


Horst Keinig
Scoop
![]() | |
---|---|
Editor(s) | Stephan Berg |
Author(s) | Alexandra König, Dirk Steimann, Harald Kunde, Stephan Berg |
Design | Andreas Wünkhaus |
Size | 16,5 x 23 cm |
Pages | 128 |
Illustrations | 80 |
Cover | Hardcover |
Language(s) | German |
ISBN | 978-3-947563-29-6 |
An Artist Book Setting New Visual Processes in Motion
Around the year 2009, Horst Keining (b. 1949, Hattingen; lives and works in Düsseldorf) began to create blurred contours with the help of a small spray gun used without stencil. Up to four partially superimposed pictorial planes result in the oscillation and almost three-dimensional pulsation of the pictorial space. In interplay with a contrasting juxtaposition of strongly contoured images, his works convey a completely new visual experience. Since the resulting “blur effect” shrinks due to the reduction, this artist book places an essential accent on the reproduction of image details in their original size, followed by a full image of the picture.
More books
-
Markus Vater
Objects of Significance32€ Add to cartObjects of Significance is an artist’s book that grew out of a series of photographs and writings which Markus Vater (b. Dusseldorf, 1970; lives and works in London and Dusseldorf) collected over several years. They show and describe what matters to the artist: objects fraught with meaning, questions, relationships, memories. It is a creative and philosophical book, as funny as it is serious, delving into questions like: What do you see when you close your eyes and turn your head toward the sun? Or: How much does a cloud weigh? Vater has interviewed the North Sea for the book and ponders the wind. He sheds light on the conditions in which art comes into being and meditates on what holes are.
-
Werner Schmidt
James Joyce und die Farben des Ulysses59€ Add to cartThis imposing volume is the fruit of the artist Werner Schmidt’s decades-long immersion in the preeminent literary monument of the twentieth century: James Joyce’s Ulysses.
What began as a personal reader’s voyage now attains definite form in an eloquently colorful, interdisciplinary and polyphonic tribute—a work between literary study, theory of color, visual art, and reflection on language.
In the book’s first part, Schmidt analyzes and visualizes the use of colors in Ulysses in unique chromatic diagrams and coded color stripes that were literally painted on the walls in exhibitions. They are complemented by a series of photographs taken in Dublin, the novel’s setting, and accompanied by probing meditations on literary and linguistic facets and aspects of politics and the history of religion in the Joycean universe.
The second part gathers the voices of twenty renowned Joyce scholars, who, in five thematically organized chapters, share their perspectives on the color, texture, structure, and effect of Ulysses.
A feast for all who revere Joyce—and a gift of anyone who would not just read but truly wrap their mind around literature in its boldest and most luminous incarnation.
With texts by Florian Arnold, Dorothée Bauerle-Willert, Erik Bindervoet, Heinz Brüggemann, Jakob Brüssermann, Michael Deckard, Toni Hildebrandt, Otto Jägersberg, Christa-Maria Lerm Hayes, Jūratė Levina, Susanne Peters, Christoph Poetsch, Saskia C. Quené, Dieter Ronte, Werner Schmidt, Fritz Senn, Dirk Teuber, Vega Tescari, Shane Walshe, Andreas Weigel, Keith Williams, Ursula Zeller
-
Simone Haack
HAIR30€ Add to cartSimone Haack (b. 1978 in Rotenburg/Wümme, lives and works in Berlin) has always made the inwards legible in the outer appearance of her figures in her painting. This is also the case in her block of works in the exhibition of the same name, Hair. Already in the late 17th century, magic and superstition were attributed to hair. In it one suspected the whole power of the soul. The artist, who was formed in the painting class of Katharina Grosse and Karin Kneffel, symbolically reveals the fragility of the DNA of human beings through her hair landscapes, which are sometimes placed macroscopically in the picture in the spirit of a New Magic Realism. At the same time, her accompanying exhibition publication always also tells of the triangle of tension of physical as well as psychological existence, which in her case runs through the painterly psychoanalysis.
- Out of stock
Ernst Gamperl
Zwiesprache Dialogue34€ Read moreUnique wooden sculptures as the result of a ten‑year process
Ernst Gamperl (b. 1965, Munich; lives and works in Tremosine) is fascinated by the dialogue with living material and the quality of the unpredictable. He creates room-sized wooden objects, into the design of which he incorporates the natural drying process, cracks, and irregularities—a revolutionary technique of woodturning which has led to completely new standards, technically often at the limits of what is feasible. In a ten-year process, Gamperl transformed a roughly 230-year-old uprooted oak into an ensemble of vessels and sculptures. The artist’s book conveys the fascination of the material and the craft, brings us close to the objects, and documents the challenging work process.
-
Ottmar Hörl
Second Life – 100 Arbeiter14,80€ Add to cartThe Workman Sculptures at Völklinger Hütte Steelworks
Sculptures on topics of everyday life are at the center of the work of Ottmar Hörl (b. 1950, Nauheim; lives and works in Frankfurt/Main and Wertheim). His major projects gained international recognition, they are based on the artist’s concept of art as a communication model. For the Völklingen Ironworks World Heritage Site, Hörl conceived the sculpture project Second Life, which features 100 figures modeled on the Völklingen ironworker with helmet and work clothes. The book documents the impressive project that focuses on the universal theme of the Völklingen Ironworks: work and the working people.
-
Stefan Knauf
10€ Add to cartStefan Knauf (b. Munich, 1990; lives and works in Berlin) uses selected materials such as construction supplies or plants to investigate the histories of botany, migration, trade, science, and architecture and critique an idealized and anthropocentric conception of nature that is still prevalent. His sculptures, geometric-abstract pictures, and installations, with echoes of constructivism and minimal art, are contact zones in which everything is related to everything: human and non-human history, the natural and the artificial, ecology and ideology. Knauf’s works do not propose to unravel these entanglements. Rather, they suggest alternative perspectives and topographies guided by the idea of the “modified landscape” and devise material and alchemistic forms of knowledge and a novel and multiperspectival approach to the history and reality of the Anthropocene.
-
Sam Falls
After Life45€ Add to cartSam Falls (b. San Diego, 1984; lives and works in New York) delegates the authorship of his works to the phenomena of nature. Applying water-reactive dry pigments or plant parts to support media like canvas, aluminum, or tiles and then exposing them to the effects of sun, rain, and wind at selected sites for extended periods, he deliberately integrates the agency of chance into his art. The playful yet conceptually rigorous process is a metaphor for the impermanence of all bodily existence. Falls’s symbiotic work with nature and its elements evinces references to the technique of the photogram as well as land art. Melding diverse media—photography, sculpture, and painting—he bridges the gulf between artist, object, and beholder.
Sam Falls studied at Reed College in Portland, Maine, and at the International Center of Photography Bard in New York. He has had numerous solo exhibitions, including at the Hammer Museum, Los Angeles, the Mori Museum, Tokyo, and Frankfurter Kunstverein.
-
GOTT&GILZ
Supernatural Beings54€ Add to cartGOTT&GILZ clothe provocative nudity into the guise of art-historical classics
The female nude is a constant of art history whose vicissitudes illustrate changing forms of representation and the wild swings of public morality. Many a nude was initially condemned as smut only to be reclassified a few years later as beautiful and becoming and inducted into the hallowed halls (the opposite has also happened). GOTT&GILZ’s photographic paintings build on this long tradition of depictions of naked women by men—theirs is the proverbial “male gaze.” It is a debt they are quick to acknowledge, with nods to Klimt, Schiele, Pollock, et al. No wonder some have responded to their work with kneejerk indignation. Unlike in those art-historical references, then, the impudence lies not in the shattering of traditional norms of representation but in quoting them: the past as affront. The women in the pictures as well as the artists themselves flaunt their desires, shamelessly and relentlessly confronting us with the historic roots of our social and psychological realities.
Freedom is the key idea in the two artists’ oeuvre: the freedom to be authentic and express oneself without shame. Their subtly provocative play with aesthetic conventions and taboos has not only made a splash on the arts scene, it has also prompted vital discussions about gender roles, body images, and the right to sexual self-determination.
By letting it all hang out, they allow us to see ourselves as we are instead of presenting a picture of what we (supposedly) should be like. The insolence of it!
-
schneider+schumacher
39€ Add to cartA Review and Prospect of the Work of the Frankfurt‑based Architectural Office on the Occasion of its Thirtieth Anniversary
schneider+schumacher is an internationally operating team of architects with headquarters in Frankfurt am Main. On the occasion of its 30th anniversary they present a book in the shape of a red box, whose chapters “Beauty,” “Endurance,” “Curiosity,” “Land Art,” “Integrating,” “Transitions,” and “Made in Germany” cover issues and values that have determined their work since its founding. Renowned authors shed light on the respective concept and its significance for the history of schneider+schumacher, while the office’s works are presented in large-format illustrations – including the extension to the Städel Museum in Frankfurt, the Siegerland motorway church, and the new pavilion of the Frankfurt Book Fair. In architectural practice, it becomes clear how Till Schneider and Michael Schumacher and their team implement their thematic and theoretical orientation into their working methods, design approach, and understanding of architecture.
-
Nobuyuki Tanaka
Primordial Memories25€ Add to cartThe craft of traditional Japanese lacquer finishing in contemporary art
In his extraordinary sculptures, Nobuyuki Tanaka (b. 1971 in Tokyo) combines a lacquer finishing that has been practiced in Japan for centuries with an organic formal language. Tanaka is considered the most important representative and pioneer of the use of lacquer in contemporary art. He uses the material in polished deep black or intense red as a multi-layer coating for large-format sculptures. This results in abstract works with lively, curved, glossy surfaces in which the multi-faceted effect created by the interplay with changing light conditions plays a key role. The lavishly illustrated book includes texts by Britta E. Buhlmann, Beatrice Kromp, Antje Papist-Matsuo, Annette Reich, Atsuhiko Shima, and Nobuyuki Tanaka.
In his extraordinary sculptures, the artist combines a treatment of lacquer practiced for centuries in Japan with an organic language of form.
An exceptional representative and pioneer of the use of lacquer in contemporary art, Tanaka uses the lacquer mostly in polished deep black, sometimes also in intense red, as a multi-layer coating for his large-scale sculptures.
-
Barbara Armbruster
Meins Mine24€ Add to cartAn Intercultural Artistic Narrative between Germany and Egypt
In her works, Barbara Armbruster (b. Bad Waldsee; lives and works in Stuttgart) deals with cultural and social spaces, structures, and identities. Influenced by many years of residence in Cairo, Armbruster’s diverse works are points of relationship between two completely different cultural spaces. In her paintings, drawings, photographs, installations, and performative videos, the artist pursues a cross-cultural approach that tells of her time in Egypt and Germany on both a documentary and personal level. The monograph provides fascinating insight into Armbruster’s continuously developed language of expression between Arabic calligraphy, stylized ornamentation, and the photographic staging of everyday architecture.
Barbara Armbruster studied Graphic Art at the Staatliche Akademie der Bildenden Künste Stuttgart, where she later held a teaching position. Her works have been widely exhibited at, among others, the Goethe-Institut in Cairo, the Landesmuseum Württemberg in Stuttgart, and the Kunstverein Freiburg.
-
Emil Nolde
A Critical Approach by Mischa Kuball40€ Add to cartWhat is Visible and What is Not
Mischa Kuball (b. 1959, Düsseldorf; lives and works in Düsseldorf) investigates public and institutional spaces and the social and political discourses that shape them. At the invitation of the Draiflessen Collection and with support from the Nolde Stiftung, the conceptual artist grappled with the life and oeuvre of the painter Emil Nolde (1867–1956) and created a body of work titled Nolde/critique/Kuball. In piece after piece, Kuball drains Nolde’s works of the colors that made the Expressionist famous, challenging the beholder’s preconceptions and examining perception and its constituent processes. Laid out in black and white, the book accordingly directs our attention not only to what a picture shows, but also to how structures and organizing principles emerge into view.
Mischa Kuball has been professor of public art at the Kunsthochschule für Medien Köln, and associate professor of media art at the Staatliche Hochschule für Gestaltung/ZKM Karlsruhe since 2007.
Note: This publication is released in German, English and Dutch. When ordering, please let us know which edition you would like to receive. Use the annotation box on the checkout page.
-
Martin Krumbholz
Alex, Martin und Ich14€ Add to cart“The Vocation of Saint Matthew”: that is the title that Martin Krug has chosen for his novella, after Caravaggio’s iconic painting at the Church of San Luigi degli Francesi in Rome. The irony is unmistakable—Martin, the protagonist of his narrative, hesitates to accept a promotion: he has been offered the job of his boss, for whose wife, Marion, he has fallen on a shared vacation. Yet Martin’s friend, whom he has asked for advice, proposes a different title: Ghost Story—a key element of the plot is the mysterious Alexander’s disappearance, seemingly forever, in the sea …
Martin’s friend and interlocutor, the novel’s first-person narrator, embeds the novella in a narrative framework that mirrors its motifs: love as passion, eros and sex, loyalty and betrayal, manliness and chivalry, art, film, and music. Alberto Moravia’s novel Contempt, glamorously adapted for the silver screen by Jean-Luc Godard, is reread and discussed as a MeToo story.
Martin Krumbholz (b. Wuppertal-Elberfeld, Germany, 1954; lives and works in Düsseldorf) is a writer and theater critic. His first novel, Eine kleine Passion, came out in 2013.
-
Martin Noël
The Retrospective38€ Add to cartThe Protagonist of the Modern Woodcut
The German painter, draftsman, and graphic artist Martin Noël (b. Berlin, 1956; d. Bonn, 2010) played a leading role in reviving the linocut and the woodcut, two techniques that had long been eclipsed by other media. In his large-format works on paper, he staked out a widely regarded and distinctive position in contemporary art. Noël was especially interested in the compositional relationship between line and surface. Released on occasion of the retrospective of his oeuvre at the Albertina, Vienna, this book presents an overview of the most important periods in the artist’s creative evolution, with an emphasis on the woodcut carved into the printing plate and the woodblock’s subsequent emancipation as an art object in its own right. Particular attention is paid to the application of ink to the surface and its painterly structure as well as the picture’s migration from object to canvas. The resulting paintings are exemplary of Noël’s late oeuvre.
Martin Noël studied graphic art and painting at what is now the Cologne University of Arts and Sciences. His art garnered numerous prizes and other honors, including fellowships from Kunststiftung NRW, Stiftung Kunstfonds, and Letter Stiftung. Works by Noël are in the German Federal Collection of Contemporary Art, Kunstsammlung Chemnitz, and the collection of Museum Pfalzgalerie Kaiserslautern.
-
Pat Steir & Ugo Rondinone
Waterfalls & Clouds20€ Add to cartThe imposing installation Waterfalls & Clouds consists of three sculptures by the Swiss artist Ugo Rondinone (b. Brunnen, Switzerland, 1964; lives and works in New York) and nineteen paintings by the American Pat Steir (b. Newark, NJ, 1940; lives and works in New York). The three large gray monoliths of concrete, sand, and gravel bear the titles Faces, Look, and Twisted and are part of a series of twenty works created in 2018. They are surrounded by nineteen tall and narrow black oil paintings titled Flags for Ugo #1 through #19 (2021); with colorful or white paint streaming down the canvases, they hark back to Steir’s Waterfall series from the 1980s. A symbiotic relationship connects the works: the sculptures, in which erosion is integral to the art, embody time, while the pictures symbolize gravity and hence nature as such.
-
Me, Family
Portrait of a Young Planet40€ Add to cartA Journey Through Many Worlds
In these times of great uncertainty, the themes that surface in the works of the thirty-six international artists gathered in Me, Family are more relevant than ever. Compiled by Francesco Bonami with a nod to Edward Steichen’s historic exhibition The Family of Man, the volume paints a multifaceted portrait of humanity in the early decades of the twenty-first century. The original installation of photographs and excerpts from writers opened at the Museum of Modern Art in New York in 1955 and then went on a seven-year tour of one hundred and fifty museums all over the world. Matching the radicalism of Steichen’s conception, Me, Family presents works by contemporary artists who harness a wide range of media and genres to explore the ways in which humans today engage with their manifold coexistent histories and the diverse challenges they confront. Including reproductions of contemporary art as well as representations of social networks, fashions, information technologies, advertising, sound, music, and performances, the book captures a reality that is beautiful, dramatic, and intoxicating by turns. With writings by Roland Barthes, Francesco Bonami, Edward Steichen, and others.
With works by Lawrence Abu Hamdan, Doug Aitken, Sophia Al Maria, Yuri Ancarani, Darren Bader, Lara Baladi, Cao Fei, Cheng Ran, Clément Cogitore, István Csákány, Christian Falsnaes, Harun Farocki, Simon Fujiwara, Rainer Ganahl, Theaster Gates, Jack Goldstein, Andreas Gursky, Thomas Hirschhorn, Hassan Khan, Ga Ram Kim, Olia Lialina, Li Ming, Cristina Lucas, Karolina Markiewicz & Pascal Piron, Eva & Franco Mattes, Shirin Neshat, Philippe Parreno, Mario Pfeifer, Jon Rafman, Cindy Sherman, Marianna Simnett, Rudolf Stingel, Thomas Struth, Wolfgang Tillmans, Jordan Wolfson, Wong Ping, and Akram Zaatari.
-
Jan Zöller
Ritual Believer40€ Add to cartJan Zöller’s (b. Haslach, 1992; lives and works in Karlsruhe) paintings, sculptures, and installations probe the discrepancy between economic production and the spiritual and magical dimension of art. The artist’s book Ritual Believer surveys the so-called charcoal paintings series, created between 2019 and 2023. For these works, the artist paints directly in charcoal on the unprimed canvas, making it impossible to correct “blunders.” Another distinguishing feature is the virtual absence of color; the austerity of the compositions contrasts with Zöller’s other, often intensely colorful paintings. The motifs that are the hallmark of his oeuvre—birds, running legs—are complemented by writing and text. Another aspect of this shift is that the works’ titles play a central part and almost figure as a creative element in their own right. For the text in the book, the artist sent the titles of the works shown to his brother, who wove them into a story. An appendix presents scanned archival materials. Notebooks and zines Zöller produced between 2015 and 2017 provide interesting insight into how he finds his motifs and his compositional process.
Jan Zöller studied with Marijke van Warmerdam and Leni Hoffmann at the Akademie der Bildenden Künste Karlsruhe from 2012 until 2017 and with Jean-Marc Bustamante and Götz Arndt at the École Nationale Supérieure des Beaux-Arts de Paris in 2016.
-
Jenny Brosinski
Things I’ve Never Said58€ Add to cartJenny Brosinski’s (b. Celle, 1984; lives and works in Berlin) paintings in large formats look like uncoordinated abstract compositions with traces of wear deliberately left in place. This brings their materiality to the fore and reveals the creative process. Expressive oil paint on unprimed canvas, spray-painted lines, typographic elements, shoeprints, or pieces of masking tape on the canvas: on the one hand, these are experiments and statements; on the other hand, they are engagements with painting as such. The artist added sculpture to her repertoire in 2019, making figurative and sometimes colorfully painted imaginary beasts in bronze or stone—more evidence of her subtle sense of humor, which also manifests itself in her pictures and especially in their titles. The extensive monograph offers profound and comprehensive insight into Brosinski’s oeuvre.
Jenny Brosinski studied illustration and animation at the Weißensee Kunsthochschule, Berlin, the École supérieure des arts décoratifs, Strasbourg, and the Hamburg University of Applied Sciences. She completed her education with a master class in Berlin in 2010.
-
Philip Loersch
POW – PORTRAITIST OF WRITING34€ Add to cartPhilip Loersch (b. Aachen, 1980; lives and works near Munich) combines painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His works reveal the fragility of truth and authenticity while commenting with subversive irony on the postmodern disintegration of the idea of originality. His art has been exhibited at renowned institutions like Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst. This monograph gathers his works created between 2016 and today.
-
Born in the Woods
Jems Koko Bi & HAP Grieshaber24€ Add to cartThe Political Substance of Wood
Jems Koko Bi (b. Sinfra, Côte d’Ivoire, 1966; lives and works in Kaarst, Germany, Dakar, and Abidjan) is world-renowned for the monumental wood sculptures he creates using a machine saw. This book juxtaposes his most recent body of works with the large-format woodcuts of HAP Grieshaber (b. Rot an der Rot, Germany, 1909; d. Eningen unter Achalm, 1981). Although the two artists never met, their oeuvres are characterized by similar themes, values, and materials. The central concern is the fate of the forests and its momentous political and social implications: Grieshaber’s woodcuts articulate his principled opposition to the predatory exploitation of nature in the 1970s—an issue that is more relevant than ever today in light of the climate crisis and the Fridays for Future movement. Koko Bi’s figural groups bring this tradition of political art into our time, making a global and universally compelling case for a sustainable husbandry of our resources.
Jems Koko Bi studied at the Institut National Supérieur des Arts et de l’Action Culturelle (INSAAC), Abidjan, and the Düsseldorf Academy of Fine Arts. His work has been exhibited widely, including at the Centre Pompidou, Paris; at documenta 13; the Havana Biennial; and several Venice Biennials and Dakar Biennials. In 2019, he founded the forest biennial Abidjan Green Arts.
HAP Grieshaber studied advertising art at the Staatliche Kunstgewerbeschule, Stuttgart. His work is regarded as a signal contribution to the renewal of the woodcut medium in the twentieth century. He participated in documentas I, II, and III, held a professorship at the State Academy of Fine Arts Karlsruhe, and was honored with numerous awards and retrospectives.