Michelle Jezierski
Verge
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| Editor(s) | Christine Nippe, Bezirksamt Steglitz-Zehlendorf von Berlin |
| Author(s) | Duncan Ballantyne-Way, Christine Nippe |
| Design | Katharina Tauer |
| Size | 19 x 25 cm |
| Cover | Softcover |
| Pages | 96 |
| Illustrations | 69 |
| Language(s) | German, English |
| ISBN | 978-3-96912-207-5 |
How does a simple line become a horizon? When do we begin to see colors and shapes as a landscape? Michelle Jezierski’s painting homes in on the tipping point at which our perception begins to oscillate between color/surface and space/representation. At that very point, she captures the essence of the landscape as such, which is not a concrete place but a metaphor for inner states of affairs. To get there, Jezierski distills what she sees in her surroundings down to the elements of painting—shapes and colors—which just barely intimate a pictorial space while persistently drifting toward abstraction. The defining feature of her technique is that she layers several pictorial planes and spaces on the canvas in staggered arrangements. “Perpetually discovering new ways to unsettle the visual space,” as she puts it, she engenders ruptures and structures that open up multiple perspectives and a portal for reflection on one’s own perception. Above all, however, the cuts lend her pictures a peculiar rhythm that powerfully pulls in the gaze, making the reader paging through this catalogue forget time and space.
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Michelle Jezierski
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Since 1976, numerous institutional solo and group exhibitions and works in international collections: Bundeskunsthalle, Bonn; Deichtorhallen, Hamburg; documenta IX / Fridericianum, Kassel; Fundació Joan Miró, Barcelona; Joanneum, Graz; Kunsthalle Düsseldorf; Museum of Contemporary Art, Monterrey; Martin-Gropius-Bau, Berlin; Museum Abteiberg, Mönchengladbach; Museum Folkwang, Essen; Museum moderner Kunst Stiftung Ludwig, Vienna; Museum Morsbroich, Leverkusen; Rijksmuseum Twenthe, Enschede; Sakip Sabanci Museum, Istanbul; Städtische Galerie, Karlsruhe; Vanhaerents Art Collection, Brussels; ZKM | Museum für Neue Kunst, Karlsruhe.
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Cornelia Baltes
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Sam Falls
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Drucksache Bauhaus
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Ottmar Hörl
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Mirror
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Petra Arnold
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Karin Hochstatter
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Călin Dan
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Hans Hofmann
Chimbote24€ Add to cartExpressive Forms between Art and Architecture
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