Kraftwerk
Innovation durch Transformation
 | |
|---|---|
| Editor(s) | Studio 23, Ulrich Dietz, Ingrid Hertfelder and trend factory, Thomas Wenger, Mike Wutta |
| Author(s) | Katharina Stolz, Ruth van Doornik |
| Design | remède, Florian Hägele |
| Size | 30 x 30 cm |
| Cover | Linen hardcover |
| Pages | 120 |
| Illustrations | 140 |
| Language(s) | German |
| ISBN | 978-3-96912-181-8 |
The power plant in Rottweil, built in 1915 by the architect Paul Bonatz, looks back on a rich and interesting history: until 1976, it provided power to a gunpowder factory and, later, to a rayon manufacturer and at times also to the city of Rottweil. The façade design, the imposing perron leading up to the main entrance, and the tall chimneys still stand as testament to the modernist industrial structure’s erstwhile significance. Twenty years after the plant was taken out of service, the entrepreneurs Thomas Wenger and Mike Wutta with their event agency trend factory took over the dilapidated building with the surrounding premises and restored it, taking care to preserve its architectonic elements and the most important technical installations. (In the course of fifteen years, around 60,000 square feet of floorspace were reopened, with a special emphasis on the distinctive blend of morbid charm and contemporary design.) The power plant now serves the company as its headquarters and, more importantly, as a cutting-edge venue for concerts, congresses, and corporate events that has attracted clients and visitors from all over Baden-Württemberg and beyond.
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Hans Hofmann
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FREIGEISTER
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WORLD FRAMED
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“World Framed,” exhibition, Kupferstichkabinett, Staatliche Museen zu Berlin, July 7–October 8, 2023
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Elias Sime
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Jan Zöller
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Jagoda Bednarsky
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Peter Hermann
Skulpturen24€ Add to cartDefying the Classical Canon
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Leszek Skurski
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Gregor Hildebrandt
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What is Vienna Actionism?
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Konkrete Progressionen
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The exhibition at the Kunstmuseum Reutlingen runs until April 14, 2024.
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100 Windows
Site-specific art installations at Berlin-Weekly project space28€ Add to cartEstablished in 2010 by Stefanie Seidl in a former gateway for horse-drawn carriages that is now enclosed by glazing at both ends, the project space BERLIN-WEEKLY offers the narrow yet exceptionally tall display space to artists as a highly visible public stage for installations that respond to the setting or site. Its unilateral orientation toward the street makes BERLIN-WEEKLY a creative intervention into the urban fabric that harnesses the shopwindow format. The book presents 100 selected window installations to illustrate the widely diverse ways in which individual artists have engaged with the venue, time and again transforming the unusually shaped small space.
With works by: Menno Aden, Alexandra Baumgartner, Isabelle Borges, Astrid Busch, Simon Faithfull, Moritz Frei, Max Frisinger, Wolfgang Flad, Dagmara Genda, Andreas Greiner & Armin Keplinger, Sabine Groß, Marc van der Hocht, Sabine Hornig, Irène Hug, Bettina Khano, Julia Kissina, Nikolaus List, Ulrike Mohr, Virginie Mosse, Piotr Nathan, Katja Pudor, Philip Topolovac, Inken Reinert, Sophia Schama, Geerten Verheus, Sinta Werner, Barbara Wille, and others
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Nobuyuki Tanaka
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In his extraordinary sculptures, the artist combines a treatment of lacquer practiced for centuries in Japan with an organic language of form.
An exceptional representative and pioneer of the use of lacquer in contemporary art, Tanaka uses the lacquer mostly in polished deep black, sometimes also in intense red, as a multi-layer coating for his large-scale sculptures.
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Thomas Lehnerer
Grott18€ Add to cartA Facsimile by the Theologian and Artist
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Me, Family
Portrait of a Young Planet40€ Add to cartA Journey Through Many Worlds
In these times of great uncertainty, the themes that surface in the works of the thirty-six international artists gathered in Me, Family are more relevant than ever. Compiled by Francesco Bonami with a nod to Edward Steichen’s historic exhibition The Family of Man, the volume paints a multifaceted portrait of humanity in the early decades of the twenty-first century. The original installation of photographs and excerpts from writers opened at the Museum of Modern Art in New York in 1955 and then went on a seven-year tour of one hundred and fifty museums all over the world. Matching the radicalism of Steichen’s conception, Me, Family presents works by contemporary artists who harness a wide range of media and genres to explore the ways in which humans today engage with their manifold coexistent histories and the diverse challenges they confront. Including reproductions of contemporary art as well as representations of social networks, fashions, information technologies, advertising, sound, music, and performances, the book captures a reality that is beautiful, dramatic, and intoxicating by turns. With writings by Roland Barthes, Francesco Bonami, Edward Steichen, and others.
With works by Lawrence Abu Hamdan, Doug Aitken, Sophia Al Maria, Yuri Ancarani, Darren Bader, Lara Baladi, Cao Fei, Cheng Ran, Clément Cogitore, István Csákány, Christian Falsnaes, Harun Farocki, Simon Fujiwara, Rainer Ganahl, Theaster Gates, Jack Goldstein, Andreas Gursky, Thomas Hirschhorn, Hassan Khan, Ga Ram Kim, Olia Lialina, Li Ming, Cristina Lucas, Karolina Markiewicz & Pascal Piron, Eva & Franco Mattes, Shirin Neshat, Philippe Parreno, Mario Pfeifer, Jon Rafman, Cindy Sherman, Marianna Simnett, Rudolf Stingel, Thomas Struth, Wolfgang Tillmans, Jordan Wolfson, Wong Ping, and Akram Zaatari.
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Andreas Wegner
Wir fahren mit der Schneckenpost, weil die uns keinen Pfennig kost50€ Add to cartThe art of Andreas Wegner is an inquiry into capitalist urbanity. His interventions explore alternative models for urban interaction, trade, city development, traffic, or the use of public space. Inspired by Joseph Beuys’s social sculpture and Charles Fourier’s social utopias, Wegner founded, e.g. a cooperative department store in Berlin, a grocery store in Vienna, and conducted real estate business as a form of creative resistance. This monograph illustrates the artist’s most important projects with ample imagery, essays by renowned authors, interviews, and his own texts. Alongside collective initiatives, installations, photography, film, and sculpture, painting remains a constant in Wegner’s oeuvre to this day.
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Isabelle Graw
In einer anderen Welt. Notizen 2014–201726€ Add to cartPersonal Observation as an Analytical Lens on Society
Isabelle Graw (b. 1962, Hamburg; lives in Berlin) is publisher of the magazine Texte zur Kunst and has been professor of art theory at the Staatliche Hochschule für bildende Künste – Städelschule in Frankfurt am Main since 2002. In this book, she branches out from her work as an art historian and critic to offer reflections on a wide range of observations from her own life. Never before has Graw addressed her readers more frankly than in these 160 notes.
“She is blindingly frank, addressing the questions that envelop her days: waxing salons, the arrival of Syrian refugees in Germany, exhibitions and grief, electoral and family politics. Subtly, Graw reveals how impressions and beliefs arise out of circumstance.”
Chris Kraus, American filmmaker and author of I Love Dick“In crisp and striking vignettes, this book shows how self-scrutiny and minute observation of the world intermesh and form the dense web of her analysis. This is a unique and original book, literary, psychological and sociological, all at once.”
Eva Illouz, French-Israeli sociologist -
Shara Hughes
58€ Add to cartBoisterous Compositions
At first glance, Shara Hughes’s (b. Atlanta, GA., 1981; lives and works in Brooklyn) colorful and extravagant landscapes are chock full of everything we love in famous paintings: the palette of Henri Matisse or David Hockney, the stylistic inventiveness of Edvard Munch or Paul Cézanne, the painterly gestures of Philip Guston or Josh Smith, perhaps even van Gogh’s brushwork. She quotes this masculine tradition in landscape painting deliberately and unabashedly. This monograph is the first to present a comprehensive overview of Shara Hughes’s work.
Shara Hughes graduated from the Rhode Island School of Design and later attended the Skowhegan School of Painting & Sculpture in Madison, ME. She has had solo shows at the Arts Club, London, the Metropolitan Opera, New York, and the Museum of Contemporary Art of Georgia, Atlanta. In 2017, she participated in the Whitney Biennial, New York.
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Erich Hörtnagl
to be a man38€ Add to cart“A photograph is a secret about a secret. The more it tells you, the less you know.” The witty remark, attributed to Diane Arbus, succinctly captures the twofold code at work in Erich Hörtnagl’s (b. Innsbruck, 1950) pictures. Aesthetically appealing photographs, mostly in black and white, show men (and women) in a wide variety of cultural, social, and religious contexts: from Swedish bikers and drag queens to monks in Myanmar, from Turkish belly dancers to Tyrolean performers in traditional attire. What looks at first glance like a conventional photobook soon reveals itself to be a brilliantly staged interactive riddle around clichéd notions of masculinity with positive and negative connotations, around gender roles and persistent stereotypes. With the deftly composed visual meta-narrative in to be a man, Hörtnagl, a seasoned theater and film director, lures us into a trap, and the only way out is by taking the challenge head-on: by engaging in self-reflection and questioning our own prejudices and ideas.
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Pokorny
25€ Add to cart“Abstraction means the omission of the irrelevant and the unnecessary in order to find more substantial content and form.”—Werner Pokorny
His often monumental sculptures can be found in many places in Germany and abroad, including Aachen, Berlin, Busan (South Korea), Frankfurt am Main, Freiburg, Karlsruhe, Riehen, Saarbrücken, and Stuttgart. Werner Pokorny works (b. 1949, Mosbach; lives and works in Ettlingen) exclusively with Corten steel for his outdoor sculptures and with wood, steel, and bronze for his indoor works. Well-known basic forms such as bowls, spheres, cuboids, and houses serve as points of departure and reference, which are abstracted by reduction, rotation, tilting, or combination with other elements. The artistic field of tension characteristic of Pokorny’s impressive sculptural oeuvre is due to the oscillation between form and abstraction, figure and reduction, hard edges and soft curves.
