






Roland Schappert
Liebe +–
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| Author(s) | Roland Schappert |
| Design | Roland Schappert, Claudia Wildi |
| Size | 18.3 x 25 cm |
| Cover | Softcover with flaps |
| Pages | 80 |
| Illustrations | 20 |
| Language(s) | German |
| ISBN | 978-3-96912-228-0 |
Roland Schappert’s Liebe+– is a poetic voyage into the mysterious and paradoxical landscapes of love. Combining an unrelenting eye with lyrical precision, Schappert captures the fragile equilibrium between intimacy and distance, between the longing for union and the need for detachment. The +– in the title is a symbolic shorthand for the ambivalence of love: attraction and repulsion, delight and pain, their constant interplay defining the dynamic of love.
The terse and sometimes aphoristic writings enter into a dialogue with the author’s artful and enigmatic pictures and sculptures—text images sewn out of strings of beads or painted in Champagne chalk that subtly mirror and refract the emotional tension of the poems. Nimbly balancing on the fine line between devotion and disaffection, Schappert’s verses are interspersed with ironic allusions to our digital and urban contemporary world.
By forging a symbiosis of poetry and image, this artist’s book charts a world unto itself in which the boundaries between I and you blur and subject and object are fused in a collective we. It invites us to contemplate love with a fresh eye—as tender touch and fractious idea, as a play of expectation and disappointment that we begin anew every day.
‘Love in the age of social media and dating apps, but not from a Gen Z perspective – but from someone who has known this feeling for much longer. And who brings his experiences – which are certainly representative of many – in ever new combinations of text and images into a form that makes reading and viewing a memorable experience.’ – Wolfgang Ullrich
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CLARA MOSCH
and early art events in the GDRRead moreThe legendary producer-run gallery Clara Mosch and the artists’ group of the same title that gathered around it were founded in Karl-Marx-Stadt (today’s Chemnitz) in 1977 and existed until 1982. The catchy name was an acronym of the contributors’ last names: CLA = Carlfriedrich Claus, RA = Thomas Ranft and Dagmar Ranft-Schinke, MO = Michael Morgner, SCH = Gregor-Torsten Schade. As the founders of the first producers’ gallery in the GDR and creators of diverse oeuvres, the group’s artists rank among the foremost exponents of avant-garde art in East Germany. The book presents works of art, limited editions, and posters as well as photographs from the Ralf-Rainer Wasse archive in the collections of the Lindenau-Museum in Altenburg. One thematic focus is on Clara Mosch’s land-art happenings and plein-air pieces. The unconventional actions attest to the group’s stated objective of building greater awareness of the ongoing devastation of the local environment. Forty years after the fact, Clara Mosch’s work has lost none of its relevance and urgency.
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Clemens Krauss
Antidot | Gegengift40€ Add to cartClemens Krauss restlessly shuttles across history; his vehicles are painting, video art, sculpture, and performance. Yet Krauss is not “just” an artist, he is also a psychoanalyst and physician. As such, he has first-hand experience of time as the defining factor of existence, daring him to play with it. The bosom of painting is where he feels safest after his hazardous excursions back into his youth and forward into death. Executed in thick paints, his work is physical, material, which is also to say, it exists in time: everything passes away, even the picture. Evanescent, more than anything, are encounters of the sort Krauss stages as part of his psychoanalytical practice; all that remains is the indelible impression they leave. To be indelible, to recall the past, while also “letting happen what has never happened,” as he puts it, these are the ambitions he pursues in his art. Preserved between the covers of the present catalogue and reproduced in thousands of copies, his works now fan out in an instant to circulate for an indeterminate period of time among countless hands, whence they will effortlessly penetrate the barriers of our inner lives to bring us one step closer to transcendence.
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Roland Schappert
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Wege in die Abstraktion
Marta Hoepffner und Willi Baumeister24,90€ Add to cartUnknown Influences of Modern Painting and Photography
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Marta Hoepffner’s works have been exhibited at, among others, the Centre Georges Pompidou in Paris, the San Francisco Museum of Modern Art, and the National Portrait Gallery in London. Willi Baumeister studied at the Kunstakademie in Stuttgart and was a member of the influential November Group. He was defamed as “degenerate” during the Nazi regime and is now considered one of the outstanding artists of modernism.


























