Barthélémy Toguo
 | |
|---|---|
| Editor(s) | Robert Grunenberg |
| Author(s) | Oliver Koerner von Gustorf |
| Design | OOR Studio, Berlin; Vladimir Llovet |
| Size | 17 x 21 cm |
| Cover | Softcover |
| Pages | 40 |
| Illustrations | 28 |
| Language(s) | German, English |
| ISBN | 978-3-96912-209-9 |
Barthélémy Toguo’s art is a call for community and love, but there is nothing naïve about it. His paintings, graphic art, sculptures, performances, and installations explicitly grapple with colonialism, migration, and inequality; he directs our attention to the devastations wrought by humans, to the slow deaths of nature and cultures. But he does not dwell in this abyss. He aspires to something greater: to create work that establishes non-hierarchical connections; to build, as he puts it, a “world of solidarity and generosity” that knows neither ego nor identity, a community of all forms of life that flourish and pass away so that new living beings can sprout from their remains—Endless Blossoms. His choice of words and the aesthetic of the works gathered in this catalogue suggest that he is not alone in this undertaking. He stands with Ellen Gallagher, Wangechi Mutu, Louise Bourgeois, Marlene Dumas, and Kiki Smith. With them and with all of us, Toguo envisions a colorful future, a universe of exuberant energy and joie de vivre.
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Johannes Schütz
Die Unterbrechung / The Interruption48€ Add to cartJohannes Schütz (b. Frankfurt am Main, 1950; lives in Berlin) is one of the best-known stage designers and directors working today. His style may be characterized as “simple, clean, and radical.” All major theatres and opera houses in the German-speaking countries and beyond have showcased Schütz’s work. He trained with Wilfried Minks and created his first stage setting for Luc Bondy in 1971. His career then took him to Berlin’s Schillertheater and the Kammerspiele in Munich, later he became head of stage design at the Bremer Theater and the Schauspielhaus Bochum. Schütz taught scenography at the ZKM Center for Art and Media Karlsruhe from 1992 until 1998 and has been professor of stage design at the Düsseldorf Academy of Fine Arts since 2010.
In his book Die Unterbrechung, he meets Annette Storr to discuss his new work for the stage, which is documented by maquettes and photographs and, most often, by stills from the performances. The productions represented include Penthesilea by Heinrich von Kleist, Landestheater Salzburg, 2018; Hamlet by William Shakespeare, Schauspielhaus Bochum, 2019; Reich des Todes by Rainald Goetz, Deutsches Schauspielhaus Hamburg, 2020; Richard II by William Shakespeare, Burgtheater, Vienna, 2021; and Der Idiot by Dostoevsky, Thalia Theater, Hamburg, 2021.
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Dietmar Lutz
Ein Jahr40€ Add to cartDay by Day
For a full year, from August 2020 until August 2021, Dietmar Lutz (b. Ellwangen, 1968; lives and works in Düsseldorf) painted or drew a picture every day in which he rendered a scene or detail from his day-to-day life. All 365 works appear here in chronological sequence, either in reproductions or in photographs showing them in the setting in which they were created. Taken together, the series constitutes a radically subjective review of one year. The paintings capture memories, but although they invariably owe their existence to a particular situation, they do not necessarily frame it as a memorable event. The artist observes himself in his world and defines his role in it. Painting as a daily task seems to structure time rather than the other way around. Each picture opens up a new space in which the different facets of time manifest themselves to the senses.
Dietmar Lutz studied at the Düsseldorf Academy of Fine Arts and rose to renown with large-format paintings in which he portrays situations from ordinary life and weaves references to the histories of film and literature. Lutz is a cofounder of the German-British artists’ collective hobbypopMuseum, with which he has exhibited at the 1st Athens Biennale; Deitch Projects, New York; Tate Britain, London; and elsewhere.
