he continually refines. Before using a tape, he records selected music—typically a single song—on it, whose lyrics he quotes in the work’s title. The artist’s output draws on his personal repertoire of bands that share a romantic narrative of loneliness and a melancholy keynote. The same attitude toward life is reflected in Hildebrandt’s work. The book offers insight into all periods of the artist’s oeuvre and is rounded out by archival materials from Hildebrandt’s studio, his project space Grzegorzki Shows, and the music label Grzegorzki Records that illustrate his creative process.
Gregor Hildebrandt studied at Kunsthochschule Mainz from 1995 until 1999 and at the Berlin University of the Arts from 1999 until 2002. He was a fellow of the Deutsches Studienzentrum in Venice in 2003 and worked in Vienna on a fellowship from the German Academic Exchange Service in 2005–06. He has been professor of painting and graphic art at the Academy of Fine Arts in Munich since 2015.
-

Stephan Kaluza
Mechanik Sehnsucht. Kunsterzeugung und Betrachtung14€ Add to cartUngewohnte Antworten aus der Sicht des Kunsterzeugers
Die Frage, was Kunst ist und wie sie entsteht, wird gerne von denen beantwortet, die sie selbst nicht erzeugen. Die Betrachtung und Interpretation steht im Vordergrund und damit eine wissenschaftliche Distanz zur Kunst. Es gibt aber durchaus die Eigen-Betrachtung derer, die Kunst aktiv herstellen und naturgemäß einen inneren Blick auf die prozessualen Bedingungen haben, die überhaupt erst das entstehen lassen, was anschließend betrachtet und beurteilt wird. Diese Sichtweise ist nicht zwangsläufig identisch mit der von außen. Nicht die Interpretation oder eine deduktive Schlüssigkeit steht hier im Vordergrund, sondern ein ableitender und besonders ein schöpferischer Sinn, der sich aus dem Prozess des Kunstherstellens von selbst ergibt.
Die Arbeiten von Stephan Kaluza (geb. 1964 in Bad Iburg, lebt und arbeitet in Düsseldorf) wurden unter anderem im Ludwig Museum Koblenz, im State Contemporary Art Museum, Seoul, in der Kunsthalle Osnabrück, im Palacete des Artes Rodin, Salvador, im Museum on the Seam, Jerusalem, sowie in der KAI 10 | Arthena Foundation, Düsseldorf, ausgestellt.
-

Heike Negenborn
Terra Cognita24€ Add to cartLebensraum of our Time: Contemporary Landscape Painting
The central theme of Heike Negenborn (b. 1964, Bad Neuenahr-Ahrweiler; lives and works in Windesheim) is the seen lebensraum. In reference to seventeenth-century Dutch landscape painting, her works stand in a specific tradition of capturing reality. With her new group of works titled Net-Scape – Landscape in Transition, Negenborn transfers art historical references into contemporary images. The artist is interested in the possibilities of media transfer and the increasing appropriation of analog reality by the digital image. The present volume provides impressive insights into the developments of the landscape painter from 2007 to 2020.
Heike Negenborn studied fine arts at Austin College, Texas, Art Education at Johannes Gutenberg Universität Mainz, and Painting and Printmaking at the Akademie für Bildende Künste Mainz.
-

Werner Schmidt
James Joyce und die Farben des Ulysses59€ Add to cartThis imposing volume is the fruit of the artist Werner Schmidt’s decades-long immersion in the preeminent literary monument of the twentieth century: James Joyce’s Ulysses.
What began as a personal reader’s voyage now attains definite form in an eloquently colorful, interdisciplinary and polyphonic tribute—a work between literary study, theory of color, visual art, and reflection on language.
In the book’s first part, Schmidt analyzes and visualizes the use of colors in Ulysses in unique chromatic diagrams and coded color stripes that were literally painted on the walls in exhibitions. They are complemented by a series of photographs taken in Dublin, the novel’s setting, and accompanied by probing meditations on literary and linguistic facets and aspects of politics and the history of religion in the Joycean universe.
The second part gathers the voices of twenty renowned Joyce scholars, who, in five thematically organized chapters, share their perspectives on the color, texture, structure, and effect of Ulysses.
A feast for all who revere Joyce—and a gift of anyone who would not just read but truly wrap their mind around literature in its boldest and most luminous incarnation.
With texts by Florian Arnold, Dorothée Bauerle-Willert, Erik Bindervoet, Heinz Brüggemann, Jakob Brüssermann, Michael Deckard, Toni Hildebrandt, Otto Jägersberg, Christa-Maria Lerm Hayes, Jūratė Levina, Susanne Peters, Christoph Poetsch, Saskia C. Quené, Dieter Ronte, Werner Schmidt, Fritz Senn, Dirk Teuber, Vega Tescari, Shane Walshe, Andreas Weigel, Keith Williams, Ursula Zeller
-

Stephan Kaluza & Dieter Nuhr
Transit42€ Add to cartLandscapes in a Dialogue between Painting and Photography
At first glance, Stephan Kaluza’s (b. 1964, Bad Iburg; lives and works in Düsseldorf) photorealist paintings might be still lifes, portraits of pristine nature. Yet they actually show battlefields and other scenes of past horrors. The idyll in his pictures positively appeals to our vigilance to resist the impression of profound peace. The same ambiguity lies at the heart of the photographs of Dieter Nuhr (b. 1960, Wesel; lives and works in Ratingen). Nuhr, who is also widely known as a comedian, has contributed pictures that are carefully focused renditions of seemingly serendipitous discoveries from his travels in Nepal, Bolivia, India, and Sudan. In their timelessness, Nuhr’s photographs are akin to the locales in Kaluza’s works, which, disburdened of the heavy weight of their histories, reemerge as straightforward natural landscapes. The lavishly illustrated two-volume edition presents the fruits of a collaboration between two artists united by their shared preoccupation with the dialectic of ephemerality and permanence.
-

Hofmann’s Ways
Early Drawings (1898-1937)24,80€ Add to cartA Re-Discovery: the Early Graphic Work of Hans Hofmann
A representative of Abstract Expressionism, Hans Hofmann (b. 1880, Weißenburg; d. 1966, New York) was one of the most important artistic personalities of the 20th century. He began his career as a teacher and artist in the United States in the mid-1930s. The previously unpublished graphic oeuvre presents the highly varied development process that preceded Hans Hofmann’s influential painting of the post-war period.
-

Fahar Al-Salih
Beyond Fairy Tales39€ Add to cartBridges between East and West
The protection and sense of belonging one feels where one is at home, and what it is like to lose both of them: these are central concerns in the art of Fahar Al-Salih (b. Belgrade, 1964; lives and works in Karlsruhe). Having grown up in Kuwait, where a classical education in visual art was inconceivable, Al-Salih came late to his métier; Markus Lüpertz was among his teachers, and he completed his education in Hermann Nitsch’s master class. Seeing himself as a “bridge-builder” between the cultures of the Arab world and Europe, Al-Salih probes the different lived realities in which his itinerant biography has been set. No more linear than his path through life, his oeuvre is defined by subjects to which he keeps returning in a kind of cyclical motion. This publication offers unprecedented insight into Al-Salih’s creative approach and his articulations of individual yearnings, the comforts of safety, and political and social upheavals. His work achieves a deft interweaving of global perspectives and migrant realities.
-

Franziska Windisch
Walk with a wire14€ Add to cartThe interweaving of traces, sounds, and movements in an impressive work of sound art
The narrow brown magnetic tape of an audio cassette runs through a half-opened hand, slides through the fingers, is palpated in constant motion, and finally falls to the ground. The hand and its touching, particles of sand and small stones leave their traces and, when the tape is played, generate a multi-layered soundscape with crackling and background noises.
In her performative action in the ruins of the city of Messene in the Peloponnese region of Greece, Franziska Windisch (b. 1983) thematizes aspects of repetition and recording. Her artistic examination of the vestiges of the ancient urban space, the reciprocal transition from traces to writing in her video documentation, and the graphic element of the line visible on the ground lead to a reflection on temporality, dissolution, and decay. -

Martin Noël
paintprintpaint35€ Add to cartA Comprehensive Overview on the tenth Anniversary of the Death of Martin Noël
Martin Noël (b. 1956, Berlin; d. 2010, Bonn) was a German painter, draftsman, and printmaker. He was one of the formative innovators of the long-neglected techniques of linocut and woodcut. With his large-format works on paper, he created a position for himself in contemporary art that is as much respected as it is independent. On the occasion of the tenth anniversary of the artist’s death, this volume presents a comprehensive overview of his work from the mid-1980s to the last year of his life in 2010. Thirty-five exceptional works document Noël’s path from his early years as a painter, via the middle phase marked by printing blocks, linocuts and woodcuts, up to his late paintings.
Martin Noël studied Graphics and Painting at the Rheinische Fachhochschule Köln, Cologne. His works are included in, among others, the Federal Collection of Contemporary Art, the Kunstsammlungen Chemnitz, and the collection of the Museum Pfalzgalerie Kaiserslautern.
-

Jan Zöller
Ritual Believer40€ Add to cartJan Zöller’s (b. Haslach, 1992; lives and works in Karlsruhe) paintings, sculptures, and installations probe the discrepancy between economic production and the spiritual and magical dimension of art. The artist’s book Ritual Believer surveys the so-called charcoal paintings series, created between 2019 and 2023. For these works, the artist paints directly in charcoal on the unprimed canvas, making it impossible to correct “blunders.” Another distinguishing feature is the virtual absence of color; the austerity of the compositions contrasts with Zöller’s other, often intensely colorful paintings. The motifs that are the hallmark of his oeuvre—birds, running legs—are complemented by writing and text. Another aspect of this shift is that the works’ titles play a central part and almost figure as a creative element in their own right. For the text in the book, the artist sent the titles of the works shown to his brother, who wove them into a story. An appendix presents scanned archival materials. Notebooks and zines Zöller produced between 2015 and 2017 provide interesting insight into how he finds his motifs and his compositional process.
Jan Zöller studied with Marijke van Warmerdam and Leni Hoffmann at the Akademie der Bildenden Künste Karlsruhe from 2012 until 2017 and with Jean-Marc Bustamante and Götz Arndt at the École Nationale Supérieure des Beaux-Arts de Paris in 2016.
-

Cornelia Baltes
Dingbats44€ Add to cartCornelia Baltes’s (b. Mönchengladbach, 1978; lives and works in Berlin) paintings and installation straddle the divide between abstraction and figuration. Her pictures are inspired by observations of mundane details—apparel, body parts, or facial expressions—that she pares down to simple lines and shapes. Rendered in vibrant colors and gestural fields, they hint at a narrative in the pictorial space. Baltes works with steadily modulated color gradients, on which she places thick and assertive marks. She often interrogates the painted picture’s function, by painting on the wall beyond the rectangle of the canvas, by hanging a picture in the middle of the room as an object in its own right or laying it out on the floor. Her works blend Pop Art and minimalism with an intensity and dynamic energy—and, sometimes, unmistakable flashes of humor—that cannot fail to captivate the beholder.
This book is the first comprehensive monograph on the artist’s oeuvre.
Cornelia Baltes studied at Bergische Universität Wuppertal in 2000–2003 and at Folkwang Universität der Künste, Essen, in 2003–2006, before rounding out her education at the Slade School of Fine Art, London, in 2009–2011.
-

Tony Cragg
Points of View24€ Add to cartThe biomorphic and monumental sculptures of British sculptor Tony Cragg (born 1949, lives in Wuppertal) impress with their virtuosity and their dynamic appearance. They might even evoke movement, as if they are still becoming. Often exhibited outdoors, and in church or museum contexts, they blend into their surroundings like organic entities. Since the 1960s, Cragg’s search for sculptural form manifested through methods like layering and stacking existing materials, rearrangement, and assemblage. He now employs both traditional and new technologies and materials, yet his sculptures have to be seen in clear contrast to normative, repetitive industrial production. This book documents Cragg’s 2025 exhibition in the Anhaltische Gemäldegalerie Dessau.
- Out of stock

Supernatural
Sculptural Visions of the BodyRead moreThe future of human corporeality in the Anthropocene era
Given the technological development in biogenetics, humans will be able to make existential modifications to all living things, Nature, the animal world and human likenesses in future. What will bodies of the future look like? Who or what will we be? Supernatural offers us some answers in its hyperrealistic and realistic sculptures. These visionary works not only exemplify the impact of the digital revolution and genetic engineering on “posthumans” and the environment, but also illustrate, including in their own hybrid creations, how increasingly blurred the line between nature and culture is now becoming. Technological innovations are also having more and more effects on trends in the latest hyperrealistic sculptures. In using 3D printing to perfect their creation processes and pushing sculptural boundaries to encompass robotics and synthetic biology, artists are opening the door to new design possibilities in artefact, biology and technology for themselves as well.
The book presents works by Anne Carnein, Isa Genzken, Glaser/Kunz, Thomas Grünfeld, Sam Jinks, Josh Kline, Krištof Kintera, Reiner Maria Matysik, Alex May and Anna Dumitriu, Fabien Mérelle, Patricia Piccinini amongst others.






















