Cristina Lucas
Immobile Engine
 | |
|---|---|
| Editor(s) | Frédéric Bußmann, Sabine Maria Schmidt |
| Author(s) | Miguel Caballero, Katerina Gregos, Sabine Maria Schmidt |
| Design | Anna Gille, Supercomputerstudio |
| Cover | Softcover |
| Size | 21 x 25 cm |
| Pages | 144 |
| Illustrations | 140 |
| Language(s) | German, English |
| ISBN | 978-3-96912-053-8 |
Mechanisms of Power
The Spanish artist Cristina Lucas (b. Jaén, 1973; lives and works in Madrid) works in a wide range of media and genres. Central concerns include the confrontation of subjective and political historiographies and a critical examination of cultural stereotypes. The publication’s point of departure is the multichannel video installation Unending Lightning, begun in 2013, in which Lucas undertakes a painstaking study of the history of aerial warfare. The book also showcases works that limn a contemporary perspective on value chains and the capitalization of time and landscape. Moreover, the artist has developed a corpus of critical cartographic models that offer algorithmic, philosophical, poetic, or, in some instances, humorous visualizations of unexpected nexuses. The first German-language publication on Cristina Lucas’s art, it offers a comprehensive survey of her oeuvre to date.
Cristina Lucas studied fine arts at the University of California and the Universidad Complutense, Madrid. She has had residencies in Paris, Amsterdam, and New York. Her work has been exhibited at MUDAM, Luxembourg; the Museo de Arte Contemporaneo, Santiago de Chile, and the Museo Nacional Thyssen-Bornemisza, Madrid; Kiasma, Helsinki; and the Centre Pompidou, Paris, among others.
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FERNE SPIEGEL / DISTANT MIRRORS
KUNSTHALLE BREMEN
UNTIL JANUARY 11, 2026 -
“Das Quadrat muss den Raum beherrschen!”
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ARTISTS:
JOSEF ALBERS, GÖTZ ARNDT, MAX BILL, AD DEKKERS, HELMUT FEDERLE, GOTTFRIED HONEGGER, KATHRIN KAPS, FRITZ KLINGBEIL, JOHN MEYER, GEROLD MILLER, AURÉLIE NEMOURS, JOHN NIXON, PETER ROEHR, JAN SCHOONHOVEN, ANTON STANKOWSKI, KLAUS STAUDT, HERMAN DE VRIES, GERHARD WITTNER -
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“She is blindingly frank, addressing the questions that envelop her days: waxing salons, the arrival of Syrian refugees in Germany, exhibitions and grief, electoral and family politics. Subtly, Graw reveals how impressions and beliefs arise out of circumstance.”
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The Art of Society
1900–194529€ Add to cartThe Collection of the Nationalgalerie, Berlin
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Click here for the German edition.
