{"id":15311,"date":"2021-02-16T16:10:19","date_gmt":"2021-08-16T12:27:19","guid":{"rendered":"https:\/\/dcv-books.com\/produkt\/sabine-hornig-passage-through-presence\/"},"modified":"2022-11-30T12:23:16","modified_gmt":"2022-11-30T11:23:16","slug":"sabine-hornig-passage-through-presence","status":"publish","type":"product","link":"https:\/\/dcv-books.com\/en\/produkt\/sabine-hornig-passage-through-presence\/","title":{"rendered":"Sabine Hornig &#8211;<br> Passage through Presence"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Layered Spacetimes in Large Formats<\/strong><\/p>\n<p>Sabine Hornig (b. 1964; lives and works in Berlin) has earned international acclaim with sculptures, photographs, and architectural interventions that interweave image, perspective, and space in distinctive ways. Her works feature translucent pictorial planes on glass panes; integrating these sculptural elements into the setting, she creates environments in which meaning unfolds as viewers allow their gazes\u2014and themselves\u2014to wander. For her new works, which engage with architecture, the artist superimposes enormous photographs on entire fa\u00e7ades and concourses.\u00a0This publication is the first to put the focus on Sabine Hornig\u2019s art in three dimensions, detailing her process from the building of sculptural models and the combination with transparent photographic layers to her creation of works in public settings. It showcases her largest installation to date, at LaGuardia Airport in New York City, which she discusses in a conversation with Nicholas Baume, director and chief curator, Public Art Fund, New York.<\/p>\n<p><a href=\"https:\/\/dcv-books.com\/en\/sabine-hornig\/\">Limited art edition available<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":15304,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[2208,2210,2212,2211,2217],"product_tag":[],"class_list":{"0":"post-15311","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-all-books","7":"product_cat-film-and-video","8":"product_cat-installation-art","9":"product_cat-photography","10":"product_cat-sculpture","12":"first","13":"instock","14":"taxable","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sabine Hornig - Passage through Presence - DCV<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dcv-books.com\/en\/produkt\/sabine-hornig-passage-through-presence\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sabine Hornig - Passage through Presence - DCV\" \/>\n<meta property=\"og:description\" content=\"Layered Spacetimes in Large Formats  Sabine Hornig (b. 1964; lives and works in Berlin) has earned international acclaim with sculptures, photographs, and architectural interventions that interweave image, perspective, and space in distinctive ways. Her works feature translucent pictorial planes on glass panes; integrating these sculptural elements into the setting, she creates environments in which meaning unfolds as viewers allow their gazes\u2014and themselves\u2014to wander. For her new works, which engage with architecture, the artist superimposes enormous photographs on entire fa\u00e7ades and concourses.\u00a0This publication is the first to put the focus on Sabine Hornig\u2019s art in three dimensions, detailing her process from the building of sculptural models and the combination with transparent photographic layers to her creation of works in public settings. It showcases her largest installation to date, at LaGuardia Airport in New York City, which she discusses in a conversation with Nicholas Baume, director and chief curator, Public Art Fund, New York.  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