{"id":19463,"date":"2023-06-15T13:20:33","date_gmt":"2023-05-03T15:38:33","guid":{"rendered":"https:\/\/dcv-books.com\/produkt\/sonja-yakovleva-soaplands\/"},"modified":"2025-10-27T13:24:48","modified_gmt":"2025-10-27T12:24:48","slug":"sonja-yakovleva-soaplands","status":"publish","type":"product","link":"https:\/\/dcv-books.com\/en\/produkt\/sonja-yakovleva-soaplands\/","title":{"rendered":"Sonja Yakovleva &#8211;<br> Soaplands"},"content":{"rendered":"<p>Sonja Yakovleva\u2019s (b. Potsdam, 1989; lives and works in Frankfurt am Main) silhouettes are informed by her sex-positive feminist views. They mix and match pornography with art-historical references, folkloristic motifs, fairy tales, and myths that have served to ingrain misogynistic, racist, and homophobic ideologies in the collective consciousness since the Middle Ages. The dissemination of such materials was facilitated by the paper cut, a medium that encouraged simplified graphical representations and was seen as domestic and appropriate for women. Yakovleva\u2019s intentions in adopting it, however, are contrarian: her iridescent silhouettes grapple with women\u2019s stories, precarious gray areas, power relations, representation, sexuality, and violence in novel ways.<\/p>\n<p><em>Soaplands<\/em>, the title of Sonja Yakovleva\u2019s first monograph, is a nod to Japanese bathhouses where men receive personal care, massages, and sexual services. Most recently, a number of soaplands have opened that cater to women with male prostitutes. Similarly, in the paper cuts in the book, which were created between 2018 and 2023, women have seized sexual power and conquered the patriarchal system. Unchecked by shame, they use men as objects to satisfy their desires.<\/p>\n<p>Sonja Yakovleva studied visual communication at the University of Art and Design (HfG) in Offenbach am Main from 2008 until 2015.<\/p>\n<p><a href=\"https:\/\/dcv-books.com\/en\/sonja-yakovleva\/\">Limited artist edition available<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sonja Yakovleva\u2019s (b. Potsdam, 1989; lives and works in Frankfurt am Main) silhouettes are informed by her sex-positive feminist views. They mix and match pornography with art-historical references, folkloristic motifs, fairy tales, and myths that have served to ingrain misogynistic, racist, and homophobic ideologies in the collective consciousness since the Middle Ages. The dissemination of such materials was facilitated by the paper cut, a medium that encouraged simplified graphical representations and was seen as domestic and appropriate for women. Yakovleva\u2019s intentions in adopting it, however, are contrarian: her iridescent silhouettes grapple with women\u2019s stories, precarious gray areas, power relations, representation, sexuality, and violence in novel ways.<\/p>\n<p><em>Soaplands<\/em>, the title of Sonja Yakovleva\u2019s first monograph, is a nod to Japanese bathhouses where men receive personal care, massages, and sexual services. Most recently, a number of soaplands have opened that cater to women with male prostitutes. Similarly, in the paper cuts in the book, which were created between 2018 and 2023, women have seized sexual power and conquered the patriarchal system. Unchecked by shame, they use men as objects to satisfy their desires.<\/p>\n<p><a href=\"https:\/\/dcv-books.com\/en\/sonja-yakovleva\/\">Limited artist edition available<\/a><\/p>\n","protected":false},"featured_media":23761,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[2208,2215,3514],"product_tag":[4325,4233],"class_list":{"0":"post-19463","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-all-books","7":"product_cat-new-arrivals","8":"product_cat-works-on-paper-en","9":"product_tag-soaplands-en","10":"product_tag-sonja-yakovleva-en","12":"first","13":"instock","14":"taxable","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sonja Yakovleva - Soaplands - DCV<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dcv-books.com\/en\/produkt\/sonja-yakovleva-soaplands\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sonja Yakovleva - Soaplands - DCV\" \/>\n<meta property=\"og:description\" content=\"Sonja Yakovleva\u2019s (b. Potsdam, 1989; lives and works in Frankfurt am Main) silhouettes are informed by her sex-positive feminist views. They mix and match pornography with art-historical references, folkloristic motifs, fairy tales, and myths that have served to ingrain misogynistic, racist, and homophobic ideologies in the collective consciousness since the Middle Ages. The dissemination of such materials was facilitated by the paper cut, a medium that encouraged simplified graphical representations and was seen as domestic and appropriate for women. Yakovleva\u2019s intentions in adopting it, however, are contrarian: her iridescent silhouettes grapple with women\u2019s stories, precarious gray areas, power relations, representation, sexuality, and violence in novel ways.  Soaplands, the title of Sonja Yakovleva\u2019s first monograph, is a nod to Japanese bathhouses where men receive personal care, massages, and sexual services. Most recently, a number of soaplands have opened that cater to women with male prostitutes. Similarly, in the paper cuts in the book, which were created between 2018 and 2023, women have seized sexual power and conquered the patriarchal system. Unchecked by shame, they use men as objects to satisfy their desires.  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