{"id":22146,"date":"2023-06-14T13:25:57","date_gmt":"2024-04-18T14:14:57","guid":{"rendered":"https:\/\/dcv-books.com\/produkt\/gluckliche-tage\/"},"modified":"2025-09-03T18:30:59","modified_gmt":"2025-09-03T16:30:59","slug":"gluckliche-tage","status":"publish","type":"product","link":"https:\/\/dcv-books.com\/en\/produkt\/gluckliche-tage\/","title":{"rendered":"Gl\u00fcckliche Tage"},"content":{"rendered":"<p>We see in contrasts. Freedom from pain follows pain, and felicity is the more radiant after a period of misfortune. Happiness, that is to say, displaces unhappiness and is perhaps its recompense; what is certain is that, as antonyms, they are (at least in this world) inconceivable without each other. The contrast they form also underlies the tensions inherent in the works in this catalogue. Some take us straight from the pinnacle of happiness down into the abyss, while in others the gradients of ascent or descent are so gentle that no culmination is perceptible. What all oeuvres gathered in the book have in common is that they furnish the human being, a social creature, with an experience of resonance. Happiness and unhappiness reverberate between the art and the beholders, leaving, in the best case, a lasting impression. Opening the catalogue\u2014a metaphor for the human condition materialized in paper\u2014one overhears this serenely melancholy echo of the works.<\/p>\n<p>Artists: <span style=\"font-family: 'SabonLT',serif;\">Rui Chafes, Tamara Eckhardt, Nan Goldin, Felix Gonzalez-Torres, Barbara Hammer, Carsten Ho\u0308ller, Ken Lum, Johanna von Monkiewitsch, Yoko Ono, Heike Weber, Stefan Wissel <\/span><\/p>\n<p>With contributions by: Yevgenia Belorusets, Nell Sophie Bender, Elias Bendfeldt, Laura Berestecki, Annabella Ernst, Annika Gaeth, Hristina Georgieva, Markus Heinzelmann, Malwin Kra\u00dfnigg, Max Florian Ku\u0308hlem, Natascha Laurier, Martin Middeke, Navaz Roomi-Mirhosseini, Vanessa Joan Mu\u0308ller, Julia Neumann, Martin Paul, Caroline Planert, Maike Prause, Arne Rautenberg, Kira Sophie R\u00f6ller, Gina Marie Schwenzfeier<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We see in contrasts. Freedom from pain follows pain, and felicity is the more radiant after a period of misfortune. Happiness, that is to say, displaces unhappiness and is perhaps its recompense; what is certain is that, as antonyms, they are (at least in this world) inconceivable without each other. The contrast they form also underlies the tensions inherent in the works in this catalogue. Some take us straight from the pinnacle of happiness down into the abyss, while in others the gradients of ascent or descent are so gentle that no culmination is perceptible. What all oeuvres gathered in the book have in common is that they furnish the human being, a social creature, with an experience of resonance. Happiness and unhappiness reverberate between the art and the beholders, leaving, in the best case, a lasting impression. Opening the catalogue\u2014a metaphor for the human condition materialized in paper\u2014one overhears this serenely melancholy echo of the works.<\/p>\n<p>Artists: <span style=\"font-family: 'SabonLT',serif;\">Rui Chafes, Tamara Eckhardt, Nan Goldin, Felix Gonzalez-Torres, Barbara Hammer, Carsten Ho\u0308ller, Ken Lum, Johanna von Monkiewitsch, Yoko Ono, Heike Weber, Stefan Wissel <\/span><\/p>\n<p>With contributions by: Yevgenia Belorusets, Nell Sophie Bender, Elias Bendfeldt, Laura Berestecki, Annabella Ernst, Annika Gaeth, Hristina Georgieva, Markus Heinzelmann, Malwin Kra\u00dfnigg, Max Florian Ku\u0308hlem, Natascha Laurier, Martin Middeke, Navaz Roomi-Mirhosseini, Vanessa Joan Mu\u0308ller, Julia Neumann, Martin Paul, Caroline Planert, Maike Prause, Arne Rautenberg, Kira Sophie R\u00f6ller, Gina Marie Schwenzfeier<\/p>\n","protected":false},"featured_media":22137,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[2208,3667,2210,2212,2215,2218,2213,2216,2211,2217,3514],"product_tag":[4400,4401],"class_list":{"0":"post-22146","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-all-books","7":"product_cat-drawing","8":"product_cat-film-and-video","9":"product_cat-installation-art","10":"product_cat-new-arrivals","11":"product_cat-on-art","12":"product_cat-painting","13":"product_cat-performance-art","14":"product_cat-photography","15":"product_cat-sculpture","16":"product_cat-works-on-paper-en","17":"product_tag-glueckliche-tage-en","18":"product_tag-markus-heinzelmann-en","20":"first","21":"instock","22":"taxable","23":"shipping-taxable","24":"purchasable","25":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gl\u00fcckliche Tage - DCV<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dcv-books.com\/en\/produkt\/gluckliche-tage\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gl\u00fcckliche Tage - DCV\" \/>\n<meta property=\"og:description\" content=\"We see in contrasts. Freedom from pain follows pain, and felicity is the more radiant after a period of misfortune. Happiness, that is to say, displaces unhappiness and is perhaps its recompense; what is certain is that, as antonyms, they are (at least in this world) inconceivable without each other. The contrast they form also underlies the tensions inherent in the works in this catalogue. Some take us straight from the pinnacle of happiness down into the abyss, while in others the gradients of ascent or descent are so gentle that no culmination is perceptible. What all oeuvres gathered in the book have in common is that they furnish the human being, a social creature, with an experience of resonance. Happiness and unhappiness reverberate between the art and the beholders, leaving, in the best case, a lasting impression. Opening the catalogue\u2014a metaphor for the human condition materialized in paper\u2014one overhears this serenely melancholy echo of the works.  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