




GETA BRĂTESCU
Film and Video 1977–2018
![]() | |
|---|---|
| Editor(s) | Roland Wäspe, Lorenz Wiederkehr / Kunstmuseum St.Gallen |
| Author(s) | Geta Brătescu, Pernille Fonnesbech, Ion Grigorescu, Marian Ivan, Albert Kriemler, Ștefan Sava, Roland Wäspe, Lorenz Wiederkehr |
| Design | Matthias Christ, Christian Davatz, Bernhard Senn / TGG Hafen Senn Stieger |
| Cover | Softcover with flaps and open spine |
| Size | 21 x 29 cm |
| Pages | 244 |
| Illustrations | 1500 |
| Language(s) | German, English |
| ISBN | 978-3-96912-064-4 |
Geta Brătescu (b. Ploiești, 1926; d. Bucharest, 2018) is now widely regarded as one of Eastern Europe’s most important avant-gardists. In the Western art world, however, she was largely obscure until her participation in documenta 14 in 2017 and the Venice Biennale of the same year. Questions of abstraction, the political potential of the image, and the subjective experience of self, memory, and history inform her stylistically diverse oeuvre in a wide range of media, which evolved under the repressive conditions of the Ceaușescu regime yet kept pace with the discourses of the Western avant-gardes. This richly illustrated volume focuses on her collages and drawings as well as her works on film and video from the late 1970s until her death.
Description
Geta Brătescu (b. Ploiești, 1926; d. Bucharest, 2018) is now widely regarded as one of Eastern Europe’s most important avant-gardists. In the Western art world, however, she was largely obscure until her participation in documenta 14 in 2017 and the Venice Biennale of the same year. Questions of abstraction, the political potential of the image, and the subjective experience of self, memory, and history inform her stylistically diverse oeuvre in a wide range of media, which evolved under the repressive conditions of the Ceaușescu regime yet kept pace with the discourses of the Western avant-gardes. This richly illustrated volume focuses on her collages and drawings as well as her works on film and video from the late 1970s until her death.
Additional information
![]() | |
|---|---|
| Editor(s) | Roland Wäspe, Lorenz Wiederkehr / Kunstmuseum St.Gallen |
| Author(s) | Geta Brătescu, Pernille Fonnesbech, Ion Grigorescu, Marian Ivan, Albert Kriemler, Ștefan Sava, Roland Wäspe, Lorenz Wiederkehr |
| Design | Matthias Christ, Christian Davatz, Bernhard Senn / TGG Hafen Senn Stieger |
| Cover | Softcover with flaps and open spine |
| Size | 21 x 29 cm |
| Pages | 244 |
| Illustrations | 1500 |
| Language(s) | German, English |
| ISBN | 978-3-96912-064-4 |
More books
-

Larissa Kikol
SIGNED. Unterwegs mit der 1UP-Crew und Moses & Taps18€ Add to cartWho owns the city? It is a question to which graffiti artists and politicians have very different answers. 1UP and Moses & Taps are international stars of the scene, realizing radical creative concepts in spectacular actions. The art critic Larissa Kikol shadowed them on their nocturnal forays for three years and gathered her experiences in a book that has become a singular tribute to the graffiti scene. It lets us witness the genesis of the artists’ works on the knife’s edge between civil disobedience, criminal liability, and an irrepressible freedom. Traveling throughout Germany, Kikol records absorbing dialogues that reflect the contrast between different worlds: the legal and the illegal art worlds, painting and protest. Always on the hop and in danger of being discovered and arrested, she ventures beyond the bounds of permissible art, into subway tunnels, up on roofs, across switchyards. A portrait emerges of Germany and Berlin and the power relations that shape our society.
Larissa Kikol (b. 1986) works as a freelance art critic, art scholar, and writer. She writes for Die Zeit, Spiegel Online, Art, Kunstzeitung, Mare, Monopol Online, and Kunstforum International. In 2016, she won C/O Berlin’s international Talents award in the art criticism category. She teaches and lectures at art schools and universities in Germany and France.
Kikol studied stage design and dramaturgy in Berlin-Weißensee and obtained a Ph.D. in art studies from the Karlsruhe University of Arts and Design. She lives and works in Marseille and Cologne.
- Out of stock

Kurt Weidemann
Wo der Buchstabe das Wort führt49,95€ Read moreSignierte Sonderauflage
Kurt Weidemanns Ansichten über Schrift und Typografie ist das beeindruckende Ergebnis eines über Jahrzehnte erlebten und reflektierten Berufslebens als Schriftsetzer, Typograf, Autor, Lehrer und Berater. Das Buch schildert die persönlichen, philosophischen und fachlichen Ansichten seines Metiers.
-

GETA BRĂTESCU
Film and Video 1977–201842€ Add to cartGeta Brătescu (b. Ploiești, 1926; d. Bucharest, 2018) is now widely regarded as one of Eastern Europe’s most important avant-gardists. In the Western art world, however, she was largely obscure until her participation in documenta 14 in 2017 and the Venice Biennale of the same year. Questions of abstraction, the political potential of the image, and the subjective experience of self, memory, and history inform her stylistically diverse oeuvre in a wide range of media, which evolved under the repressive conditions of the Ceaușescu regime yet kept pace with the discourses of the Western avant-gardes. This richly illustrated volume focuses on her collages and drawings as well as her works on film and video from the late 1970s until her death.
-

Ion Bitzan
48€ Add to cartThe painter and object artist Ion Bitzan (b. Limanu, 1924; d. Bucharest, 1997) belonged to the generation of Romanian artists who, in the 1960s and 1970s, broke through their country’s isolation to connect to the international avant-garde. His creativity and the quality of his artistic experiments, which drew inspiration from conceptual art, Dada, and other sources, made him a leading figure in the Romanian art of the Ceaușescu era. This book also sheds light on the complex relationship between artistic innovation and political (propaganda) art behind the Iron Curtain during this period, in which nothing was ever black or white. Bitzan represented Romania at the Venice (1964) and São Paulo Biennales (1967, 1969, 1981). In 2017, the National Museum of Contemporary Art (MNAC) in Bucharest mounted a major retrospective of his oeuvre.
-

WORLD FRAMED
Zeitgenössische Zeichenkunst der Sammlung Schering Stiftung im Kupferstichkabinett38€ Add to cartIn 2008, the Schering Stiftung began acquiring outstanding contemporary works on paper for the Kupferstichkabinett (Museum of Prints and Drawings) in Berlin. The collection, which has since grown to 130 nonfigurative drawings and a small number of prints, emphasizes the close conjunction of art and science. The holdings also reflect central tendencies in the art of drawing: in addition to exploring the line and its multifaceted formulation, artists shed light on the bounds of their medium and its expansions and undertake forays into inter-media art within drawing. The lavishly designed publication WORLD FRAME—the title is borrowed from a work by the artist Matt Mullican—presents the works acquired thanks to this partnership. It inquires into how artists translate their perceptions of their world into pictures and which contexts and discourses inform those pictures. Which perspectives, which ideas frame the segment of reality an artist observes?
“World Framed,” exhibition, Kupferstichkabinett, Staatliche Museen zu Berlin, July 7–October 8, 2023
-

Nadira Husain
Manzil Monde30€ Add to cartNadira Husain’s (b. Paris, 1980; lives and works in Berlin, Paris, and Hyderabad) work combines figures, symbols, and ornaments from different cultures in complex imageries that reflect her own multicultural experience. To achieve a harmonious, though by no means placid, coexistence of all elements, the artist harnesses painting, drawing, printing processes, traditional artisan practices, and a range of materials including textile and ceramics, recognizing no hierarchy of media or genre. Hybridization and the translocation of motifs serve her to tease out similarities as well as divergences between myth and pop culture: the Indian deity, the cartoon character, and the fashion label appear as equals in the universe of her art.
The book contains several essays that explore Nadira Husain’s oeuvre as a significant contribution to the discourse around postmigration, transculturality, and feminism in contemporary art.
Nadira Husain studied at the École nationale supérieure des beaux-arts in Paris and the University of British Columbia in Vancouver. She is currently a visiting professor at the Berlin University of the Arts, where she co-teaches with the Belarusian artist Marina Naprushkina.
- Out of stock

Soulages
Malerei 1946–201942€ Read more“I paint not with black but with light.”
Pierre Soulages (b. Rodez, France, 1919; lives and works in Paris and Sète, France) is an eminent figure in abstract painting. A member of the Nouvelle École de Paris, he developed his first nonobjective pictures early on, in 1946, putting bars of bold color, typically black, on white grounds. His embrace of total non-representationality, an art that depicts nothing, that stands for nothing but itself, amounted to a radical challenge to the traditional values of painting. In 1979, his work entered a new phase, a painting he calls “outrenoir” or “beyond black.” Soulages now occupies a singular position, and not only by virtue of his choice of materials such as walnut stain and tar and implements like scrubbers, iron hooks, and spatulas. The book documents the arc of his oeuvre from his beginnings after World War II to the present. Illustrating the evolution of his art, it shows how he remained true to his creative vision, a consistency that is doubly imposing given the extraordinary length of his career.
Pierre Soulages studied at the École Régionale des Beaux-Arts, Montpellier, before moving to Paris in 1946. He contributed work to documentas I, II, and III and the 26th Biennale di Venezia. His work has been shown at the Museum of Fine Arts, Houston; the Hermitage Museum, Saint Petersburg; the Musée du Louvre and the Centre Pompidou, Paris; and the Musée Fabre, Montpellier. The Musée Soulages in his native Rodez opened in 2014.
-

Sam Falls
After Life45€ Add to cartSam Falls (b. San Diego, 1984; lives and works in New York) delegates the authorship of his works to the phenomena of nature. Applying water-reactive dry pigments or plant parts to support media like canvas, aluminum, or tiles and then exposing them to the effects of sun, rain, and wind at selected sites for extended periods, he deliberately integrates the agency of chance into his art. The playful yet conceptually rigorous process is a metaphor for the impermanence of all bodily existence. Falls’s symbiotic work with nature and its elements evinces references to the technique of the photogram as well as land art. Melding diverse media—photography, sculpture, and painting—he bridges the gulf between artist, object, and beholder.
Sam Falls studied at Reed College in Portland, Maine, and at the International Center of Photography Bard in New York. He has had numerous solo exhibitions, including at the Hammer Museum, Los Angeles, the Mori Museum, Tokyo, and Frankfurter Kunstverein.
-

René Holm
Let me be your everlasting light25€ Add to cartLight is the theme of the new paintings by René Holm (b. Esbjerg, 1967). Faceless protagonists traversing symbolic forests with leafless trees occurred already in previous works, stripping them of individual or local signifiers and moving them into a spiritual and universal realm. Skulls with burning candles in Still lifes symbolize the fragility of life and unavoidability of death. Holm goes a step further and makes his figures carry the symbols in their hands or even has them become themselves live “still lifes” with burning candles on their backs. The presence of death is not a picture to behold from afar but a truth to be aware of and carry with us every day. The burning candles also mean that we’re here with our sorrow as well as our light. We must burn to shine. This book accompanies the artist’s gallery exhibition Let me be your everlasting light in Horsens, Denmark.
-

Thomas Lehnerer
Grott18€ Add to cartA Facsimile by the Theologian and Artist
The genesis of images is a central aspect of the work of the Munich-based theologian and artist Thomas Lehnerer (b. Munich, 1955; d. ibid., 1995). In drawings and sculptures, as well as in spatial and conceptual works, the production of images creates a counter-world to our own lives. By transferring fundamental experiences of human existence into art, Lehnerer creates an equivocal, anthropological space for observation and reflection. The artist’s book Grott, published in 1986, contains ambiguous elements. All drawings are positioned on the right page. In the not yet dried state, a double image was formed on the left side, which relativizes the “primary image.” The depictions of animals, people, and the environment were drawn nearly without interruption from a single line. In this style of continuous movement, the overall image can be traced back to its beginning. For Lehnerer, it was important to understand human (self-)consciousness from the perspective of the history of evolution, since there are countless models of thought and belief within this narrative. Grott refers in the title, as well as in the drawings, to the charged relationship between the earthly and the spiritual.
-

Chunqing Huang
Painter’s Portrait II18€ Add to cartThe artist Chunqing Huang’s (b. Heze, China, 1974) Painters’ Portraits are anything but conventional likenesses. The portraits of artists including Louise Bourgeois, Anselm Kiefer, Martin Kippenberger and Imi Knoebel are acts of gestural-expressive abstraction and probing visual studies of the artist’s own recollections. Chunqing Huang paints meditations on art itself, systematically working through the vocabulary of abstract painting from Germany to the United States. The series Painter’s Portrait II features Chunqing Huang’s thirty most recent works from a series the artist has been transferring to canvases measuring 40 x 30 cm since 2016.
Painter’s Portrait II represents Chunqing Huang’s personal reflections on her influences, from Impressionism to expressive tendencies in abstract painting, which now make its début in book form. The catalogue showcases the portraits, each of which is distinguished by its own gestural quality and individual palette.
Chunqing Huang studied painting and interdisciplinary art at the Städelschule, Frankfurt am Main, where Wolfgang Tillmans and Peter Angermann were her teachers, and graduated from Hermann Nitsch’s master class. The German-Chinese artist’s work has been featured in numerous solo and group exhibitions. A first selection from the Painter’s Portrait series was on view at Kunsthalle Wiesbaden and Museum Wiesbaden in the summer of 2021; the catalogue Painter’s Portrait II is released in conjunction with her exhibition of the same title at 68projects, Berlin.
-

Fahar Al-Salih
Beyond Fairy Tales39€ Add to cartBridges between East and West
The protection and sense of belonging one feels where one is at home, and what it is like to lose both of them: these are central concerns in the art of Fahar Al-Salih (b. Belgrade, 1964; lives and works in Karlsruhe). Having grown up in Kuwait, where a classical education in visual art was inconceivable, Al-Salih came late to his métier; Markus Lüpertz was among his teachers, and he completed his education in Hermann Nitsch’s master class. Seeing himself as a “bridge-builder” between the cultures of the Arab world and Europe, Al-Salih probes the different lived realities in which his itinerant biography has been set. No more linear than his path through life, his oeuvre is defined by subjects to which he keeps returning in a kind of cyclical motion. This publication offers unprecedented insight into Al-Salih’s creative approach and his articulations of individual yearnings, the comforts of safety, and political and social upheavals. His work achieves a deft interweaving of global perspectives and migrant realities.
-

Jörg Heieck
CRUX29€ Add to cartTwo Fascinating Series of Works by the Photographer and Physicist
Expertly wielding the vintage photographic technique of the cyanotype, Jörg Heieck (b. 1964, Münster; lives and works in Kaiserslautern) transmutes nature into a fascinating play of shades of blue and defamiliarized shapes. Desolate sceneries, barren landscapes—the first series gathered in the book was created in the Sahara, Iceland, and Spitsbergen. Humanity has reached a crossroads: can we avert the destruction of the planet? Contrasting this symbolic crux, the second section presents populated intersections replete with signage from China, Japan, Russia, Israel, India, Greece, and Georgia. With these panoramas of urban life standing as a counterpoint to the abstraction in the photographs in the first section, the book offers insight into the artist’s extraordinary oeuvre.
Jörg Heieck has a PhD in physics and worked for many years as a researcher at Agfa, Kodak, and the ITER nuclear fusion reactor project. His art has been shown in numerous countries, including at the Goethe-Institutes in Damascus and Beirut, the Aleppo International Photo Festival, the Wilhelm-Hack-Museum, Ludwigshafen, and Kunsthalle Mannheim.
- Release February 2026

Fidel Martínez
Todesfuge. Das Leben des Dichters Paul Celan26€ Add to cartThe Spanish graphic artist Fidel Martínez Nadal’s (b. Seville, 1979) graphic novel Todesfuge recounts the life of Paul Celan (1920–1970), one of the most eminent lyric poets of the twentieth century. The narrative interweaves biographical and literary aspects of Celan’s life, including his Jewish identity, his lifelong trauma as a Holocaust survivor, and his acclaimed poem Todesfuge. Martínez’s expressive and somber illustrations visualize Celan’s struggles with feelings of guilt, memory, and his creative efforts to find words for the unspeakable. An artistically brilliant homage to Paul Celan’s oeuvre, Todesfuge is an impressive contribution to the engagement with the Shoah in the medium of the graphic novel pioneered by Art Spiegelman.
-

Karsten Konrad
Room Service42€ Add to cartThe Visual Archeologist
Objets trouvés, used designer objects, and discarded furniture are the defining elements of the sculptor Karsten Konrad’s (b. Würzburg, 1962; lives and works in Berlin) material poetics. Not unlike the Dadaist or Surrealist readymade, the works that Konrad has made since the 1990s transform these “disregarded things” into sculptures, immersive installations, reliefs, and collages. Detecting the faint traces that anonymous consumers have left on the secondhand stuff, he unfolds an archaeology of the present. Konrad’s first monograph in a decade offers comprehensive insight into an oeuvre that throws the marginal into relief and questions the destructive impact of unbridled consumerism.
Karsten Konrad studied at Johannes-Gutenberg-Universität, Mainz, and the Royal College of Art, London. He has been professor of sculpture at the Universität der Künste in Berlin since 2016. His works are held, amongst others, by the Bundeskunstsammlung Bonn and the Margulies Collection, Miami.
Each copy is hand-signed by the artist on the spine.
- With socks designed by the artist and augmented reality

JOHN BOCK
AURAAROMA-Ω-BEULE42€ Add to cartThe Augmented Reality Book for John Bock
John Bock (b. 1965 in Gribbohm, lives in Berlin) is one of the most important contemporary performance and video artists. In his works characterized by humor and absurdity, the artist places language, human bodies, everyday objects, and spaces in peculiar relationships to each other. He attained international recognition with the installation LiquidityAuraAromaPortfolio at the first Berlin Biennale in 1998. Together with his work Voll die Beule from 2013, it is now included in the collection of the Kunsthalle Mannheim. The present augmented reality book not only contextualizes his work, but also immerses the viewer/reader directly in his performances, in which the artist’s head emerges and a filled rubber glove leaks out. A completely new approach to the works of John Bock, packaged in a pair of socks designed by the artist.
John Bock studied at the Hamburg University of Fine Arts and since 2004 has taught at the State Academy of Fine Arts Karlsruhe as Professor of Sculpture. He has participated in the 55th Biennale di Venezia, and his works have been featured worldwide in solo exhibitions at, among others, the Berlinische Galerie, the Contemporary Austin, Texas, the Barbican Centre, London, and the Städel Museum, Frankfurt.
-

ODOR
Immaterial Sculptures40€ Add to cartThe effect of odor is immediate. Smells arouse feelings in us, put us in moods, awaken recollections. They color the other senses and shape our perceptions more profoundly than we are aware. Scents create closeness and distance at the same time. They become imprinted on our memories and consolidate our experiences. And yet their existence in the world of three dimensions remains invisible, and the act of picking up a scent is fleeting.
The publication Odor—Immaterial Sculptures zooms in on the power of smells. Contributions from curators, artists, scientists, and scholars frame a variety of perspectives on this evanescent phenomenon, examining the olfactory sense and the qualities of the immaterial. Full-page plates conceived by the artists provide additional information, imagery, and contexts around the individual works, which put odor as an olfactory and spatial experience at the center of the engagement with art. The works operate between the poles of time and space, individual and community, consciousness and the subconscious, visibility and invisibility, the everyday and the miraculous, the sense of self and the perceptions of others, presence and absence, life and death.
Artists : Jason Dodge, Carsten Höller, Koo Jeong A, Oswaldo Maciá, Teresa Margolles, Pamela Rosenkranz, Sissel Tolaas, Clara Ursitti, Luca Vitone
-

Vera Mercer
New Works28€ Add to cartBeauty and Melancholy, Joie de Vivre and Vanity
The American photographer Vera Mercer’s (b. Berlin, 1936; lives and works in Omaha and Paris) oeuvre defies easy summary. She started taking pictures in Paris in the 1960s, making portraits of her then husband Daniel Spoerri—who, like she, was initially training as a dancer—and other members of the Fluxus group and Nouveaux Réalistes, including Emmett Williams and Robert Filiou, Jean Tinguely and Jacques Villeglé. Around the same time, she also photographed Andy Warhol and Marcel Duchamp for various magazines; her friends Eva Aeppli and Niki de Saint Phalle were among her favorite sitters.
In the 1970s, she took a long creative hiatus: after moving to Omaha, Nebraska, she poured all her energy into starting a number of restaurants and developing an entire downtown neighborhood. But then, in the early years of the new millennium, she returned to photography, capturing breathtaking neo-baroque still lifes featuring flowers, fruits, freshly killed game, antique glasses, and illuminating candles in large formats.
Vera Mercer’s fourth monograph presents her most recent opulent still lifes in color, as well as a novelty in her oeuvre: restrained black-and-white flower pictures and portraits realized as small-format platinum prints.
-

Stephan Kaluza
Mechanik Sehnsucht. Kunsterzeugung und Betrachtung14€ Add to cartUngewohnte Antworten aus der Sicht des Kunsterzeugers
Die Frage, was Kunst ist und wie sie entsteht, wird gerne von denen beantwortet, die sie selbst nicht erzeugen. Die Betrachtung und Interpretation steht im Vordergrund und damit eine wissenschaftliche Distanz zur Kunst. Es gibt aber durchaus die Eigen-Betrachtung derer, die Kunst aktiv herstellen und naturgemäß einen inneren Blick auf die prozessualen Bedingungen haben, die überhaupt erst das entstehen lassen, was anschließend betrachtet und beurteilt wird. Diese Sichtweise ist nicht zwangsläufig identisch mit der von außen. Nicht die Interpretation oder eine deduktive Schlüssigkeit steht hier im Vordergrund, sondern ein ableitender und besonders ein schöpferischer Sinn, der sich aus dem Prozess des Kunstherstellens von selbst ergibt.
Die Arbeiten von Stephan Kaluza (geb. 1964 in Bad Iburg, lebt und arbeitet in Düsseldorf) wurden unter anderem im Ludwig Museum Koblenz, im State Contemporary Art Museum, Seoul, in der Kunsthalle Osnabrück, im Palacete des Artes Rodin, Salvador, im Museum on the Seam, Jerusalem, sowie in der KAI 10 | Arthena Foundation, Düsseldorf, ausgestellt.
-

Julius Hofmann
Western Philosophies35€ Add to cartJulius Hofmann (b. Göttingen, 1983; lives and works near Göttingen) has mastered the traditional aspects of painting and commands a broad repertoire of creative techniques. This expertise enables him to call conventional painting in question by combining it with the aesthetic of 1990s computer graphics. The simple and often grotesque symbolism of the imperfect digital imagery contrasts with a perfectionistic figurative painting. This approach lends his pictures a disconcerting and unexpected quality.
Western Philosophies is an episode in Hofmann’s ongoing work confronting consumerist society with its dark secrets and its indifference. Meanwhile, his creative process is also an exploration of the artist’s personal fears and frustrations. In depicting his figures, landscapes, and machines, he draws our attention to the painterly originality of structures and surfaces. The protagonists, to his mind, play a subordinate role, typically serving him as vehicles—he is more interested in the “how” than in the “what.”
Julius Hofmann studied painting with Neo Rauch and Heribert C. Ottersbach at the Academy of Fine Arts Leipzig (HGB) from 2005 until 2011. His work is represented in international collections and institutions.




















