Johannes Sch\u00fctz (b. Frankfurt am Main, 1950; lives in Berlin) is one of the best-known stage designers and directors working today. His style may be characterized as \u201csimple, clean, and radical.\u201d All major theatres and opera houses in the German-speaking countries and beyond have showcased Sch\u00fctz\u2019s work. He trained with Wilfried Minks and created his first stage setting for Luc Bondy in 1971. His career then took him to Berlin\u2019s Schillertheater and the Kammerspiele in Munich, later he became head of stage design at the Bremer Theater and the Schauspielhaus Bochum. Sch\u00fctz taught scenography at the ZKM Center for Art and Media Karlsruhe from 1992 until 1998 and has been professor of stage design at the D\u00fcsseldorf Academy of Fine Arts since 2010.<\/p>\n
In his book Die Unterbrechung<\/em>, he meets Annette Storr to discuss his new work for the stage, which is documented by maquettes and photographs and, most often, by stills from the performances. The productions represented include Penthesilea<\/em> by Heinrich von Kleist, Landestheater Salzburg, 2018; Hamlet<\/em> by William Shakespeare, Schauspielhaus Bochum, 2019; Reich des Todes<\/em> by Rainald Goetz, Deutsches Schauspielhaus Hamburg, 2020; Richard II<\/em> by William Shakespeare, Burgtheater, Vienna, 2021; and Der Idiot<\/em> by Dostoevsky, Thalia Theater, Hamburg, 2021.<\/p>\n","protected":false},"excerpt":{"rendered":" Johannes Sch\u00fctz (b. Frankfurt am Main, 1950; lives in Berlin) is one of the best-known stage designers and directors working today. His style may be characterized as \u201csimple, clean, and radical.\u201d All major theatres and opera houses in the German-speaking countries and beyond have showcased Sch\u00fctz\u2019s work. He trained with Wilfried Minks and created his first stage setting for Luc Bondy in 1971. His career then took him to Berlin\u2019s Schillertheater and the Kammerspiele in Munich, later he became head of stage design at the Bremer Theater and the Schauspielhaus Bochum. Sch\u00fctz taught scenography at the ZKM Center for Art and Media Karlsruhe from 1992 until 1998 and has been professor of stage design at the D\u00fcsseldorf Academy of Fine Arts since 2010.<\/p>\n In his book Die Unterbrechung<\/em>, he meets Annette Storr to discuss his new work for the stage, which is documented by maquettes and photographs and, most often, by stills from the performances. The productions represented include Penthesilea<\/em> by Heinrich von Kleist, Landestheater Salzburg, 2018; Hamlet<\/em> by William Shakespeare, Schauspielhaus Bochum, 2019; Reich des Todes<\/em> by Rainald Goetz, Deutsches Schauspielhaus Hamburg, 2020; Richard II<\/em> by William Shakespeare, Burgtheater, Vienna, 2021; and Der Idiot<\/em> by Dostoevsky, Thalia Theater, Hamburg, 2021.<\/p>\n","protected":false},"featured_media":18572,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[2208,2212,2216],"product_tag":[],"class_list":{"0":"post-17695","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-all-books","7":"product_cat-installation-art","8":"product_cat-performance-art","10":"first","11":"instock","12":"taxable","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"acf":[],"yoast_head":"\n