



Cristina Lucas
Immobile Engine
![]() | |
---|---|
Editor(s) | Frédéric Bußmann, Sabine Maria Schmidt |
Author(s) | Miguel Caballero, Katerina Gregos, Sabine Maria Schmidt |
Design | Anna Gille, Supercomputerstudio |
Cover | Softcover |
Size | 21 x 25 cm |
Pages | 144 |
Illustrations | 140 |
Language(s) | German, English |
ISBN | 978-3-96912-053-8 |
Mechanisms of Power
The Spanish artist Cristina Lucas (b. Jaén, 1973; lives and works in Madrid) works in a wide range of media and genres. Central concerns include the confrontation of subjective and political historiographies and a critical examination of cultural stereotypes. The publication’s point of departure is the multichannel video installation Unending Lightning, begun in 2013, in which Lucas undertakes a painstaking study of the history of aerial warfare. The book also showcases works that limn a contemporary perspective on value chains and the capitalization of time and landscape. Moreover, the artist has developed a corpus of critical cartographic models that offer algorithmic, philosophical, poetic, or, in some instances, humorous visualizations of unexpected nexuses. The first German-language publication on Cristina Lucas’s art, it offers a comprehensive survey of her oeuvre to date.
Cristina Lucas studied fine arts at the University of California and the Universidad Complutense, Madrid. She has had residencies in Paris, Amsterdam, and New York. Her work has been exhibited at MUDAM, Luxembourg; the Museo de Arte Contemporaneo, Santiago de Chile, and the Museo Nacional Thyssen-Bornemisza, Madrid; Kiasma, Helsinki; and the Centre Pompidou, Paris, among others.
More books
-
Gabriel Vormstein
40€ Add to cartGabriel Vormstein (b. Konstanz, 1974; lives and works in Berlin) explores themes of impermanence, temporality, and futility through a unique visual language. He paints using newspapers as a canvas, and creates installations out of tree branches and other organic matter. These “poor” materials subvert a prevailing notion in Western culture that an artwork should be eternally preserved. Through the adaptation of various styles and symbols, Vormstein’s paintings likewise speak to the transience of art historical and cultural trends. Over 300 pages, this richly illustrated book provides an overview of Vormstein’s oeuvre over the past two decades, while also offering an atmospheric glimpse into the artist’s source material and working methods. The publication is enriched by an essay by Gean Moreno, who characterizes Vormstein’s work as follows: “Gabriel Vormstein’s paintings and sculptures (…) announce their condition as withering artifacts, as if no other manner of existing was available to them (and maybe to us, as well).”
-
Sonja Yakovleva
10€ Add to cartSonja Yakovleva (b. Potsdam, 1989; lives and works in Frankfurt am Main) uses pornographic representations and images from the internet as templates for papercuts, some in large formats, that grapple with personal and public stories about women, power relations, sexuality, and violence. The silhouettes show popular motifs that have served to ingrain fairy tales, myths, and ideologies in the collective consciousness from the colonial era to modernism and the early twenty-first century. Yakovleva, whose art is often associated with sex-positive feminism, appropriates this folkloristic visual idiom and hybridizes and sexualizes it. Dessous and strap-on dildos, for example, figure as preserved specimens of butterflies and insects, bringing historic scientific expeditions to mind. Yet her work also addresses the capitalist urge to categorize, evaluate, and market every kink.
- Out of stock
Weltkulturerbe Völklinger Hütte 1999 – 2019
29,90€ Read moreDie Geschichte einer neuen Industriekultur
Die Völklinger Hütte gehört zu den wichtigsten Industriedenkmälern der Welt. Mit herausragenden Ausstellungen und Veranstaltungen ist das Kulturprojekt weit über die Grenzen des Saarlands hinaus bekannt geworden. Der Künstler Ottmar Hörl konzipierte hier sein großangelegtes Skulpturenprojekt 100 Arbeiter und Christian Boltanskis Installation in der Sinteranlage wurde zum hochemotionalen Erinnerungsort für die hier verpflichteten Zwangsarbeiter. Noch bis zum Jahr 1986 war die Völklinger Eisenhütte in Betrieb und wurde 1994 als erstes Industriekulturdenkmal aus der Hochphase der Industrialisierung in die renommierte Liste des UNESCO-Weltkulturerbes aufgenommen. Das Buch zum 25. Jubiläum dieser Auszeichnung zeigt die vielfältigen und eindrucksvollen Aufnahmen einer Transformation – vom größten Schrotthaufen Europas zum Begnungszentrum der Menschen mit der Kunst. Es dokumentiert die gelungene Umstrukturierung einer hochproduktiven Eisenverhüttungsstätte zu einem Ort für Kultur im 21. Jahrhundert.
- Out of stock
Flatland
35€ Read moreBetween the Dimensions
The title of this book quotes a literary work by Edwin A. Abbott that was first published in 1884 and gradually gained considerable fame: an allegorical satire whose protagonists are geometric figures, narrated by a square that relates its discovery of a three-dimensional world. Flatland examines the ways in which artists have found inspiration in the formal vocabularies of abstraction since the 1960s. The lavishly designed book gathers works from the past six decades that challenge orthodox interpretations of abstraction.
Contributing artists: Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka
-
Stephan Kaluza
Die dritte Natur14€ Add to cartThe Nature of Art as Totality and Idyll
The philosophy of nature is central to the artist Stephan Kaluza’s (b. Bad Iburg, 1964; lives and works in Düsseldorf) work. As he sees it, there exists a succession of different natures: first nature is Kaluza’s designation for a world as immediately felt by (early) humans, part of an encompassing and close-range experiential totality they labeled ‘nature’ and perceived as a physical, but also spiritual and emotional concatenation of events. Second nature is stripped down to an objective and utilitarian quality; nature becomes a resource, the basis of life, the environment. In a kind of linguistic turn, speech mediates a surrogate, an alternative world, that positions nature as culture’s opposite; the former becomes replaceable in favor of latter. Yet this culture is far from devoid of yearnings for the immediacy that it has lost, and so develops an ‘artificial idyllic nature’ in turn. This third nature of the arts—a purely human nature—harks back to the archetypes of a first nature in escapism and totalized immersion.
-
auf Erkundung
Anne Deuter und Monika Supé25€ Add to cartA Dialogue on Time
The two artists Anne Deuter (b. 1986, Halle; lives and works in Halle) and Monika Supé (b. 1967, Munich; lives and works in Munich) engage in self-exploration to find ways to convey an experience of body, space, and time. Grappling with formalist elements, they devise their compositional practices in graphite and ink and in words and images, respectively. Enhanced by selected works by contemporary poets, the publication opens up new perspectives on what it means to exist in time.
Anne Deuter studied visual art and art history at the Ernst-Moritz-Arndt-Universität Greifswald. She rounded out her education in the book art program at Burg Giebichenstein Kunsthochschule Halle. Monika Supé studied architecture at the Technischen Universität München and completed a doctorate on visual perception training at the Technische Universität Kaiserslautern. Since 1995, she has taught in the design divisions of various universities.
-
Kai Schiemenz
Priel38€ Add to cartTidal creeks are watercourses that crisscross coastal mudflats. Running between sandbars, they flush deposits out into the sea with the falling tide, and when the tide rises, the water flows back in. In other works, tidal creeks are effectively rivers in the sea. Delving into the implications of this idea, the book presents Kai Schiemenz’s (b. Erfurt, 1966; lives and works in Berlin) major works and projects of the past four years. The publication offers insight into the provenance of selected bodies of work and their genesis. Kai Schiemenz’s art examines the city, spaces, and architecture. His small-format sculptures are self-contained creations that combine digital technologies with natural materials like wood or paper. At the same time, they function as models for expansive installations and outdoor and indoor architectures in which Schiemenz orchestrates sight lines to construct spaces whose permeability makes the audience an integral aspect of the work. If his sculptures are architecture, his exhibitions are landscapes in which the visitors encounter one another as they would in a park. Their central question, time and again, concerns the impact of the built environment and urban landscapes on their inhabitants.
-
Martin Krumbholz
Alex, Martin und Ich14€ Add to cart“The Vocation of Saint Matthew”: that is the title that Martin Krug has chosen for his novella, after Caravaggio’s iconic painting at the Church of San Luigi degli Francesi in Rome. The irony is unmistakable—Martin, the protagonist of his narrative, hesitates to accept a promotion: he has been offered the job of his boss, for whose wife, Marion, he has fallen on a shared vacation. Yet Martin’s friend, whom he has asked for advice, proposes a different title: Ghost Story—a key element of the plot is the mysterious Alexander’s disappearance, seemingly forever, in the sea …
Martin’s friend and interlocutor, the novel’s first-person narrator, embeds the novella in a narrative framework that mirrors its motifs: love as passion, eros and sex, loyalty and betrayal, manliness and chivalry, art, film, and music. Alberto Moravia’s novel Contempt, glamorously adapted for the silver screen by Jean-Luc Godard, is reread and discussed as a MeToo story.
Martin Krumbholz (b. Wuppertal-Elberfeld, Germany, 1954; lives and works in Düsseldorf) is a writer and theater critic. His first novel, Eine kleine Passion, came out in 2013.
-
Gabriele Basch
fortuna24€ Add to cartPaper and Foil Cut‑Outs in an Innovative Language of Forms: An Overview of the Works of Gabriele Basch from 2008 to 2019
Since the 1990s, Gabriele Basch (b. 1964, Bad Homburg; lives and works in Berlin) has been working with cut-outs and translating the age-old tradition of silhouettes into an idiosyncratic and innovative language of forms. The artist interweaves creation and destruction, planning and chance into a complex, multi-layered reality and makes views into the spatial environment an integral part of her work. In her paper and foil cut-outs, foreground and background, materiality and void combine to form a whole that oscillates between painting and drawing, as well as between urban structures and hints of the biomorphic – in delicate color gradients, swirling structures, spontaneous gestures, and stenciled surfaces. The generously illustrated monograph offers a comprehensive overview of the artist’s work from 2008 to 2019.
-
Anna Bogouchevskaia
Shouldn’t Be Gone25€ Add to cartAnna Bogouchevskaia (b. Moscow, 1966; lives and works in Berlin) sees her work in sculpture as a geopolitical engagement with concerns on the intersection between figuration and abstraction. Macroscopic aluminum drops, bizarre bronze flowers, fog and snow made of silver—the artist, a committed environmentalist, has created a peculiar and fascinating world of evanescent natural phenomena. Focusing on two molecules—carbon dioxide and water—in their various states of aggregation, she draws attention to the threats posed by climate change.
The publication Shouldn’t be gone presents Bogouchevskaia’s most recent works since 2019: an urgent message of warning from an artist whose sculptural oeuvre even today has the air of a monument to a world in demise.
-
WORLD FRAMED
Zeitgenössische Zeichenkunst der Sammlung Schering Stiftung im Kupferstichkabinett38€ Add to cartIn 2008, the Schering Stiftung began acquiring outstanding contemporary works on paper for the Kupferstichkabinett (Museum of Prints and Drawings) in Berlin. The collection, which has since grown to 130 nonfigurative drawings and a small number of prints, emphasizes the close conjunction of art and science. The holdings also reflect central tendencies in the art of drawing: in addition to exploring the line and its multifaceted formulation, artists shed light on the bounds of their medium and its expansions and undertake forays into inter-media art within drawing. The lavishly designed publication WORLD FRAME—the title is borrowed from a work by the artist Matt Mullican—presents the works acquired thanks to this partnership. It inquires into how artists translate their perceptions of their world into pictures and which contexts and discourses inform those pictures. Which perspectives, which ideas frame the segment of reality an artist observes?
“World Framed,” exhibition, Kupferstichkabinett, Staatliche Museen zu Berlin, July 7–October 8, 2023
-
Hofmann’s Ways
Early Drawings (1898-1937)24,80€ Add to cartA Re-Discovery: the Early Graphic Work of Hans Hofmann
A representative of Abstract Expressionism, Hans Hofmann (b. 1880, Weißenburg; d. 1966, New York) was one of the most important artistic personalities of the 20th century. He began his career as a teacher and artist in the United States in the mid-1930s. The previously unpublished graphic oeuvre presents the highly varied development process that preceded Hans Hofmann’s influential painting of the post-war period.
- Out of stock
Eva Jospin
Wald(t)räume22€ Read moreThe Forest as a Place of Longing: Eva Jospin’s Magical Corrugated Cardboard Sculptures
The French artist Eva Jospin (b. 1975, Paris; lives and works in Paris) cuts and layers corrugated cardboard to create sculptures and reliefs. Handcraft and precision are essential aspects of her work. The artist retains the original color of the cardboard, since, for her, the material itself already contains sufficient color variations and nuances. The recurring motif is the forest — consisting of numerous trunks, branches, and twigs in extreme density and interspersed with black shadows. They suggest depth and stimulate the viewer’s imagination. Eva Jospin does not reproduce nature one to one, but conveys the feelings of fear, anarchy, or freedom that it triggers: The forest as a universal place of longing.
- Out of stock
Idee – Entwurf – Konzept
48€ Read moreArt in the Preliminary and Provisional Stage
In this sumptuous volume, Künstlerbund Baden-Württemberg, the association of visual artists in Baden-Württemberg, puts the focus on visualizations of inchoate impulses, spontaneous flashes of inspiration, and the euphoria of that first spark rather than the painstaking process of hammering out a work. Structured as a complex compendium comprising contributions by more than 240 artists, the book highlights the experimental circumstances in which the individual creative mind experiences the nascency of ideas—without regard for the specialized skills and technical accomplishment that distinguish the finished work. Perfunctory sketches, doodles, drawings, notes and material collages, photographs and other media images provide insight into very intimate stages of the creative process that are not usually revealed to visitors to an exhibition of contemporary art.
- Release October 2025
Fidel Martínez
Todesfuge. Das Leben des Dichters Paul Celan26€ Add to cartThe Spanish graphic artist Fidel Martínez Nadal’s (b. Seville, 1979) graphic novel Todesfuge recounts the life of Paul Celan (1920–1970), one of the most eminent lyric poets of the twentieth century. The narrative interweaves biographical and literary aspects of Celan’s life, including his Jewish identity, his lifelong trauma as a Holocaust survivor, and his acclaimed poem Todesfuge. Martínez’s expressive and somber illustrations visualize Celan’s struggles with feelings of guilt, memory, and his creative efforts to find words for the unspeakable. An artistically brilliant homage to Paul Celan’s oeuvre, Todesfuge is an impressive contribution to the engagement with the Shoah in the medium of the graphic novel pioneered by Art Spiegelman.
-
Vanessa Henn
Same Same35€ Add to cartVanessa Henn’s (b. Stuttgart, 1970; lives and works in Berlin) objects and installations blend formal reduction with playful comedy. The handrails she makes out of a wide variety of materials run along walls, project into rooms, trace spirals, mark lines or arcs, and often solicit our active engagement. Besides banisters, her oeuvre, which straddles the line between architecture and sculpture, also comprises bridges, stairs, and fences. All her creations are energized by the tension between the static work of art and its dynamic environment, which the artist resolves by integrating her works into the goings-on of everyday life. A guardrail that runs perpendicular to a flight of stairs or abruptly ends in the ceiling or floor is relieved of its function; rather than helping us go where we are going, it is a companion who invites us on a stroll into the imaginary and uncertain. And that is what makes Vanessa Henn’s art so alluring.
The book presents Vanessa Henn’s latest works from the years 2019-2023.
Vanessa Henn studied sculpture at the State Academy of Fine Arts Stuttgart (1992–2001) and at Edinburgh College of Art (1995–1996) and completed a Master of Fine Art at the University of Canterbury School of Fine Art in Christchurch, New Zealand (1999–2000).
- Out of stock
Karsten Födinger
Toward a Radical Sculpture42€ Read moreHarnessing the Formative Power of Gravity
Typically made of basic construction materials, the works of Karsten Födinger (b. Mönchengladbach, Germany, 1978; lives and works in Berlin) bridge the divide between architecture and sculpture. Ideas relating to the durability and load-bearing capacity of structures are a key interest in his creative process. Besides large sculptures destined for interior settings, Födinger makes striking sculptural interventions in public spaces that take inspiration from the specific site and always engage with its historical and cultural context. Untainted by romanticism, his sculptures symbolize the approach to a foreseeable end that is hastened by the uncontrolled exploitation of the earth’s resources. With numerous illustrations and essays, this first extensive monograph on the artist presents a comprehensive survey of his sizable oeuvre.
Födinger’s works have been presented in numerous solo exhibitions, including at Antenna Space, Shanghai, and the Palais de Tokyo, Paris. In 2012, he was awarded the Baloise Art Prize at Art Basel Statements.
-
Kensise Anders
10€ Add to cartKensise Anders’s work grapples with the reality of Black people’s lives. Born in Haiti, she was adopted by a German family when she was two. After a difficult childhood, with stints in a psychiatric institution and a boarding school, she eventually found art as a medium that lets her work through her experiences. She uses the crochet needle to create masks with which she ironically appropriates white identities and play carpets that show the world of her childhood—apartment blocks, streets; the “hole,” as she calls this environment. She also arranges crocheted threads on the canvas as though they were brushstrokes. One series of pictures is dedicated to a Black doll; another, to naked female bodies, including the artist’s own, with references to Courbet’s L’Origine du monde (1866). The works are acts of resistance to the prudishness of whites. Black dolls became popular in this country during the colonial era and never quite went away, like the racism in our society and in our heads. Anders’s weapon against that racism is the crochet needle, which she wields patiently and with flair as well as the necessary radicalism.
-
Roland Schappert
Coronasehnsucht14€ Add to cartThe coronavirus pandemic hit us in a time of disparate foci of attention. A fundamental lack of comprehension and hate speech contrast sharply with an unspoken consonance of ideas as well as feelings. What do reality, statistics, love, and yearnings do to us? They are playing a game with reality, sans fiction. Relationships sustain our lives. What was unmistakable before is now manifest, with stark certainty. Are we ready for loving dissension? Can we bear to think only as far ahead as we can see? How do our emotions answer these questions, and how does our intellect? The Cologne visual artist and writer Roland Schappert retraces his personal voyage through this sun-kissed rain-drenched time. The book is a diary-like tour de force of digital amorous overtures, an attempt to explain the world of art via WhatsApp, and the real challenges of life as a single artist in a major German city in precarious circumstances.
- out of stock
Drucksache Bauhaus
38€ Add to cartThe Early Years of the Weimar Print Workshop
At the Staatliches Bauhaus in Weimar, the print workshop began operation in the spring of 1919 as the first workshop. Printmaking corresponded to the basic idea of the Bauhaus in that it realized the unity of art and craftsmanship in an ideal manner. With the groundbreaking project Bauhaus-Drucke. Neue Europaeische Graphik, four portfolios were created in which forty-five representatives of the European artistic avant-garde participated. In the announcement brochure of 1921, it stated: “The many who do not yet know about the work of the Bauhaus, and who cannot know, are to be made aware of us through this work.” The book presents the portfolios published between 1921 and 1924, together with other works printed at the Bauhaus by Lyonel Feininger, Wassily Kandinsky, and Oskar Schlemmer. The Stuttgarter Prolog also sheds light on the influence of Adolf Hölzel, whose students and later Bauhaus masters Oskar Schlemmer and Johannes Itten brought many of his ideas to the Bauhaus.