



Female Gaze
From Virtual to Reality
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| Editor(s) | Alexander Ochs, Silke Tobeler |
| Author(s) | Alexander Ochs, Silke Tobeler |
| Cover | Hardcover |
| Size | 23 x 30 cm |
| Pages | 48 |
| Illustrations | 51 |
| Language(s) | German |
| ISBN | 978-3-96912-058-3 |
Works of Art Take a Stance
The “female gaze” embodies a stance that is the polar opposite of the “male gaze.” The latter term came into use in the movie and advertising industries in the 1970s to describe the fact that women typically appear in films in supporting roles, as accessories to men, rather than as protagonists. The male gaze originated in a patriarchal society that has begun to change. The female gaze champions a modern form of emancipation that challenges men to abandon entrenched structures. Much more importantly, it encourages women to become aware of the strength that lies in their femininity and make it the source of their own creative expression and their own perspective on the world. For many years, the writer Silke Tobeler has visited artists in their studios, collecting the photographs she took there and her conversations with her hosts on her blog, Female Gaze.
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Simone Haack
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Tobias Rehberger
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Beate Höing
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Simone Haack – Untangling the Strands / Démêler les Fils
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Haack: “My goal is to use the means of realism to visualize what cannot be seen. To get into an automatism that lets the unconscious speak in order to infuse the pictures with a life of their own. To shed light on the domain where the myths originate.”
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Erich Hörtnagl
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Larissa Kikol
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Fiona Rae
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Sibylle Springer
Ferne Spiegel / Distant Mirrors35€ Add to cartThe paintings of Sibylle Springer (born 1975, lives in Bremen) focus on the role of women in the art world of the digital age. For her portrait series Feed, she has painted 40 female artists to date, based on staged photographs from their Instagram feeds. “Is social media an instrument of emancipation, or does it even lead to new forms of objectification?” (Kohout) In Wait for It, Springer copied pop stars from the internet, but used a silver paint that oxidizes the canvases, thus aging the eternally youthful icons before our eyes—precisely what digital image control seeks to prevent. In her more recent textile objects, Springer interweaves female artists of the past and present. This informative book accompanies her exhibition at the Kunstverein Bremen.
Die Malerei von Sibylle Springer (geb. 1975, lebt in Bremen) widmet sich der Rolle von Frauen in der Kunstwelt des digitalen Zeitalters. Für ihre Portraitserie Feed malte sie bisher 40 Künstlerinnen, basierend auf fotografischen Selbstinszenierungen aus deren Instagram-Feeds. “Sind Soziale Medien Instrumente der Emanzipation oder führen sie gar zu neuen Formen der Objektifizierung?” (Kohout) Für Wait for It kopierte Springer Popstars aus dem Netz, aber benutzte ein die Leinwände oxidierendes Silber, das die ewig-jungen Ikonen vor unseren Augen altern lässt, gerade das, was digitale Imagekontrolle zu verhindern sucht. In neueren, textilen Objekten verknüpft Springer Künstlerinnen der Vergangenheit und Gegenwart. Dieses informative Buch begleitet ihre Ausstellung im Kunstverein Bremen.
FERNE SPIEGEL / DISTANT MIRRORS
KUNSTHALLE BREMEN
UNTIL JANUARY 11, 2026

























