Filip Henin
 | |
|---|---|
| Editor(s) | Robert Grunenberg |
| Author(s) | Oliver Koerner von Gustorf |
| Design | OOR Studio, Berlin; Vladimir Llovet |
| Size | 15 x 21 cm |
| Cover | Softcover |
| Pages | 40 |
| Illustrations | 26 |
| Language(s) | German, English |
| ISBN | 978-3-96912-131-3 |
The events captured in Filip Henin’s (b. Mayen, 1986; lives and works in Berlin) paintings are set in a world beyond time and place, as though on an empty stage prepared for a Samuel Beckett production. It is virtually impossible to say whether a picture shows a coastal region or a craggy slope up in the mountains, whether a field of blue represents the sea or a band of open sky. Henin strips landscapes down no less than human figures, subtracting specific features to isolate basic forms that might be found in the hill country around his hometown in western Germany or in Tuscany. His work integrates quotations from antiquity, Romantic landscape painting, and postmodernism as well as Italian Transavanguardia, the mysticism of Francesco Clemente and Sandro Chia, and the figurative painting of the 1990s. Without veering into drama or pathos, he harnesses two utterly antithetical energies: the reflection on painting and the history of art and the need to be simple.
More books
-
Andreas Eriksson
42€ Add to cartAll is related, from the outside in. Look what’s behind it.
Andreas Eriksson (b. 1975 in Björsäter, lives and works in Medelplana, Sweden) is one of Sweden’s most notable contemporary artists. His artistic practice is based on a traditional painterly language, but he constantly expands this field to also encompass a vast production of textile works. He examines different histories through conceptual twists and turns in sculpture and prints. This monograph, the artist’s first, seeks to explain and illustrate Eriksson’s development and thoughts behind the meandering array of works he produces. It is a close look behind the canvas.
Andreas Eriksson studied at the Royal Academy of Fine Arts in Stockholm from 1993 to 1998 and represented Sweden with the Nordic Pavilion at the 54. Biennale di Venezia. His most comprehensive solo exhibition to date took place in 2014 at Bonniers Konsthall, Stockholm.
-
Lovis Corinth
Maestro del colore – Maestro della grafica35€ Add to cartLovis Corinth (b. Tapiau, East Prussia, 1858; d. Zandvoort, Netherlands, 1925) ranks among the leading German Impressionists. But he has also been described as a precursor of Expressionism for his impulsive and passionate style in painting and graphic art as well his liberal handling of form, which vividly conveys agitated states of mind and powerful emotions. In addition to an eminent body of paintings and numerous drawings and watercolors, he left a graphic oeuvre encompassing over a thousand prints. In his paintings as in his etchings and lithographs, Corinth dedicates himself to a set of recurring themes: mythological and religious motifs, nudes, still lifes, landscapes, and portraits of his family and close friends. His graphic work also shows him engaging with the challenges of self-portraiture.
-
Nadira Husain
Manzil Monde30€ Add to cartNadira Husain’s (b. Paris, 1980; lives and works in Berlin, Paris, and Hyderabad) work combines figures, symbols, and ornaments from different cultures in complex imageries that reflect her own multicultural experience. To achieve a harmonious, though by no means placid, coexistence of all elements, the artist harnesses painting, drawing, printing processes, traditional artisan practices, and a range of materials including textile and ceramics, recognizing no hierarchy of media or genre. Hybridization and the translocation of motifs serve her to tease out similarities as well as divergences between myth and pop culture: the Indian deity, the cartoon character, and the fashion label appear as equals in the universe of her art.
The book contains several essays that explore Nadira Husain’s oeuvre as a significant contribution to the discourse around postmigration, transculturality, and feminism in contemporary art.
Nadira Husain studied at the École nationale supérieure des beaux-arts in Paris and the University of British Columbia in Vancouver. She is currently a visiting professor at the Berlin University of the Arts, where she co-teaches with the Belarusian artist Marina Naprushkina.
-
Plastique Fantastique
A Journey through an ephemeral Realm32€ Add to cartIn the wake of Frank Lloyd Wright’s pioneering work, visionary architects including Frei Otto and Buckminster Fuller established bubbles as a recognized artistic and architectonic form. The Berlin-based art duo Plastique Fantastique (Marco Canevacci and Yena Young) go one step further and harness them as a medium of temporary social interactions. The philosopher Vilém Flusser conceived of space in the digital universe as a network of relational settings in which humans can be in multiple places at one, as a “bubble that extends into the future.” Plastique Fantastique transform our urban and rural environments into laboratories for such spaces in which urgent social, political, and aesthetic questions are negotiated. Oversized translucent bubbles, traffic islands ringed by diaphanous tubes, giant lifebelts, air-filled sausages that the audience at a Peaches concert pass over their heads: Plastique Fantastique’s installations fuse art, performance, people, and architecture in a multisensory experience that blurs the conventional boundaries of art and focuses our attention on the larger bubble in which human existence is contained. Richly illustrated with exceptional photographs, this monograph is the first to document a representative selection from the duo’s projects of the past two decades.
-
Jean-Marie Biwer
D’après nature42€ Add to cartPainterly Investigations of the Present
For over four decades, Jean-Marie Biwer (b. 1957, Dudelange, Luxembourg; lives and works in Basbellain, Luxembourg) has made art that records his fine-grained observations. Grappling with the grand themes of art history – the landscape, the human figure, the still life – Biwer consistently questions the role painting can play in a world shaped by a deluge of images and information. Responding to the omnipresence of the latter and reacting to the increasingly frantic pace of our lives, he creates paintings that allow the intensity of the present moment to unfold. The richly illustrated book gathers his most important works since 2005.
“These things are there, we just need to look at them. They are simple, but today they have the power to bring so much to people.”—Jean-Marie Biwer
Jean-Marie Biwer’s work has been shown throughout Europe and in 1993 he represented Luxembourg at the 45th Biennale di Venezia. His works can be found in the Musée National d’Histoire et d’Art Luxembourg, IKOB, Museum of Contemporary Art, Eupen, and Mudam Luxembourg – Musée d’Art Moderne Grand-Duc-Jean amongst others.
-
nolde/kritik/documenta (English)
42€ Add to cartEmil Nolde (1867–1956) ranks among the best-known classic modernists. Contemporary perceptions of the artist and his oeuvre are informed by mythmaking as well as its deconstruction. After the Second World War, Nolde himself and art historians of the time portrayed him as a victim of Nazi persecution. More recent critics have drawn attention to his anti-Semitic views and his opportunism in his dealings with the Nazi authorities.
With support from the Nolde Foundation, Seebüll, the Düsseldorf-based conceptual artist Mischa Kuball (b. 1959) delved into the documentary record to shed light on this profoundly ambivalent figure and frame a critical perspective on Emil Nolde’s output and actions. The first fruits of his endeavors were shown at the Draiflessen Collection, Mettingen, in the winter of 2020–2021.
Kuball continued his research at the invitation of the documenta archive, Kassel. Based on his findings, the exhibition project “nolde / kritik / documenta” illuminates the ways in which life and oeuvre are interwoven and inquires into the contradictions of modernism, which Emil Nolde as a man and artist may be said to have embodied. The focus of the new project is on the staging of Nolde’s works at the first three editions of the documenta exhibition series (1955, 1959, 1964), which were instrumental to establishing the “Nolde myth.”
An enlarged and revised edition of the catalogue “nolde / kritik / documenta” is released in conjunction with the exhibition at the Fridericianum, Kassel (December 9, 2022–February 19, 2023).
Mischa Kuball has been professor of public art at the Academy of Media Arts Cologne and associate professor of media art at the Karlsruhe University of Arts and Design/ZKM since 2007.
-
Kraftwerk
Innovation durch Transformation34€ Add to cartThe power plant in Rottweil, built in 1915 by the architect Paul Bonatz, looks back on a rich and interesting history: until 1976, it provided power to a gunpowder factory and, later, to a rayon manufacturer and at times also to the city of Rottweil. The façade design, the imposing perron leading up to the main entrance, and the tall chimneys still stand as testament to the modernist industrial structure’s erstwhile significance. Twenty years after the plant was taken out of service, the entrepreneurs Thomas Wenger and Mike Wutta with their event agency trend factory took over the dilapidated building with the surrounding premises and restored it, taking care to preserve its architectonic elements and the most important technical installations. (In the course of fifteen years, around 60,000 square feet of floorspace were reopened, with a special emphasis on the distinctive blend of morbid charm and contemporary design.) The power plant now serves the company as its headquarters and, more importantly, as a cutting-edge venue for concerts, congresses, and corporate events that has attracted clients and visitors from all over Baden-Württemberg and beyond.
-
Ohne Schlüssel und Schloss
Chancen und Risiken von Big Data19,90€ Add to cartVon Kunsthandwerk zu digitaler Verschlüsselung
An jeder Haustür ziehen wir Grenzen, wir schließen auf und schließen ab. Und noch in jüngster Vergangenheit war eindeutig, was als Verschlusssache galt. Ganz anders stellt sich diese Frage im IT-Zeitalter. Ausgehend von der kunsthandwerklichen Sammlung des Museum Pfalzgalerie Kaiserslautern wird deutlich, wie in früheren Jahrhunderten über mechanisch und symbolisch aufwendig gestaltete Schlösser, Schränke oder auch Reliquienbehältnisse Distanzen austariert wurden. Sie alle sind sichtbares Vehikel für die bewusste Wahrnehmung von innen und außen, zugehörig und ausgegrenzt, wissend und unwissend oder öffentlich und privat. Für Big Data gilt dies in keiner Weise mehr. Beim Digitalen werden Serviceleistungen mit Datenerhebungen verbunden, deren weiteren Einsatzbereiche wir weder unmittelbar verstehen noch überblicken können. Historische, technologische und philosophische Überlegungen bieten wichtige Beträge zur aktuellen Debatte und Einschätzung der Risiken und Chancen von Big Data.
-
Hans Karl Zeisel
Hundred and more34,95€ Add to cartPossibilities of Concrete Art
What is possible without turning away from the cocrete? In the Bauhaus tradition, the typographer, graphic artist, designer and author Hans Karl Zeisel opens up countless design options with basic forms. His wooden cuboids demand a humorous approach to sculpture. They are creativity training, study tools and meditation game all in once. A playful experiment that reveals the diversity of concrete art.
-
Karin Hochstatter
gegengerade20€ Add to cartA Provocation of Vision between Surface and Depth
In her sculptural works, Karin Hochstatter (b. 1960, Cologne; lives and works in Cologne) deals with forms and their dissolution, as well as the perceptual mechanisms that arise from this. Everyday materials from high-tech production processes, such as construction products and foils, become fragile and expansive structures that question both our way of seeing and our notion of sculpture. The book documents her more recent works since 2012, which always exist as singular events in space and never appear a second time in the same way.
Karin Hochstatter studied Visual Art at the Kunstakademie Düsseldorf and Philosophy at Heinrich-Heine- Universität Düsseldorf. Since 1998, she has been a visiting professor and lecturer at universities in Germany and the USA.
-
Jan Zöller
10€ Add to cartJan Zöller’s (b. Haslach, 1992; lives and works in Karlsruhe) art has the aura of a jerry-rigged, cosmic, comedic theater. Flames gutter, pant legs and elbows dance, run, and go up in fire. Wells, basins, and tubs are central motifs, symbolizing communal settings, but also the circulation of vital energies, of human and economic interconnections. Zöller’s paintings take fractured or antiquated systems, today’s art world among them, and reforge them into something new. In painting, he reflects on what being an artist means to him, driven by an interest less in a dialogue with art history or other contemporary painters than in the psychosocial relationships and conditions that inform his work. His paintings, sculptures, and installations probe the discrepancy between economic production and the spiritual and magical dimension of art.
-
Hofmann’s Ways
Early Drawings (1898-1937)24,80€ Add to cartA Re-Discovery: the Early Graphic Work of Hans Hofmann
A representative of Abstract Expressionism, Hans Hofmann (b. 1880, Weißenburg; d. 1966, New York) was one of the most important artistic personalities of the 20th century. He began his career as a teacher and artist in the United States in the mid-1930s. The previously unpublished graphic oeuvre presents the highly varied development process that preceded Hans Hofmann’s influential painting of the post-war period.
- Out of stock
Jeff Wall
AppearanceRead moreA New Perspective on the Work of the Photo Artist
The trademark of Jeff Wall (b. 1946, Vancouver; lives and works in Vancouver) are large-scale backlit light boxes, which appear like carefully composed film stills. The art historian ties his works in manifold ways to art history and, due to his elaborate arrangements, is often compared to modern masters. Many pictures by Jeff Wall are inspired by novels or stories and condense into intentional stagings of the everyday. With a special focus on constellations which present the medium photography like a search for traces, the book allows a new perspective on the artist’s works which have up until now rarely been shown in exhibitions.
Jeff Wall studied art history at the University of British Columbia, Vancouver, and at the Courtauld Institute of Art, London. His works are exhibited internationally, for example at the Museum of Modern Art, New York, Tate Modern, London, and the Art Institute of Chicago. In 2008 he received the Audain-Award for his life work.
-
Considering Finland
14€ Add to cartContemporary Art from Finland
With fourteen artistic positions from the fields of photography, video, and installation, Considering Finland offers fascinating insight into the Finnish art scene. The themes of the artists from one of the least populated and most densely forested countries in Europe is the relationship between humankind and nature, as well as the political, social, and economic implications of this. Their works point to cultural dispositions and standardizations of the individual within a society based on unattainable maxims, such as permanent success, lasting recognition, and limitless growth. Pictorial traditions, geographical structures, and socio-political and infrastructural factors are the bases of a mental construction that summarizes their artistic work under a national heading. With works by Kenneth Bamberg, Elina Brotherus, Ville Lenkkeri, Aurora Reinhard, Iiu Susiraja, Nestori Syrjälä, and Pilvi Takala.
-
André Butzer
Miettinen Collection30€ Add to cartAndré Butzer (b. Stuttgart, 1973; lives in Berlin) rose to renown with pictures he describes as “science fiction expressionism” and iconic characters like the “Peace Siemense,” the “Men of Shame,” or the “Woman” as well as seemingly abstract compositions. Artistic predecessors he admires and emulates include Walt Disney, Edvard Munch, Henri Matisse, Friedrich Hölderlin, and Henry Ford. Butzer’s utopian artistic vision is anchored in the fictional place “NASAHEIM”, a kind of pilgrimage destination in outer space. Yet his paintings should not be mistaken for illustrations of narrative structures; they articulate something that could not be said before. Similes of a sort, they embody the forever recurring extremes of history as emblems of human existence.
André Butzer briefly studied at the Merz Akademie, Stuttgart, before enrolling at the Hamburg University of Fine Arts (HFBK), from which he was expelled after two semesters in 1996. He went on to found the autonomous and anti-institutional Akademie Isotrop (1996–2000), where over twenty artists including Markus Selg, Jonathan Meese, and, in loose association, John Bock trained one another. In 2001, Butzer teamed up with Björn Dahlem to establish the Institute for SDI Dream Research.
-
Franziska Opel
Close and Cold32€ Add to cartWith sex toys, the potential for misinterpretation and ill-advised use is vast, as countless slapstick comedies illustrate. Steering clear of quick laughs, Franziska Opel deftly harnesses this anarchic power of misunderstanding to explode our perceptions and worldview. Her works are painstakingly planned experimental arrangements in which she modifies or deforms mundane objects as well as those sex toys in subtle ways or powers them up in series, making us see them with fresh eyes. They cast a spell over us with their sensual allure, while our associative circuits processing what we see spark a certain sense of irritation. Curiosity, attraction, bewilderment, shame—expertly staged in photographs for this catalogue, the works elicit a wide range of emotions. Their energizing contradictions are elaborated by contributions from gifted writers: standalone poetic-narrative writings that reflect on several key aspects of Opel’s art in offhanded yet challenging ways.
-
Shara Hughes
Time Lapsed35€ Add to cartShara Hughes (b. Atlanta, 1981; lives and works in New York) describes her pictures and drawings as psychological or invented landscapes. Her cliff coasts, river valleys, sunsets, and lush gardens, often framed by abstract patterns, might be the settings of fairy tales or scenes from paradise. As the New Yorker put it, the paintings “use every trick in the book to seduce, but still manage to come off as guileless visions of not-so-far-away worlds.” Wielding oil paint, brushes, spatulas, and spray cans, the artist celebrates painting itself, not infrequently quoting the masters of past eras.
Shara Hughes studied at the Rhode Island School of Design and later attended the Skowhegan School of Painting and Sculpture. Her most recent solo exhibitions are currently on view at the FLAG Art Foundation, New York, and the Kunstmuseum Luzern, Switzerland. In 2021, she had shows at the Yuz Museum, Shanghai; the Contemporary Art Museum St. Louis; the Garden Museum, London; the Aspen Museum of Art, Colorado; and at Le Consortium, Dijon.
- Release April 2025
Charles Moore
On painting16€ Add to cartFor On Painting, New York-based art historian and curator Charles Moore, interviewed four women artists about their practice, asking them to reveal their motives and aspirations. This publication consists of four interviews, each containing an introduction by Moore and illustrations of the artist’s works. Danielle Mckinney, who paints exclusively Black women, reflects on her experiences as a woman growing up in the US South. Nicola Staeglich creates subtle layered abstract works to evoke new perspectives and the potential for change. Nirit Takele elaborates on how her Ethiopian Jewish heritage has shaped her painting practice. Jorinde Voigt, who creates complex installations inspired by notation systems, discusses the use of algorithms and the beauty to be found in the unexpected.
-
Agostino Iacurci
10€ Add to cartAgostino Iacurci’s (b. Foggia, Italy, 1986; lives and works in Berlin) paintings, sculptures, installations, and murals are based on vegetal forms and botanical subjects. Lucid compositions in radiant colors unfurl fantastical ornaments that transcend the division between figuration and abstraction and the hierarchical distinctions of applied art, design, fine art, and folk art. His central theme is the painted garden, in which he stages plants, humans, architecture, geometry, and decoration in a fashionably theatrical landscape. In Iacurci, the interpenetration of nature and civilization is real, integrating mythological motifs from across the history of art and culture, from antiquity to futurism and postmodernism, into his singular style.
Agostino Iacurci studied fine arts at the Accademia di Belle Arti in Rome. Since 2009, he has realized numerous large-format murals and installations for public and private institutions. He has also worked with international brands including Apple, Adidas, Hermès, and Starbucks.
-
Stephen Buckley
Close Cousins. Paintings48€ Add to cartThe Artist’s First Publication in more than Thirty Years
For more than forty years Stephen Buckley (b. 1944, Leicester) has concerned himself with addressing the major themes of the twentieth century through a personal style oscillating between the matière of Kurt Schwitters, the dandyism of Francis Picabia and the intellectual rigour of Marcel Duchamp. He takes the two most basic components of a conventional painting (canvas and stretcher), and makes multi-dimensional constructions, joins groups of single canvases together in overlapping structures, makes shaped canvases, cuts a stretcher with a variegated edge, stitches and weaves together strips of canvas, patches pieces of canvas onto another support, and adds cardboard tubing, rope, found objects and cut out shapes. In the 1970’s and 1980’s, Buckley saw extended prominence in the art press, starting with the artist being described as “the Punk Rock of contemporary painting” and ending with him gaining the title of “the ubiquitous Stephen Buckley”. There is now a large portfolio of themes, references, motifs and symbols which are continually reworked and reinvented. Since then, he has made some of his most compelling paintings, lush pop canvases full of symbols and colour, a far cry from the pared-down, industrial feel of some of his early works.
